This is an archive article published on December 11, 2022

After getting postponed for two years, Kochi Muziris Biennale finally kicks off tomorrow

Curated by Singapore-based Indian origin artist Shubigi Rao, in its fifth edition, the Biennale will feature works of 90 artists from across the globe presented under the central exhibition titled "In Our Veins Flow Ink and Fire".

Archana Hande, hard at work to realise her work for the 5th edition of the Kochi-Muziris Biennale. (instagram.com/kochibiennale)
Archana Hande, hard at work to realise her work for the 5th edition of the Kochi-Muziris Biennale. (instagram.com/kochibiennale)

With some of the artworks still in transit and others being unwrapped, the display will be far from ready when the Kochi Muziris Biennale opens on December 12 at Fort Kochi; it has not deterred the excitement of the participants, says Bose Krishnamachari, president of Biennale. He notes, “This has been the most challenging edition, with a lot of roadblocks but there is a wonderful energy coming together, and there are fantastic works.”

Curated by Singapore-based Indian origin artist Shubigi Rao, in its fifth edition, the Biennale will feature works of 90 artists from across the globe presented under the central exhibition titled “In Our Veins Flow Ink and Fire”.

Scheduled to originally open in 2020 and delayed twice due to the pandemic, the Biennale venue has been a subject of discussion. The Kerala government, one of the main sponsors of the Biennale, was until recently in conversation with the current owner, DLF Group, to acquire the space. While the negotiations have reportedly failed, the delay in the possession of the venue for the Biennale is evident, as the installation work still continues.

 

Marred by challenges, the circumstances have affected the showcase in myriad ways. The domination of digital works, for instance, also reflects the limited scope for on-site production, which was difficult due to travel restrictions imposed during the pandemic. “This edition will see less production on-site than what I had envisioned and a higher than anticipated proportion of digital works, but that has resulted in a beautiful demonstration of how artists have worked around challenges, using varied media. Music and sound have become defining aspects of the Biennale, where one will listen to all kinds of sounds, from non-verbal to humming, human voice, animal sounds, disembodied noises and so on,” says Rao.

Spread across numerous venues in Kochi, including the historic Aspinwall House, Pepper House and Anand Warehouse, this year also marks several invitation programmes, where the Biennale has collaborated with institutions to present independent projects. Among others is Jitish Kallat curated “Tangled Hierarchy 2”, William Kentridge’s “Oh, To Believe in Another World”, and a community art project initiated during the COVID lockdown in northwest Bangladesh by Gidree Bawlee Foundation of Arts with support from Durjoy Bangladesh Foundation.

The inaugural day will see Rao introduce art enthusiasts to the main showcase, followed by a performance by Indonesian artist Melati Suryodarmo. The evening will witness the previous curators of the Biennale in conversation, followed by formal inauguration by Chief Minister of Kerala, Pinarayi Vijayan.

Incidentally, the edition also marks 10th year of the Biennale. The first edition, curated by its co-founders Riyas Komu and Bose Krishnamachari, was held in 2012-2013. “When we started, the first book we published was titled Against All Odds Kochi-Muziris Biennale, we are still there but we have managed to achieve incredible success in a short period. The Biennale has become an inspiration for several events in the subcontinent. The location has sustained and it has managed to instil local and national pride,” says Krishnamachari.

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Fact File

* The four-month-long Biennale is on till April 2023

* The venues are spread across Kochi. The main venues include Aspinwall House, Pepper House and Anand Warehouse.

* Tickets cost Rs 150 per adult, Rs 50 for students, and Rs 100 for senior citizens. Tickets are available on bookmyshow.com.

Week One Highlights

12/12/2022, 4-5 pm: A conversation between curators of the Kochi-Muziris Biennale from over the years.

