This is an archive article published on December 29, 2020

A year of muted shades

In 2020, as art became more distant, it also came closer through digital mediums

Banksy, street artist, graffiti artist, banksy london, art and culture, public art, indianexpress.com

It was the year when art became more distant, with the shutting of museums and art galleries, and also, ironically, when it came closest to the people — on their screens and neighbourhood walls. While artists let the audience into their studios during live sessions, many others engaged with them during DIY workshops. We look at some of the highlights of the year in art:

Virtual Exhibitions

With a spate of lockdowns that now seem endless, and people across the world adhering to ‘stay at home’ mandates, art went digital like never before. It came as no surprise that Google’s recently released ‘Year in Search’ featured “Virtual museum tours” among the top searches of 2020. If Paris’ Musée d’Orsay shared its famed collection of Western masters, including Monet, Cezanne and Gauguin, on the British Museum website was the ancient Rosetta Stone and Egyptian mummies. Musée du Louvre shared paintings by Delacroix, Rembrandt and Tintoretto. Amsterdam’s Rijksmuseum shared its collection of Vermeer and Rembrandt while MoMa’s “Virtual Views” included lectures by experts.

Closer home, Mumbai’s Dr Bhau Daji Lad Museum shared over 200 highlights from its collection on Google Arts & Culture; the famed miniatures from Delhi’s National Museum collection can now be viewed on the Google Arts & Culture app inside a virtual art gallery designed with traditional Indian architecture. The National Gallery of Modern Art, meanwhile, presented virtual exhibitions to celebrate pioneers, from Ramkinkar Baij to the ongoing exhibition featuring Nandalal Bose’s works.

New digital art centres also became popular, from “In Touch” and TAP India, digital exhibition platforms established by art galleries in India during the pandemic, to Culturespaces, a French organisation that specialises in providing an immersive art experience.

Art on the Streets

Artists turned to the street to talk of the times, dedicated works to their heroes and sent out social messages. Leading from the front was anonymous British artist Banksy, who created several street artworks that highlighted the pandemic. While his version of Johannes Vermeer’s painting The Girl With The Pearl Earring now adorns a mask, Amsterdam-based street artist FAKE’s “Super nurse” went viral, so did graffiti from the New York subways. On her road trip through India, artist Shilo Shiv Suleman raised awareness on how street art could bring social change and draw attention to the communities most marginalised during the lockdown, and the expansive facade of the Mahim railway station was painted with a mural celebrating “Heroes of Mumbai” by the St+art India Foundation.

Learn and Play

While several prominent art institutions, including MoMA, launched free online courses on modern art, photography and fashion, workshops on the nuances and techniques of art also kept enthusiasts busy across the world. Several famous paintings became subjects of memes on digital platforms. The J Paul Getty Museum challenge and The Netherlands social account Tussen Kunst & Quarantaine had social media followers recreate a work of art with objects from the comfort of their own homes, with impressive — and occasionally — hilarious results.

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Pandemic-inspired art

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Art reflects on the times, including the dark hours when humanity has been challenged by epidemics, like the one that plagued Europe in the Medieval era or how the world is battling Covid-19 presently. Some artists depicted the distress and helplessness brought by the pandemic, while others turned to hope. If Damien Hirst created rainbow art featuring his trademark coloured butterfly wings — that could be downloaded and put on windows — as a tribute to NHS (National Health Service) workers, David Hockney shared drawings of the spring on his iPad from his Normandy home. Ai Weiwei sold limited-edition face masks to garner funds for Covid-19 relief. Dhruvi Acharya evoked the pain and suffering of the pandemic in her watercolours, while Varunika Saraf painted the plight of lakhs of migrants during the lockdown. Sameer Kulavoor painted the self, with digital devices being the only window to the outside world.

Closures and Delays

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With the pandemic severely affecting finances, several museums in the US and Europe laid off and furloughed employees. Numerous big-budget exhibitions were postponed, so were art fairs and biennales, including Art Basel Hong Kong, Venice Architecture Biennale, Gwangju Biennale, Whitney Biennial and the Kochi-Muziris Biennale.

