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This is an archive article published on November 20, 2020

The Experimenter Curators’ Hub ‘implores us to introspect and self-reflect’

In its 10th edition and conducted entirely virtually this year, the Experimenter Curators’ Hub brings together renowned names from around the world

Raqs Media CollectiveDay one of the event saw presentations by members of Raqs Media Collective (KATO Hajime, Organizing Committee for Yokohama Triennale)

In a year when art and related practices have responded to rather unprecedented times — from being shared with the audience digitally to the very nature of artmaking being altered on other occasions — opening the Experimenter Curators’ Hub on November 19, Prateek Raja, Director, Experimenter, noted, “This year, we will use time as a tool; a tool not only to measure temporality or history or even the future but as a tool of awareness, tool for introspection.. as we are gathered here today, unbound by geography or physically, what seems to be clear is that we can be resilient together.”

In its 10th edition, the four-day hub that is being held virtually brings together some of biggest names in the field. “Keeping the spirit of reflection in mind and to look back at the role time played on curatorial practice, we have invited a key participant from each prior iteration of the Hub to return and share how time has transformed their conceptual anchors, collaborative processes and the cultural infrastructure that sustains exhibitions as form-ideas,” noted Priyanka and Prateek Raja in a release. The duo conceived the hub in 2009 when curation was rather misinterpreted in India.

Natasha_Ginwala Natasha Ginwala (Photo credit: Mara Zatti)

In the opening address for the ongoing edition, moderator Natasha Ginwala, Associate Curator at Gropius Bau, Berlin, and artistic director of COLOMBOSCOPE, Colombo, stated, “We might begin by asking what keeps us going with the synergy of making and thinking together even through this paradox of mass disembodiment and fragile embodiment. Why do we conceive formats for cultural ensembles, infrastructures that are not only exhibition containers but modes of thinking, feeling with the world? The affinities of this loose and shape-shifting global community, in a condensed form, has recurred throughout the Curators’ Hub.”

Adam Szymczyk Adam Szymczyk (Photo credit: Gina Folly)

While day one saw presentations by members of Raqs Media Collective and Naomi Beckwith, Manilow Senior Curator at the Museum of Contemporary Art Chicago, today evening (November 20) will see participation by Léuli Eshrāghi, the board of secretary of the Indigenous Curatorial Collective and the inaugural Horizon/Indigenous Futures postdoctoral fellow at Concordia University; Naman P Ahuja, curator of Indian art and Professor at Jawaharlal Nehru University; and Reem Fadda, curator, art historian, and Director of the Cultural Foundation in Abu Dhabia. Addressing the audience on November 21 will be Doryun Chong, Deputy Director, Curatorial, and Chief Curator of M+, Hong Kong; Adam Szymczyk, Curator-at-Large at the Stedelijk Museum in Amsterdam and Artistic Director of Documenta 14 in Athens and Kassel in ߡ Alessandro Vincentelli, Curator of Exhibitions & Research at BALTIC Centre for Contemporary Art, Gateshead. The final day will see a panel discussion, preceded by presentations by writer and curator Zasha Colah, and Gitanjali Dang, curator, writer and founder of Khanabadosh, an itinerant arts lab.

Naman Ahuja Naman Ahuja at his studio

Being streamed live, the sessions are also open for audience interaction. To register, visit http://www.tinyurl.com/ECH2020

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Vandana Kalra is an art critic and Deputy Associate Editor with The Indian Express. She has spent more than two decades chronicling arts, culture and everyday life, with modern and contemporary art at the heart of her practice. With a sustained engagement in the arts and a deep understanding of India’s cultural ecosystem, she is regarded as a distinctive and authoritative voice in contemporary art journalism in India. Vandana Kalra's career has unfolded in step with the shifting contours of India’s cultural landscape, from the rise of the Indian art market to the growing prominence of global biennales and fairs. Closely tracking its ebbs and surges, she reports from studios, galleries, museums and exhibition spaces and has covered major Indian and international art fairs, museum exhibitions and biennales, including the Venice Biennale, Kochi-Muziris Biennale, Documenta, Islamic Arts Biennale. She has also been invited to cover landmark moments in modern Indian art, including SH Raza’s exhibition at the Centre Pompidou in Paris and the opening of the MF Husain Museum in Doha, reflecting her long engagement with the legacies of India’s modern masters. Alongside her writing, she applies a keen editorial sensibility, shaping and editing art and cultural coverage into informed, cohesive narratives. Through incisive features, interviews and critical reviews, she brings clarity to complex artistic conversations, foregrounding questions of process, patronage, craft, identity and cultural memory. The Global Art Circuit: She provides extensive coverage of major events like the Kochi-Muziris Biennale, Serendipity Arts Festival, and high-profile international auctions. Artist Spotlights: She writes in-depth features on modern masters (like M.F. Husain) and contemporary performance artists (like Marina Abramović). Art and Labor: A recurring theme in her writing is how art reflects the lives of the marginalized, including migrants, farmers, and labourers. Recent Notable Articles (Late 2025) Her recent portfolio is dominated by the coverage of the 2025 art season in India: 1. Kochi-Muziris Biennale & Serendipity Arts Festival "At Serendipity Arts Festival, a 'Shark Tank' of sorts for art and crafts startups" (Dec 20, 2025): On how a new incubator is helping artisans pitch products to investors. "Artist Birender Yadav's work gives voice to the migrant self" (Dec 17, 2025): A profile of an artist whose decade-long practice focuses on brick kiln workers. "At Kochi-Muziris Biennale, a farmer’s son from Patiala uses his art to draw attention to Delhi’s polluted air" (Dec 16, 2025). "Kochi Biennale showstopper Marina Abramović, a pioneer in performance art" (Dec 7, 2025): An interview with the world-renowned artist on the power of reinvention. 2. M.F. Husain & Modernism "Inside the new MF Husain Museum in Qatar" (Nov 29, 2025): A three-part series on the opening of Lawh Wa Qalam in Doha, exploring how a 2008 sketch became the architectural core of the museum. "Doha opens Lawh Wa Qalam: Celebrating the modernist's global legacy" (Nov 29, 2025). 3. Art Market & Records "Frida Kahlo sets record for the most expensive work by a female artist" (Nov 21, 2025): On Kahlo's canvas The Dream (The Bed) selling for $54.7 million. "All you need to know about Klimt’s canvas that is now the most expensive modern artwork" (Nov 19, 2025). "What’s special about a $12.1 million gold toilet?" (Nov 19, 2025): A quirky look at a flushable 18-karat gold artwork. 4. Art Education & History "Art as play: How process-driven activities are changing the way children learn art in India" (Nov 23, 2025). "A glimpse of Goa's layered history at Serendipity Arts Festival" (Dec 9, 2025): Exploring historical landmarks as venues for contemporary art. Signature Beats Vandana is known for her investigative approach to the art economy, having recently written about "Who funds the Kochi-Muziris Biennale?" (Dec 11, 2025), detailing the role of "Platinum Benefactors." She also explores the spiritual and geometric aspects of art, as seen in her retrospective on artist Akkitham Narayanan and the history of the Cholamandal Artists' Village (Nov 22, 2025). ... Read More


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