Premium
This is an archive article published on February 9, 2018

Turntable of Colours

The India Art Fair, which opens today in Delhi, promises to frame our interest with Modernists, tribal art and craft, photography, films and conversations

S H Raza’ s Sanmati

In 2008, when a young postgraduate in marketing, Neha Kirpal, first mooted the idea of an art fair in India, it was hard to sell. She went ahead, nevertheless, with 30-odd galleries in the rather dingy halls of Pragati Maidan. Ten years on, when the fair opens at NSIC Exhibition Grounds in Okhla today, it will see the participation of 70 galleries from across the world. The event also has a new director: Jagdip Jagpal. Member of the development board at the Royal College of Art, she comes with an experience of having worked with prestigious institutions such as Tate and the Wallace Collection. “I intend to make it (the fair) a dynamic space where you can see the best of Indian art,” said Jagpal, talking about her long-term vision for
the fair.

Art projects will have a dedicated space this year. The 18 projects include Reena Saini Kallat’s Verso-Recto-Recto-Verso, that refers to the Constitution of India, where the founders hoped to create a nation where justice, liberty, equality and fraternity would prevail. Tanya Goel will present a neel pigment wall drawing outside the VIP lounge, and Photoink will present a never-seen-before print from the Umrao Sher-Gil estate. In Shilpa Gupta’s video projection Shadow 3, the viewer becomes an active participant of the unfolding narrative. If Pakistani artist Imran Qureshi’s paintings will “reflect on current events and the troubled state of his native land”, Kiran Nadar Museum of Art will showcase the late Hema Upadhyay’s 8×12, that addresses the vulnerability of urban life in third-world cities.

The Modernists will occupy several booths at the fair. If Art Heritage will showcase works of KG Subramanyan, Akar Prakar will display works that SH Raza painted as tribute to Mahatma Gandhi. Sanchit Art will present a solo of Bengal artist Jogen Chowdhury, curated by Arun Ghose. Delhi Art Gallery, meanwhile, will bring together works of nine artists honoured with the title of National Treasure by the Indian government in the ’70s — the highlights include the iconic painting Yashodha and Krishna by Raja Ravi Varma, sketches and paintings by Amrita Sher-Gil, some of Rabindranath Tagore’s rare works, postcards and paintings by Nandalal Bose, and works of Abanindranath Tagore. Gallery Espace, meanwhile, will organise a ‘Drawing Wall’ where a selection of drawings from artists such as Krishen Khanna, Jeram Patel, Zarina Hashmi and MF Husain will be showcased. Japanese artist Yayoi Kusama’s works will be showcased by David Zwirner gallery.

Tribal art and craft will see a contemporary revival as well. Tribal Art Forms will present a curated booth of master Gond artist Jangarh Singh Shyam, and Delhi Crafts Council will showcase a collaborative project dedicated to the exploration of architecture through the hand-cutting paper stencil craft of Sanjhi. Pichvai Tradition & Beyond will present pichvai painting in a contemporary context.

Photography, too, will be given its due, as the event will showcase a range, from archival to contemporary. Swaraj Archive will present rare architectural photographs from the late 19th century till the first half of the 20th century, including photographs by Philip S Rawson, Bourne & Shepherd, William Henry Pigou, and the Archaeological Survey of India. Photoink will be showing works by Amit Madheshiya, Dileep Prakash, Ketaki Sheth, Madan Mahatta, Madhuban Mitra, Manas Bhattacharya, Srinath Iswaran and Vivan Sundaram, and Nature Morte will display works by Dayanita Singh.

The talks being held through the course of the event will bring the audience before the makers of art and also others who comprise the art fraternity. Among others, on February 10, the dais will have the co-founders of the Kochi Muziris Biennale, Bose Krishnamachari and Riyas Komu, and artists Anita Dube and Jitish Kallat, followed by a session that will announce India’s first ceramic art triennale that will be held in Jaipur in August. On February 11, artists Reena Kallat and Shuddhabrata Sengupta will talk about their international projects from last year, and the evening will see the launch of the book Oxford Readings in Indian Art, that “traces the long, rich, varied tradition of reflections on Indian art”. The final day, Monday, will see talks by artists Waqas Khan and Lubna Chowdhary. In a performance, Princess Pea, will bring Rehearsing in Acts, a work “based on the idea that the self exists
by proxy”.

Films based on celebrated projects include Nikhil Chopra’s much-acclaimed performance at the Documentary last year. In another film, Hetain Patel will comment on issues such as gender, race and identity in Don’t Look at the Finger.