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Vandana Kalra is an art critic and Deputy Associate Editor with The Indian Express. She has spent more than two decades chronicling arts, culture and everyday life, with modern and contemporary art at the heart of her practice. With a sustained engagement in the arts and a deep understanding of India’s cultural ecosystem, she is regarded as a distinctive and authoritative voice in contemporary art journalism in India. Vandana Kalra's career has unfolded in step with the shifting contours of India’s cultural landscape, from the rise of the Indian art market to the growing prominence of global biennales and fairs. Closely tracking its ebbs and surges, she reports from studios, galleries, museums and exhibition spaces and has covered major Indian and international art fairs, museum exhibitions and biennales, including the Venice Biennale, Kochi-Muziris Biennale, Documenta, Islamic Arts Biennale. She has also been invited to cover landmark moments in modern Indian art, including SH Raza’s exhibition at the Centre Pompidou in Paris and the opening of the MF Husain Museum in Doha, reflecting her long engagement with the legacies of India’s modern masters. Alongside her writing, she applies a keen editorial sensibility, shaping and editing art and cultural coverage into informed, cohesive narratives. Through incisive features, interviews and critical reviews, she brings clarity to complex artistic conversations, foregrounding questions of process, patronage, craft, identity and cultural memory. The Global Art Circuit: She provides extensive coverage of major events like the Kochi-Muziris Biennale, Serendipity Arts Festival, and high-profile international auctions. Artist Spotlights: She writes in-depth features on modern masters (like M.F. Husain) and contemporary performance artists (like Marina Abramović). Art and Labor: A recurring theme in her writing is how art reflects the lives of the marginalized, including migrants, farmers, and labourers. Recent Notable Articles (Late 2025) Her recent portfolio is dominated by the coverage of the 2025 art season in India: 1. Kochi-Muziris Biennale & Serendipity Arts Festival "At Serendipity Arts Festival, a 'Shark Tank' of sorts for art and crafts startups" (Dec 20, 2025): On how a new incubator is helping artisans pitch products to investors. "Artist Birender Yadav's work gives voice to the migrant self" (Dec 17, 2025): A profile of an artist whose decade-long practice focuses on brick kiln workers. "At Kochi-Muziris Biennale, a farmer’s son from Patiala uses his art to draw attention to Delhi’s polluted air" (Dec 16, 2025). "Kochi Biennale showstopper Marina Abramović, a pioneer in performance art" (Dec 7, 2025): An interview with the world-renowned artist on the power of reinvention. 2. M.F. Husain & Modernism "Inside the new MF Husain Museum in Qatar" (Nov 29, 2025): A three-part series on the opening of Lawh Wa Qalam in Doha, exploring how a 2008 sketch became the architectural core of the museum. "Doha opens Lawh Wa Qalam: Celebrating the modernist's global legacy" (Nov 29, 2025). 3. Art Market & Records "Frida Kahlo sets record for the most expensive work by a female artist" (Nov 21, 2025): On Kahlo's canvas The Dream (The Bed) selling for $54.7 million. "All you need to know about Klimt’s canvas that is now the most expensive modern artwork" (Nov 19, 2025). "What’s special about a $12.1 million gold toilet?" (Nov 19, 2025): A quirky look at a flushable 18-karat gold artwork. 4. Art Education & History "Art as play: How process-driven activities are changing the way children learn art in India" (Nov 23, 2025). "A glimpse of Goa's layered history at Serendipity Arts Festival" (Dec 9, 2025): Exploring historical landmarks as venues for contemporary art. Signature Beats Vandana is known for her investigative approach to the art economy, having recently written about "Who funds the Kochi-Muziris Biennale?" (Dec 11, 2025), detailing the role of "Platinum Benefactors." She also explores the spiritual and geometric aspects of art, as seen in her retrospective on artist Akkitham Narayanan and the history of the Cholamandal Artists' Village (Nov 22, 2025). ... Read More


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