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13/12/2022, 4.30- 6 pm: Book Launch, ‘Citizen Gallery: The Gandhys of Chemould and the Birth of Modern Art in Bombay’

14/12/2022, 11 am-12 pm: Book Launch ‘Bani Abidi: The Artist Who’ followed by a conversation between Huma Mulji, Omar Kasmani, and Bani Abidi

15/12/2022: 6.15pm – 8pm, Performance: ‘URSONATE’ by William Kentridge

16/12/2022: 6 pm – 8 pm, Artists’ Cinema: A Night of Knowing Nothing by Payal Kapadia (TBC)

17/12/2022: 6 pm to 7 pm, Performance: YOUtopia: Seo Jungmin and ensemble

18/12/2022: 7pm to 8 pm, Workshop & Performance Orlando by Julie Beauvais and Horace Lundd

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Vandana Kalra is an art critic and Deputy Associate Editor with The Indian Express. She has spent more than two decades chronicling arts, culture and everyday life, with modern and contemporary art at the heart of her practice. With a sustained engagement in the arts and a deep understanding of India’s cultural ecosystem, she is regarded as a distinctive and authoritative voice in contemporary art journalism in India. Vandana Kalra's career has unfolded in step with the shifting contours of India’s cultural landscape, from the rise of the Indian art market to the growing prominence of global biennales and fairs. Closely tracking its ebbs and surges, she reports from studios, galleries, museums and exhibition spaces and has covered major Indian and international art fairs, museum exhibitions and biennales, including the Venice Biennale, Kochi-Muziris Biennale, Documenta, Islamic Arts Biennale. She has also been invited to cover landmark moments in modern Indian art, including SH Raza’s exhibition at the Centre Pompidou in Paris and the opening of the MF Husain Museum in Doha, reflecting her long engagement with the legacies of India’s modern masters. Alongside her writing, she applies a keen editorial sensibility, shaping and editing art and cultural coverage into informed, cohesive narratives. Through incisive features, interviews and critical reviews, she brings clarity to complex artistic conversations, foregrounding questions of process, patronage, craft, identity and cultural memory. The Global Art Circuit: She provides extensive coverage of major events like the Kochi-Muziris Biennale, Serendipity Arts Festival, and high-profile international auctions. Artist Spotlights: She writes in-depth features on modern masters (like M.F. Husain) and contemporary performance artists (like Marina Abramović). Art and Labor: A recurring theme in her writing is how art reflects the lives of the marginalized, including migrants, farmers, and labourers. Recent Notable Articles (Late 2025) Her recent portfolio is dominated by the coverage of the 2025 art season in India: 1. Kochi-Muziris Biennale & Serendipity Arts Festival "At Serendipity Arts Festival, a 'Shark Tank' of sorts for art and crafts startups" (Dec 20, 2025): On how a new incubator is helping artisans pitch products to investors. "Artist Birender Yadav's work gives voice to the migrant self" (Dec 17, 2025): A profile of an artist whose decade-long practice focuses on brick kiln workers. "At Kochi-Muziris Biennale, a farmer’s son from Patiala uses his art to draw attention to Delhi’s polluted air" (Dec 16, 2025). "Kochi Biennale showstopper Marina Abramović, a pioneer in performance art" (Dec 7, 2025): An interview with the world-renowned artist on the power of reinvention. 2. M.F. Husain & Modernism "Inside the new MF Husain Museum in Qatar" (Nov 29, 2025): A three-part series on the opening of Lawh Wa Qalam in Doha, exploring how a 2008 sketch became the architectural core of the museum. "Doha opens Lawh Wa Qalam: Celebrating the modernist's global legacy" (Nov 29, 2025). 3. Art Market & Records "Frida Kahlo sets record for the most expensive work by a female artist" (Nov 21, 2025): On Kahlo's canvas The Dream (The Bed) selling for $54.7 million. "All you need to know about Klimt’s canvas that is now the most expensive modern artwork" (Nov 19, 2025). "What’s special about a $12.1 million gold toilet?" (Nov 19, 2025): A quirky look at a flushable 18-karat gold artwork. 4. Art Education & History "Art as play: How process-driven activities are changing the way children learn art in India" (Nov 23, 2025). "A glimpse of Goa's layered history at Serendipity Arts Festival" (Dec 9, 2025): Exploring historical landmarks as venues for contemporary art. Signature Beats Vandana is known for her investigative approach to the art economy, having recently written about "Who funds the Kochi-Muziris Biennale?" (Dec 11, 2025), detailing the role of "Platinum Benefactors." She also explores the spiritual and geometric aspects of art, as seen in her retrospective on artist Akkitham Narayanan and the history of the Cholamandal Artists' Village (Nov 22, 2025). ... Read More


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