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Kerala CM inaugurates 6th edition of Kochi-Muziris Biennale

Inaugurated by Kerala Chief Minister Pinarayi Vijayan, also present at the event were founder mentors of the biennale, politicians M A Baby and K V Thomas.

Kochi-Muziris Biennale, Shanka Tribe, Nikhil Chopra, Pinarayi Vijayan, Pinarayi Vijayan Kochi-Muziris Biennale, Indian express news, current affairsCM Pinarayi Vijayan inaugurates the Kochi-Muziris Biennale, Friday

On Friday, when Kerala-based indie band ‘Shanka Tribe’ took the stage at Parade Ground in Fort Kochi at the inauguration of the sixth edition of the Kochi-Muziris Biennale, their music carried beyond the grounds. The sense of shared rhythm echoed artist-curator Nikhil Chopra and HH Art Spaces’ curatorial proposition for this edition, which views the biennale as a site of “friendship economies”, nurtured by artist-led initiatives.

Inaugurated by Kerala Chief Minister Pinarayi Vijayan, also present at the event were founder mentors of the biennale, politicians M A Baby and K V Thomas. Apart from the Kochi Biennale Foundation members and the curators, the event also saw several artists and gallerists, among others.

Pinarayi said, “The Biennale’s impact has been extraordinary… Besides the field of contemporary arts, it has strengthened local and national economies, benefiting tourism, hospitality, transport, and countless small businesses. Recognised globally, it has earned international media attention, national honours, and most importantly, the support and affection of the people of Kerala.”

At noon, the biennale flag was hoisted at Aspinwall House, one of the key venues of the event since its inaugural edition in 2012. This time, though, a wall divides the space — with one part belonging to the state government available for the exhibition. The rest of the property belongs to DLF. The partition hasn’t much impacted the scale of the biennale but it has reshaped it, as it has now expanded to 22 venues across Fort Kochi, Mattancherry, Ernakulam and Willingdon Island.

The list of 66 participating artists/collectives, meanwhile, includes veterans such as Gieve Patel and Jyoti Bhatt to popular international names such as Marina Abramović (Serbia), Ibrahim Mahama (Ghana), Adrian Villar Rojas (Argentina), LaToya Ruby Frazier (US), and Otobong Nkanga (Nigeria). “This is a labour of love,” said Chopra, opening the gates of the biennale for the people, also terming it as a “gift” to them from the Kochi Biennale Foundation (KBF). Among the first to enter was Manju Varghese, 26, who planned to spend the afternoon meeting artists and seeing their work. “Many of the artists are still on-site on the first day and I find it interesting to be able to discuss their work with them.”

All participating artists are seldom present on site, but Pakistani artists Huma Mulji and Bani Abidi will not be travelling due to visa constraints. This year, what also awaits viewers are several performances, extending to the entire three months of the biennale, also a reflection of Chopra’s own practice as a performance artist.

Artist Sandra Mujinga, whose installation at the biennale explores links between Kochi and her home country, the Democratic Republic of Congo, through the traditions of the fishing communities, said, “I want people to spend time with the work and unravel its many layers.”

Vandana Kalra is an art critic and Deputy Associate Editor with The Indian Express. She has spent more than two decades chronicling arts, culture and everyday life, with modern and contemporary art at the heart of her practice. With a sustained engagement in the arts and a deep understanding of India’s cultural ecosystem, she is regarded as a distinctive and authoritative voice in contemporary art journalism in India. Vandana Kalra's career has unfolded in step with the shifting contours of India’s cultural landscape, from the rise of the Indian art market to the growing prominence of global biennales and fairs. Closely tracking its ebbs and surges, she reports from studios, galleries, museums and exhibition spaces and has covered major Indian and international art fairs, museum exhibitions and biennales, including the Venice Biennale, Kochi-Muziris Biennale, Documenta, Islamic Arts Biennale. She has also been invited to cover landmark moments in modern Indian art, including SH Raza’s exhibition at the Centre Pompidou in Paris and the opening of the MF Husain Museum in Doha, reflecting her long engagement with the legacies of India’s modern masters. Alongside her writing, she applies a keen editorial sensibility, shaping and editing art and cultural coverage into informed, cohesive narratives. Through incisive features, interviews and critical reviews, she brings clarity to complex artistic conversations, foregrounding questions of process, patronage, craft, identity and cultural memory. The Global Art Circuit: She provides extensive coverage of major events like the Kochi-Muziris Biennale, Serendipity Arts Festival, and high-profile international auctions. Artist Spotlights: She writes in-depth features on modern masters (like M.F. Husain) and contemporary performance artists (like Marina Abramović). Art and Labor: A recurring theme in her writing is how art reflects the lives of the marginalized, including migrants, farmers, and labourers. Recent Notable Articles (Late 2025) Her recent portfolio is dominated by the coverage of the 2025 art season in India: 1. Kochi-Muziris Biennale & Serendipity Arts Festival "At Serendipity Arts Festival, a 'Shark Tank' of sorts for art and crafts startups" (Dec 20, 2025): On how a new incubator is helping artisans pitch products to investors. "Artist Birender Yadav's work gives voice to the migrant self" (Dec 17, 2025): A profile of an artist whose decade-long practice focuses on brick kiln workers. "At Kochi-Muziris Biennale, a farmer’s son from Patiala uses his art to draw attention to Delhi’s polluted air" (Dec 16, 2025). "Kochi Biennale showstopper Marina Abramović, a pioneer in performance art" (Dec 7, 2025): An interview with the world-renowned artist on the power of reinvention. 2. M.F. Husain & Modernism "Inside the new MF Husain Museum in Qatar" (Nov 29, 2025): A three-part series on the opening of Lawh Wa Qalam in Doha, exploring how a 2008 sketch became the architectural core of the museum. "Doha opens Lawh Wa Qalam: Celebrating the modernist's global legacy" (Nov 29, 2025). 3. Art Market & Records "Frida Kahlo sets record for the most expensive work by a female artist" (Nov 21, 2025): On Kahlo's canvas The Dream (The Bed) selling for $54.7 million. "All you need to know about Klimt’s canvas that is now the most expensive modern artwork" (Nov 19, 2025). "What’s special about a $12.1 million gold toilet?" (Nov 19, 2025): A quirky look at a flushable 18-karat gold artwork. 4. Art Education & History "Art as play: How process-driven activities are changing the way children learn art in India" (Nov 23, 2025). "A glimpse of Goa's layered history at Serendipity Arts Festival" (Dec 9, 2025): Exploring historical landmarks as venues for contemporary art. Signature Beats Vandana is known for her investigative approach to the art economy, having recently written about "Who funds the Kochi-Muziris Biennale?" (Dec 11, 2025), detailing the role of "Platinum Benefactors." She also explores the spiritual and geometric aspects of art, as seen in her retrospective on artist Akkitham Narayanan and the history of the Cholamandal Artists' Village (Nov 22, 2025). ... Read More

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