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Mona Singh on Kohrra S2, Subedaar and Why She Wants More Complex Roles in Her 40s

After being praised for her leading role in Kohrra S2, actor Mona Singh talks about turning antagonist in her latest release Subedaar, pushing boundaries with every role and why she’s happiest experimenting on screen

Mona SinghMona Singh

When the second season of Kohrra dropped on Netflix last month, it was impossible to not be impressed by Mona Singh as police officer Dhanwant Kaur. She leads the investigation in the murder of a mother of two, who is estranged from her US-based husband, with a quiet resolve while she navigates a demanding and hostile work environment as well as unresolved personal trauma. Even as the actor continues to receive praise for her role in Kohrra S2, Singh also appears as Babli Didi, the primary antagonist, in the just-released Subedaar on Prime Video. She is a sand mining mafia leader operating from jail and challenging the titular protagonist essayed by Anil Kapoor.

Embodying two almost contrasting characters, who appear on screen within a gap of just a few weeks, showcases Singh’s versatility as an actor and her willingness to make choices that allow her to experiment. Finally, the actor is at a stage in her career where she can devote her time and energy to “exploring and pushing boundaries”. The 44-year-old actor says, “I’m grateful for the range of roles I’m getting to play. A lot of the projects I worked on over the last three years are releasing now. I’m celebrating that.”

By her own admission, Singh doesn’t follow any specific approach in her roles. She lets her zeal for experimentation and the director’s vision to guide her. “While preparing of Kohrra S2, we had extensive workshops. These were not just for building your character or meeting the director. They were more about understanding the character, the graph and having that luxury of time to go deeper into it. We tried to create Dhanwant’s backstory and fine-tune her body language. Most of the intense scenes are not about shouting,” says the actor, who became a household name when she debuted as the titular lead in Jassi Jaissi Koi Nahin in 2003.

A still from Jassi Jaisi Koi Nahi A still from Jassi Jaisi Koi Nahi

After shooting for Kohrra S2 for almost three months in Punjab in 2024, she started work on Suresh Triveni’s Subedaar in January 2025. “Kohrra was a different universe. We did a couple of readings before Subedaar’s shoot. We had a dialect coach, whom I consulted for my dialogues. I don’t over rehearse for a role,” she says. But for the Babli Didi role in Subedaar, Singh worked on her look as well. She wore light-coloured lenses and had a mole on cheek. “With so many releases lined up, I wanted to look different and Suresh was happy to experiment,” says the actor, who made her big screen debut with 3 Idiots (2009). After that she has worked in several talked-about movies such as Laal Singh Chaddha (2022), Munjya (2024) and Border 2 (2025).

With a successful two-decade-long career in television and cinema behind her, Singh believes that good scripts ensure that a character stands out even when a show has a big ensemble cast, like she did in The Ba***ds of Bollywood (2025) and Made in Heaven Season 2 (2023). “Now, I want to play characters who are complex, resilient and even unlikeable. I am drawn to characters who reflect the realities of life. When I am working, I enjoy the process and give my 200 per cent. But I am aware the results are not in my hands. In my 40s, I look at the bigger picture,” says Singh, who appeared as a Goa-based gangster Mama in Happy Patel: Khatarnak Jasoos, which released in January.

A still from Kohrra 2 A still from Kohrra 2

Singh is happiest when she is on the sets. “It empowers me to work with fine storytellers, actors and directors. That turns the environment on the set into something magical,” says the actor. Of late, she has been following a hectic schedule. But she has no complains. “I have patiently waited for this phase of my career. When my manager says the days for two different projects are clashing, I am happy to hear that. I am also glad that I have the opportunity to play well-sketched characters with nuance and agency.” The actor has two new shows Paan Parda Zarda and Ma Ka Sum lined up for release.

After gathering years of experience as an actor, Singh would eventually like to write, produce or even direct a project. “During the lockdown, I started writing. But it didn’t lead to anything. Everything has its destiny. In future, I would love to collaborate and create with someone where I direct or produce. Meanwhile, I want to keep experimenting, learning and reinventing as an individual and actor. I don’t want to repeat what I have done or be complacent,” says the actor, who is the daughter of a retired Indian Army officer and lived in different Indian cities before making Mumbai her home.

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A still from Subedaar A still from Subedaar

In spite of her hectic schedule, the actor leads a disciplined life. “By 9.30 pm my phone is switched off and I go to sleep an hour later. I believe discipline sets me free. I love a slow start in the morning. When I am not away on sets, I love to spend free time with my pets, Nyla and Idli, a Shih Tzu. Idli is full of love and life. When I return home, no matter what mood I am in, he makes me feel so loved. I also love to cook, take care of my plants, watch movies and read,” she says.

Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism. Expertise & Accolades In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for "highlighting facets of cinema beyond glamour and gossip" and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, 'In Search of a Star'. Her article titled 'People Like Us', published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023. Global Industry Leadership Alaka’s expertise is sought after by major international and domestic film bodies: Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes. National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema. Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends. Focus & Vision Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge "tried-and-tested" templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. ... Read More

 

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