This is an archive article published on May 8, 2016

For the Love of an Animal

The story of Mia, Sita and Rhea and why performing animals could do with a happy ending.

Written by: Glyn Peterson
4 min readMay 8, 2016 12:00 AM IST First published on: May 8, 2016 at 12:00 AM IST
Life in chains: Thousands throng to see temple elephants during the pooram. (Photo: Express Archive) Life in chains: Thousands throng to see temple elephants during the pooram. (Photo: Express Archive)

Torn from their herd as calves, Mia, Sita, and Rhea have spent most of their lives in chains, shuffling from dark, cramped holding cells to circus stages in Tamil Nadu. Never far from their mahout’s sharp bull hook, these elephants awe audiences with their ability to gracefully pick up performers with their trunks and stand on their hind legs, or even their heads. Spectators sit too far from the stage to notice the red welts on the sisters’ ankles from the chains they wear when not preforming or the limps that each elephant acquired after years of forcefully having to manouever their massive bodies into unnatural positions. “Every move a circus elephant makes on stage is done out of a fear of pain. I find it painfully ironic that Indians worship Ganesha, but treat temple elephants, and all captive elephants, with so much cruelty,” says Prashanth V, head, Federation of Indian Animal Protection Organisation’s (FIAPO) campaign to end circus suffering.

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