Picasso canvas reappears in public 80 years after it was painted

Painted by Pablo Picasso in Germany-occupied Paris during World War II, the oil features French artist Dora Maar, his partner for several years

PicassoPablo Picasso's Bust of a Woman in a Flowery Hat (Dora Maar)

Eighty years after its first owner purchased the painting, Pablo Picasso’s Bust of a Woman in a Flowery Hat (Dora Maar) has been revealed to the public by the auction house Lucien Paris that will put it on sale on October 24. Measuring 80 cm x 60 cm, while the oil on canvas carries a reserve price of €8 million, it is expected to fetch much more.

Painted when the artist was 61 and living in Germany-occupied Paris during World War II, the protagonist of the fragmented portrait was French photographer and painter Dora Maar, with whom Picasso shared a long and turbulent relationship.

This was also the time when the artist was enduring the difficult circumstances of the war, through which he continued to paint. “His art then became a form of inner resistance. For him, it was better to paint something — anything — than to do nothing at all. Though world-famous, he endured the pressures of the Nazi regime: searches, interrogations, intimidation,” states Picasso specialist Agnès Sevestre-Barbé in the catalogue note.

Commenting on the artwork, Sevestre-Barbé notes, “This spectacular canvas, shielded from view for decades, painted in Paris in July 1943, shows how Picasso, in the midst of war, pursued his portraits of women with hats — here in a version of rare chromatic intensity. Buste de femme au chapeau à fleurs reveals a treatment midway between late Cubism and decorative stylisation… The face, framed by jet-black hair structured with emerald-green strands, is reconstructed in flat fields of vivid colour, without perspective or modelling. Picasso juxtaposes acid greens, matte reds, violets, deep blues, radiant yellows. Each segment of the face appears autonomous, intensifying the sensation of fragmentation.”

Acquired by a private collector in August 1944, the work has reportedly not been exhibited since and has never appeared at an auction. Before it was sold, it was documented in black-and-white in a catalogue by French art historian and critic Christian Zervos in 1962, with photographs taken by Hungarian-French photographer Brassaï between late April and early May 1944.

Vandana Kalra is an art critic and Deputy Associate Editor with The Indian Express. She has spent more than two decades chronicling arts, culture and everyday life, with modern and contemporary art at the heart of her practice. With a sustained engagement in the arts and a deep understanding of India’s cultural ecosystem, she is regarded as a distinctive and authoritative voice in contemporary art journalism in India. Vandana Kalra's career has unfolded in step with the shifting contours of India’s cultural landscape, from the rise of the Indian art market to the growing prominence of global biennales and fairs. Closely tracking its ebbs and surges, she reports from studios, galleries, museums and exhibition spaces and has covered major Indian and international art fairs, museum exhibitions and biennales, including the Venice Biennale, Kochi-Muziris Biennale, Documenta, Islamic Arts Biennale. She has also been invited to cover landmark moments in modern Indian art, including SH Raza’s exhibition at the Centre Pompidou in Paris and the opening of the MF Husain Museum in Doha, reflecting her long engagement with the legacies of India’s modern masters. Alongside her writing, she applies a keen editorial sensibility, shaping and editing art and cultural coverage into informed, cohesive narratives. Through incisive features, interviews and critical reviews, she brings clarity to complex artistic conversations, foregrounding questions of process, patronage, craft, identity and cultural memory. The Global Art Circuit: She provides extensive coverage of major events like the Kochi-Muziris Biennale, Serendipity Arts Festival, and high-profile international auctions. Artist Spotlights: She writes in-depth features on modern masters (like M.F. Husain) and contemporary performance artists (like Marina Abramović). Art and Labor: A recurring theme in her writing is how art reflects the lives of the marginalized, including migrants, farmers, and labourers. Recent Notable Articles (Late 2025) Her recent portfolio is dominated by the coverage of the 2025 art season in India: 1. Kochi-Muziris Biennale & Serendipity Arts Festival "At Serendipity Arts Festival, a 'Shark Tank' of sorts for art and crafts startups" (Dec 20, 2025): On how a new incubator is helping artisans pitch products to investors. "Artist Birender Yadav's work gives voice to the migrant self" (Dec 17, 2025): A profile of an artist whose decade-long practice focuses on brick kiln workers. "At Kochi-Muziris Biennale, a farmer’s son from Patiala uses his art to draw attention to Delhi’s polluted air" (Dec 16, 2025). "Kochi Biennale showstopper Marina Abramović, a pioneer in performance art" (Dec 7, 2025): An interview with the world-renowned artist on the power of reinvention. 2. M.F. Husain & Modernism "Inside the new MF Husain Museum in Qatar" (Nov 29, 2025): A three-part series on the opening of Lawh Wa Qalam in Doha, exploring how a 2008 sketch became the architectural core of the museum. "Doha opens Lawh Wa Qalam: Celebrating the modernist's global legacy" (Nov 29, 2025). 3. Art Market & Records "Frida Kahlo sets record for the most expensive work by a female artist" (Nov 21, 2025): On Kahlo's canvas The Dream (The Bed) selling for $54.7 million. "All you need to know about Klimt’s canvas that is now the most expensive modern artwork" (Nov 19, 2025). "What’s special about a $12.1 million gold toilet?" (Nov 19, 2025): A quirky look at a flushable 18-karat gold artwork. 4. Art Education & History "Art as play: How process-driven activities are changing the way children learn art in India" (Nov 23, 2025). "A glimpse of Goa's layered history at Serendipity Arts Festival" (Dec 9, 2025): Exploring historical landmarks as venues for contemporary art. Signature Beats Vandana is known for her investigative approach to the art economy, having recently written about "Who funds the Kochi-Muziris Biennale?" (Dec 11, 2025), detailing the role of "Platinum Benefactors." She also explores the spiritual and geometric aspects of art, as seen in her retrospective on artist Akkitham Narayanan and the history of the Cholamandal Artists' Village (Nov 22, 2025). ... Read More


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