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Dolce and Gabbana just set a $6 million record for fashion NFTs

The promise of Dolce & Gabbana experiences, including invitations to future Alta Moda events, were included with each sale

By: New York Times | New Delhi |
October 6, 2021 10:30:56 pm
dolce gabbanaDesigner duo Domenico Dolce (L) and Stefano Gabbana (Source: Express Archives)

Written by Dana Thomas

The digital world’s cancellation of Dolce & Gabbana after a series of offensive statements about race, sexuality and size, which reached its apogee in 2018 when the fashion house released a video in China featuring a Chinese model clumsily eating spaghetti with chopsticks, appears to have reached a multimillion-dollar end.

How else to interpret the fact that the brand announced Sept. 30 it had sold at auction a nine-piece collection of digital NFTs, or nonfungible tokens, alongside some actual couture for a total of 1,885.719 Ether (Ethereum cryptocurrency), or the equivalent of nearly $5.7 million.

Collezione Genesi, conceived with and auctioned by UNXD, a curated marketplace for digital luxury and culture, was said to be the most complex fashion NFT created and offered so far.

Since the announcement, the cryptocurrency’s value has climbed — up 10% as of Friday — making the collection now worth $6.1 million as the payment to Dolce & Gabbana will be made at market rates rather than values at the auction’s close. The purchasers included Pranksy and Seedphrase, two leading NFT collectors; Boson Protocol, a company building a crypto-commerce protocol; and Red DAO, a decentralized autonomous organization formed in the crypto community to invest in digital fashion.

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“These prices are not surprising,” said Nick Jushchyshyn, program director for Virtual Reality and Immersive Media at Drexel University. “You have world-renowned designers creating something absolutely unique, with attention to detail — it is beyond what you expect to see in a typical digital rendering — and it’s a one of one. It makes perfect sense that there would be an NFT collector in the world who would value it.”

Merav Ozair, a leading expert on blockchain and FinTech professor at Rutgers Business School, concurred. “In fact, I thought it would come sooner,” Ozair said. “We are moving toward a virtual-reality world, and when we get to that state — sooner than we think, in a matter of years — luxury goods will be part of that world.”

The project was born in April, when Shashi Menon, the Dubai-based publisher of Vogue Arabia, and founder and CEO of UNXD, approached Dolce & Gabbana with the idea. “They were instantly taken with it,” he said — even though the brand is known more for its over-the-top luxury happenings than its pioneering technological spirit (see its semiannual couture Alta Moda weekend, most recently held in Venice in August, during which Jennifer Hudson belted out Puccini’s “Nessun Dorma” during the women’s fashion show and Helen Mirren danced to Ciara performing “1, 2 Step” at the closing party).

Together, they created Collezione Genesi — or the Genesis Collection (there are said to be more coming). Dolce & Gabbana did not respond to a request for comment.

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Five of the pieces were physical creations, designed and executed by Dolce & Gabbana, with virtual iterations by UNXD for the metaverse: two versions of The Dress from a Dream, in gold and in silver, both with shimmering beads and crystal accents; The Glass Suit, an emerald-green men’s suit, similarly embellished; and two gold-plated and gem-studded silver crowns, called The Lion Crown and The Doge Crown.

The four other pieces were solely digital: three richly embroidered men’s jackets and The Impossible Tiara, made of “gems that can’t quite be found on Earth,” as Dolce & Gabbana explained on Twitter. Based on sketches by the brand’s designers, Domenico Dolce and Stefano Gabbana, they were constructed by UNXD, using the Polygon blockchain.

The promise of D&G experiences, including invitations to future Alta Moda events, were included with each sale.

The physical items were displayed in an ornate salon of Venice’s 17th-century casino during the Alta Moda event. UNXD opened the auction Sept. 21, and it ended progressively between Sept. 28 and 30.

The highest price was paid for The Doge Crown, an opulent headdress with seven blue sapphires and 142 diamonds, which went for 423.50 Ether, or $1.25 million at the time of the auction, bought by Red DAO. Aaron Wright and Megan Kaspar, two members of the group, described the auction in an email as “a ‘big bang’ moment” for fashion NFTs.

Pranksy (a play on Bansky) wrote in an email Saturday: “I was really excited about D&G entering the NFT space, especially as my wife, Magpie, and her close friend, one of my company directors, Josephine Dwyer-Mann, have a real passion for haute couture.” Like many wealthy crypto natives, Pranksy keeps his real name secret and would only communicate by email or voice-distorted Zoom.

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He bought the virtual-only Golden Impossible jacket for 99.99 Ether; the virtual-only Impossible Tiara, also for 99.99 Ether; and The Dress from a Dream: Silver, which is digital and physical, for 188.1 Ether, and The Dress from a Dream: Gold, which is also digital and physical, for 225.5 Ether. (A fashion follower himself, Pranksy said he was wearing “a Versace shirt and some scruffy jeans” as he answered written questions from an undisclosed location in Britain.) “NFTs in fashion has huge potential, especially when linked — as D&G has — to the physical,” he wrote.

Dolce & Gabbana and UNXD have more NFTs planned. At the end of the month, they plan to introduce DGFamily, a crypto community with four levels of membership, the highest tier being gold, made up, at least at first, of the Collezione Genesi buyers. Next to come is an NFT collection of digitally handcrafted jewel boxes that will open access to further digital and physical drops and experiences.

Pranksy said he thinks this is just the beginning. The new generations of consumers “see higher value in the virtual than past generations,” he wrote.

Menon agreed. “The sale resets the market,” he said.

This article originally appeared in The New York Times.

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