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Museum dedicated to artist A Ramachandran to open in Kerala on October 5

Museum dedicated to artist A Ramachandran to open in Kerala on October 5

a ramachandran, a ramachandran museum,The museum will be inaugurated by Kerala Chief Minister Pinarayi Vijayan on October 5 at the Sree Narayana Guru Cultural Complex in Kollam. (Express photo)

Artist A Ramachandran’s work was as much a reflection of human suffering as it was a celebration of human resilience and of beauty in nature. Never divorced from his surroundings or bound by conventions, his artistic vocabulary was rooted in India and its traditions, whether it was his observations of urban realism in the early years or the more mythical narratives that dominated the later period.

Less than two years after Ramachandran’s death in February 2024 at the age of 88, a museum dedicated to him will offer a glimpse into his life and work. It will be inaugurated by Kerala Chief Minister Pinarayi Vijayan on October 5 at the Sree Narayana Guru Cultural Complex in Kollam.

The museum will not only realise his long-cherished dream of a space where his art could be in dialogue with the public, but also marks a homecoming of sorts for the Attingal-born artist, whose early influences included Kerala’s temple murals and the works of Raja Ravi Varma at Sri Chitralayam in Thiruvananthapuram.

“One of the most talented and dedicated artists of our times, his continued commitment to uphold secularism and Gandhian ideals was truly inspiring. With a keen eye for detail, his intricate depictions reflect not only his artistic precision but also his deep awareness of his surroundings, which he monumentalised in his large canvases and sculptures,” said Murali Cheeroth, Chairperson, Kerala Lalithakala Akademi.

Ramachandran himself had also selected artworks for the museum, proposed during his lifetime. On display, among others, will be 12 oil paintings chosen by him, including three monumental lotus pond canvases from the later period after the mid-80s. This was when his oeuvre saw a dramatic shift from more politically and socially charged works to a lyrical imagery that was influenced by his numerous visits to Rajasthan. There, he had acquainted himself with the life led by the Bhil community and discovered their lotus ponds that became an enduring motif.

Curated by art historian R Siva Kumar, the museum will also showcase watercolours and pen-and-ink drawings from the celebrated ‘Insignificant Incarnation’ series.

Ramachandran was also an inspiring art educator who taught for several years at Jamia Millia Islamia University. The museum will highlight his wide-ranging pursuits, including several of his illustrations and original artworks featured in children’s books, rare experiments with ceramics, and seven stamp designs, including the iconic Dandi March commemorative stamp. His deep admiration for Mahatma Gandhi will be reflected in ink drawings of the national leader as well as his sculpture in a section that will also feature a monumental installation titled ‘In Trance’ that comprises nine life-size figures.

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Rajasthani miniature paintings and oil paintings from his personal collection will also be featured in the museum. Offering a glimpse into the collaborative artistic vision he shared with his wife and fellow artist Chameli Ramachandran will be a section featuring ten watercolours by her.

Visitors can also step into Ramachandran’s studio that’s complete with his personal artifacts and tools. A standing easel he used for smaller works and a Kerala wood carving that adorned his Delhi studio have also been transported to the museum studio.

Ramachandran’s family said in a statement: “Although Ramachandran did not live to see the museum’s inauguration, the fulfillment of his long-cherished dream stands as a tribute to his life’s work. The family hopes the museum will inspire generations of young artists, just as Sri Chitralayam once inspired him. We also hope it will encourage the growth of museum culture in India…”

Cheeroth said the museum will also plan active programming, including workshops and walkthroughs. “We will soon have an international exchange programme with Sri Lanka and the US. An international camp is also being planned, apart from soft skill sessions and educational workshops with children.”

Vandana Kalra is an art critic and Deputy Associate Editor with The Indian Express. She has spent more than two decades chronicling arts, culture and everyday life, with modern and contemporary art at the heart of her practice. With a sustained engagement in the arts and a deep understanding of India’s cultural ecosystem, she is regarded as a distinctive and authoritative voice in contemporary art journalism in India. Vandana Kalra's career has unfolded in step with the shifting contours of India’s cultural landscape, from the rise of the Indian art market to the growing prominence of global biennales and fairs. Closely tracking its ebbs and surges, she reports from studios, galleries, museums and exhibition spaces and has covered major Indian and international art fairs, museum exhibitions and biennales, including the Venice Biennale, Kochi-Muziris Biennale, Documenta, Islamic Arts Biennale. She has also been invited to cover landmark moments in modern Indian art, including SH Raza’s exhibition at the Centre Pompidou in Paris and the opening of the MF Husain Museum in Doha, reflecting her long engagement with the legacies of India’s modern masters. Alongside her writing, she applies a keen editorial sensibility, shaping and editing art and cultural coverage into informed, cohesive narratives. Through incisive features, interviews and critical reviews, she brings clarity to complex artistic conversations, foregrounding questions of process, patronage, craft, identity and cultural memory. The Global Art Circuit: She provides extensive coverage of major events like the Kochi-Muziris Biennale, Serendipity Arts Festival, and high-profile international auctions. Artist Spotlights: She writes in-depth features on modern masters (like M.F. Husain) and contemporary performance artists (like Marina Abramović). Art and Labor: A recurring theme in her writing is how art reflects the lives of the marginalized, including migrants, farmers, and labourers. Recent Notable Articles (Late 2025) Her recent portfolio is dominated by the coverage of the 2025 art season in India: 1. Kochi-Muziris Biennale & Serendipity Arts Festival "At Serendipity Arts Festival, a 'Shark Tank' of sorts for art and crafts startups" (Dec 20, 2025): On how a new incubator is helping artisans pitch products to investors. "Artist Birender Yadav's work gives voice to the migrant self" (Dec 17, 2025): A profile of an artist whose decade-long practice focuses on brick kiln workers. "At Kochi-Muziris Biennale, a farmer’s son from Patiala uses his art to draw attention to Delhi’s polluted air" (Dec 16, 2025). "Kochi Biennale showstopper Marina Abramović, a pioneer in performance art" (Dec 7, 2025): An interview with the world-renowned artist on the power of reinvention. 2. M.F. Husain & Modernism "Inside the new MF Husain Museum in Qatar" (Nov 29, 2025): A three-part series on the opening of Lawh Wa Qalam in Doha, exploring how a 2008 sketch became the architectural core of the museum. "Doha opens Lawh Wa Qalam: Celebrating the modernist's global legacy" (Nov 29, 2025). 3. Art Market & Records "Frida Kahlo sets record for the most expensive work by a female artist" (Nov 21, 2025): On Kahlo's canvas The Dream (The Bed) selling for $54.7 million. "All you need to know about Klimt’s canvas that is now the most expensive modern artwork" (Nov 19, 2025). "What’s special about a $12.1 million gold toilet?" (Nov 19, 2025): A quirky look at a flushable 18-karat gold artwork. 4. Art Education & History "Art as play: How process-driven activities are changing the way children learn art in India" (Nov 23, 2025). "A glimpse of Goa's layered history at Serendipity Arts Festival" (Dec 9, 2025): Exploring historical landmarks as venues for contemporary art. Signature Beats Vandana is known for her investigative approach to the art economy, having recently written about "Who funds the Kochi-Muziris Biennale?" (Dec 11, 2025), detailing the role of "Platinum Benefactors." She also explores the spiritual and geometric aspects of art, as seen in her retrospective on artist Akkitham Narayanan and the history of the Cholamandal Artists' Village (Nov 22, 2025). ... Read More

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