Story continues below this ad

Curated walks will continue. With a renewed interest in interaction with the audience, the fair has made some more alterations. The focus, here, will range from modern to contemporary. There will also be walks for children between 9 to 14 years. Activities for children have also been organised in collaboration with Puffin Books — workshops on bookmaking, designing book covers and storytelling sessions.

Vandana Kalra is an art critic and Deputy Associate Editor with The Indian Express. She has spent more than two decades chronicling arts, culture and everyday life, with modern and contemporary art at the heart of her practice. With a sustained engagement in the arts and a deep understanding of India’s cultural ecosystem, she is regarded as a distinctive and authoritative voice in contemporary art journalism in India. Vandana Kalra's career has unfolded in step with the shifting contours of India’s cultural landscape, from the rise of the Indian art market to the growing prominence of global biennales and fairs. Closely tracking its ebbs and surges, she reports from studios, galleries, museums and exhibition spaces and has covered major Indian and international art fairs, museum exhibitions and biennales, including the Venice Biennale, Kochi-Muziris Biennale, Documenta, Islamic Arts Biennale. She has also been invited to cover landmark moments in modern Indian art, including SH Raza’s exhibition at the Centre Pompidou in Paris and the opening of the MF Husain Museum in Doha, reflecting her long engagement with the legacies of India’s modern masters. Alongside her writing, she applies a keen editorial sensibility, shaping and editing art and cultural coverage into informed, cohesive narratives. Through incisive features, interviews and critical reviews, she brings clarity to complex artistic conversations, foregrounding questions of process, patronage, craft, identity and cultural memory. The Global Art Circuit: She provides extensive coverage of major events like the Kochi-Muziris Biennale, Serendipity Arts Festival, and high-profile international auctions. Artist Spotlights: She writes in-depth features on modern masters (like M.F. Husain) and contemporary performance artists (like Marina Abramović). Art and Labor: A recurring theme in her writing is how art reflects the lives of the marginalized, including migrants, farmers, and labourers. Recent Notable Articles (Late 2025) Her recent portfolio is dominated by the coverage of the 2025 art season in India: 1. Kochi-Muziris Biennale & Serendipity Arts Festival "At Serendipity Arts Festival, a 'Shark Tank' of sorts for art and crafts startups" (Dec 20, 2025): On how a new incubator is helping artisans pitch products to investors. "Artist Birender Yadav's work gives voice to the migrant self" (Dec 17, 2025): A profile of an artist whose decade-long practice focuses on brick kiln workers. "At Kochi-Muziris Biennale, a farmer’s son from Patiala uses his art to draw attention to Delhi’s polluted air" (Dec 16, 2025). "Kochi Biennale showstopper Marina Abramović, a pioneer in performance art" (Dec 7, 2025): An interview with the world-renowned artist on the power of reinvention. 2. M.F. Husain & Modernism "Inside the new MF Husain Museum in Qatar" (Nov 29, 2025): A three-part series on the opening of Lawh Wa Qalam in Doha, exploring how a 2008 sketch became the architectural core of the museum. "Doha opens Lawh Wa Qalam: Celebrating the modernist's global legacy" (Nov 29, 2025). 3. Art Market & Records "Frida Kahlo sets record for the most expensive work by a female artist" (Nov 21, 2025): On Kahlo's canvas The Dream (The Bed) selling for $54.7 million. "All you need to know about Klimt’s canvas that is now the most expensive modern artwork" (Nov 19, 2025). "What’s special about a $12.1 million gold toilet?" (Nov 19, 2025): A quirky look at a flushable 18-karat gold artwork. 4. Art Education & History "Art as play: How process-driven activities are changing the way children learn art in India" (Nov 23, 2025). "A glimpse of Goa's layered history at Serendipity Arts Festival" (Dec 9, 2025): Exploring historical landmarks as venues for contemporary art. Signature Beats Vandana is known for her investigative approach to the art economy, having recently written about "Who funds the Kochi-Muziris Biennale?" (Dec 11, 2025), detailing the role of "Platinum Benefactors." She also explores the spiritual and geometric aspects of art, as seen in her retrospective on artist Akkitham Narayanan and the history of the Cholamandal Artists' Village (Nov 22, 2025). ... Read More


📣 For more lifestyle news, click here to join our WhatsApp Channel and also follow us on Instagram

Advertisement
Loading Recommendations...
Latest Comment
Post Comment
Read Comments