This is an archive article published on May 1, 2022

The India Art Fair has artists questioning gender stereotypes and celebrating femininity

Art reflects society but also attempts at bringing a change. Among its numerous other highlights, the India Art Fair (IAF) 2022 also has several artists questioning gender stereotypes. Here is a look at some of the works intended at that.

sangita jogi, india art fair 2022Sangita Jogi's dot drawings depict the new roles performed by women in an urban milieu.

Sangita Jogi’s set of works presented by the Delhi Crafts Council

Recipient of the Kamaladevi Puraskar of the Delhi Crafts Council, Sangita Jogi’s dot drawings depict the new roles performed by women in an urban milieu. Based in rural Rajasthan, the ink works have scenes from the city, based on Jogi’s observations during her various travels and exposure through social media. So there are women working in office, masked women delivering speeches, and Jogi, too, drawing after completing her household chores.

The Future is Femme by Aravani Art Project

india art fair 2022 ‘The Future is Femme’ by Aravani Art Project.

Right at the entrance, a 50-feet mural by the trans-artist collective Aravani Art Project visualises a gender-free and inclusive world and how it would be to live freely and nurture different communities without any bias.

Pritish Bali and Anu Bali’s project with Serendipity Arts

India art fair 2022 The digital project comprises archived conversation about meals prepared by a mother.

The set for this artwork is a room recreated in a small cubicle, with a kitchen and cupboard and a sofa where visitors are invited to view a video that discusses the unacknowledged contributions of homemakers and domestic caregivers, the growing gender-gap and unpaid domestic labour. The digital project comprises archived conversation about meals prepared by a mother, acting as a metaphor for the countless seemingly invisible tasks she also performs.

Chitra Ganesh’s works at the Gallery Espace booth

chitra ganesh, india art fair 2022 Chitra Ganesh’s works bring together science, myth and tech.

In Brooklyn-based Chitra Ganesh’s hybrid works on paper, the male heroes are replaced with women and the stereotypes are questioned.

Known for her cutting-edge, fantastical works, she uses celestial backdrops in these works that also bring together science, myth and tech.

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Darkest Hour, Adeela Suleman, presented by Aicon Gallery

india art fair 2022 ‘Darkest Hour’ by Adeela Suleman.

The artist uses objects found in the kitchen to discuss gender-based role divisions. She notes how in spite of the numerous options now available to women, they have to fulfill the traditional expectations associated with gender. Suleman puts together the objects in the shape of a steel motorbike helmet, usually worn by men in Pakistan.

Seema Kohli’s set of works at Art Heritage booth

india art fair 2022 Seema Kohli’s work borrows from the concept of Shakti.

In her set of works, the Delhi-based artist borrows from the concept of Shakti, the divine cosmic energy which manifests itself through female embodiment. “Of particular importance is the concept of Hiranyagarbha or The Golden Womb, from which we have emerged, which is self-pervading and all-encompassing,” she writes in a concept note.

Compiled by Vandana Kalra

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Vandana Kalra is an art critic and Deputy Associate Editor with The Indian Express. She has spent more than two decades chronicling arts, culture and everyday life, with modern and contemporary art at the heart of her practice. With a sustained engagement in the arts and a deep understanding of India’s cultural ecosystem, she is regarded as a distinctive and authoritative voice in contemporary art journalism in India. Vandana Kalra's career has unfolded in step with the shifting contours of India’s cultural landscape, from the rise of the Indian art market to the growing prominence of global biennales and fairs. Closely tracking its ebbs and surges, she reports from studios, galleries, museums and exhibition spaces and has covered major Indian and international art fairs, museum exhibitions and biennales, including the Venice Biennale, Kochi-Muziris Biennale, Documenta, Islamic Arts Biennale. She has also been invited to cover landmark moments in modern Indian art, including SH Raza’s exhibition at the Centre Pompidou in Paris and the opening of the MF Husain Museum in Doha, reflecting her long engagement with the legacies of India’s modern masters. Alongside her writing, she applies a keen editorial sensibility, shaping and editing art and cultural coverage into informed, cohesive narratives. Through incisive features, interviews and critical reviews, she brings clarity to complex artistic conversations, foregrounding questions of process, patronage, craft, identity and cultural memory. The Global Art Circuit: She provides extensive coverage of major events like the Kochi-Muziris Biennale, Serendipity Arts Festival, and high-profile international auctions. Artist Spotlights: She writes in-depth features on modern masters (like M.F. Husain) and contemporary performance artists (like Marina Abramović). Art and Labor: A recurring theme in her writing is how art reflects the lives of the marginalized, including migrants, farmers, and labourers. Recent Notable Articles (Late 2025) Her recent portfolio is dominated by the coverage of the 2025 art season in India: 1. Kochi-Muziris Biennale & Serendipity Arts Festival "At Serendipity Arts Festival, a 'Shark Tank' of sorts for art and crafts startups" (Dec 20, 2025): On how a new incubator is helping artisans pitch products to investors. "Artist Birender Yadav's work gives voice to the migrant self" (Dec 17, 2025): A profile of an artist whose decade-long practice focuses on brick kiln workers. "At Kochi-Muziris Biennale, a farmer’s son from Patiala uses his art to draw attention to Delhi’s polluted air" (Dec 16, 2025). "Kochi Biennale showstopper Marina Abramović, a pioneer in performance art" (Dec 7, 2025): An interview with the world-renowned artist on the power of reinvention. 2. M.F. Husain & Modernism "Inside the new MF Husain Museum in Qatar" (Nov 29, 2025): A three-part series on the opening of Lawh Wa Qalam in Doha, exploring how a 2008 sketch became the architectural core of the museum. "Doha opens Lawh Wa Qalam: Celebrating the modernist's global legacy" (Nov 29, 2025). 3. Art Market & Records "Frida Kahlo sets record for the most expensive work by a female artist" (Nov 21, 2025): On Kahlo's canvas The Dream (The Bed) selling for $54.7 million. "All you need to know about Klimt’s canvas that is now the most expensive modern artwork" (Nov 19, 2025). "What’s special about a $12.1 million gold toilet?" (Nov 19, 2025): A quirky look at a flushable 18-karat gold artwork. 4. Art Education & History "Art as play: How process-driven activities are changing the way children learn art in India" (Nov 23, 2025). "A glimpse of Goa's layered history at Serendipity Arts Festival" (Dec 9, 2025): Exploring historical landmarks as venues for contemporary art. Signature Beats Vandana is known for her investigative approach to the art economy, having recently written about "Who funds the Kochi-Muziris Biennale?" (Dec 11, 2025), detailing the role of "Platinum Benefactors." She also explores the spiritual and geometric aspects of art, as seen in her retrospective on artist Akkitham Narayanan and the history of the Cholamandal Artists' Village (Nov 22, 2025). ... Read More


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