This is an archive article published on January 21, 2021

How a group of Kerala artists are marking their solidarity with the farmers’ strike in the Capital

Folk-reggae band Oorali are getting painters, musicians and actors, to bring their art material aboard the Kerala Express as they take a train journey from Thrissur to Delhi and prepare for impromptu sessions

The six-member collective will travel to the capital to express support to farmers protesting against the new Farm Laws.(Express photo by Amit Mehra)The six-member collective will travel to the capital to express support to farmers protesting against the new Farm Laws.(Express photo by Amit Mehra)

On January 22, when Kerala Express leaves from Thrissur to Delhi, it will have onboard, apart from other commuters, members of the music band Oorali. Comprising musicians, actors and visual artists, the six-member collective will travel to the capital to express support to farmers protesting against the new Farm Laws. “This is one of the most massive democratic protests in the history of independent India and by travelling all the way and being with the farmers, we want to express solidarity with them,” says Saji K, founder and musician in the Kerala-based band.

Known to comment on socio-political issues, the largely folk-reggae band has also reached out for support through social media, requesting others to join them. Returning to Thrissur on January 30, in Delhi, the band will visit farmers in border areas and stay with them. “We haven’t decided if we would perform but we are carrying our instruments. It will be impromptu. We are asking all artists to come with their art material,” says Saji.

The band was established in 2013. (Photo: screengrab/ Oorali website)

He adds, “There are around 2.5 lakh farmers, including elders, women and children, spread out across six locations on the borders of Delhi, peacefully protesting for more than 50 days in the shattering Delhi winter. It is our duty as artists to awaken the attention of the citizens and the international art community to this struggle, thereby pressurising our government to adhere to the needs of its people, rather than to the whimsies of corporates. We request the Indian art community to use art to give strength, highlight and create discussions about this issue.” The response, he says, has been encouraging. While several artists will join the collective in Delhi, more than 15 videographers, painters, musicians and actors will travel with the band on the train from Thrissur.

The largely folk-reggae band has also reached out for support through social media. (Photo: screengrab/ Oorali website)

Established in 2013, the band comprises six core members – Saji, Martin John C (actor, director, singer), Shaji Surendranath (actor, dramaturge and lyricist) Arjun (musician percussionist, tattoo artist and Carnatic vocalist), Mallu (actor) and Sudheesh KU (percussionist, painter and vocalist). The collective has performed in several towns and villages across Kerala in a refurbished bus, converted into a performing space, they have named Oorali Express. If during a performance in 2018 in Bengaluru, they stressed on the importance of water bodies, in 2017 the band started a campaign to protest against Vinayakan’s death, a Dalit boy who was allegedly tortured in police custody in Thrissur. In 2019, the band took a trip across Kerala to thank fishermen who had led the rescue operations during the 2018 floods in the state.

“We are not really a genre-based band. Music, for us, is a way of expression. Being political is the fabric of the democracy we live in, it’s not about being affiliated to any political party. We speak the language of art through our music,” says Saji.

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Vandana Kalra is an art critic and Deputy Associate Editor with The Indian Express. She has spent more than two decades chronicling arts, culture and everyday life, with modern and contemporary art at the heart of her practice. With a sustained engagement in the arts and a deep understanding of India’s cultural ecosystem, she is regarded as a distinctive and authoritative voice in contemporary art journalism in India. Vandana Kalra's career has unfolded in step with the shifting contours of India’s cultural landscape, from the rise of the Indian art market to the growing prominence of global biennales and fairs. Closely tracking its ebbs and surges, she reports from studios, galleries, museums and exhibition spaces and has covered major Indian and international art fairs, museum exhibitions and biennales, including the Venice Biennale, Kochi-Muziris Biennale, Documenta, Islamic Arts Biennale. She has also been invited to cover landmark moments in modern Indian art, including SH Raza’s exhibition at the Centre Pompidou in Paris and the opening of the MF Husain Museum in Doha, reflecting her long engagement with the legacies of India’s modern masters. Alongside her writing, she applies a keen editorial sensibility, shaping and editing art and cultural coverage into informed, cohesive narratives. Through incisive features, interviews and critical reviews, she brings clarity to complex artistic conversations, foregrounding questions of process, patronage, craft, identity and cultural memory. The Global Art Circuit: She provides extensive coverage of major events like the Kochi-Muziris Biennale, Serendipity Arts Festival, and high-profile international auctions. Artist Spotlights: She writes in-depth features on modern masters (like M.F. Husain) and contemporary performance artists (like Marina Abramović). Art and Labor: A recurring theme in her writing is how art reflects the lives of the marginalized, including migrants, farmers, and labourers. Recent Notable Articles (Late 2025) Her recent portfolio is dominated by the coverage of the 2025 art season in India: 1. Kochi-Muziris Biennale & Serendipity Arts Festival "At Serendipity Arts Festival, a 'Shark Tank' of sorts for art and crafts startups" (Dec 20, 2025): On how a new incubator is helping artisans pitch products to investors. "Artist Birender Yadav's work gives voice to the migrant self" (Dec 17, 2025): A profile of an artist whose decade-long practice focuses on brick kiln workers. "At Kochi-Muziris Biennale, a farmer’s son from Patiala uses his art to draw attention to Delhi’s polluted air" (Dec 16, 2025). "Kochi Biennale showstopper Marina Abramović, a pioneer in performance art" (Dec 7, 2025): An interview with the world-renowned artist on the power of reinvention. 2. M.F. Husain & Modernism "Inside the new MF Husain Museum in Qatar" (Nov 29, 2025): A three-part series on the opening of Lawh Wa Qalam in Doha, exploring how a 2008 sketch became the architectural core of the museum. "Doha opens Lawh Wa Qalam: Celebrating the modernist's global legacy" (Nov 29, 2025). 3. Art Market & Records "Frida Kahlo sets record for the most expensive work by a female artist" (Nov 21, 2025): On Kahlo's canvas The Dream (The Bed) selling for $54.7 million. "All you need to know about Klimt’s canvas that is now the most expensive modern artwork" (Nov 19, 2025). "What’s special about a $12.1 million gold toilet?" (Nov 19, 2025): A quirky look at a flushable 18-karat gold artwork. 4. Art Education & History "Art as play: How process-driven activities are changing the way children learn art in India" (Nov 23, 2025). "A glimpse of Goa's layered history at Serendipity Arts Festival" (Dec 9, 2025): Exploring historical landmarks as venues for contemporary art. Signature Beats Vandana is known for her investigative approach to the art economy, having recently written about "Who funds the Kochi-Muziris Biennale?" (Dec 11, 2025), detailing the role of "Platinum Benefactors." She also explores the spiritual and geometric aspects of art, as seen in her retrospective on artist Akkitham Narayanan and the history of the Cholamandal Artists' Village (Nov 22, 2025). ... Read More


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