Art historian and curator Laurence des Cars has become the first woman to be appointed the president of Louvre – the world’s largest art museum, based in Paris — in its 228-year history. The competition for the post was close and fierce, with one of the contenders being the current president Jean-Luc Martinez, who was vying for a third term. Des Cars, 54, has said ‘her heart was beating fast’ when culture minister Roselyne Bachelot broke the news to her. She will take over from Martinez in September.
The daughter of a journalist and a writer, and the granddaughter of the novelist Guy des Cars, Des Cars specialises in 19th and early 20th-century art. She attended Paris-Sorbonne University and École du Louvre and also taught at the latter institution.
In 1994, Des Cars joined Musee d’Orsay, another iconic Paris museum, as curator and, in 2017, became its first woman director. It is a post she still holds. She has organised exhibitions, written papers and promoted art on a variety of platforms. Between 2007 and 2014, Des Cars was one of the leading figures who set up the Louvre Abu Dhabi in the capital of the UAE.
Des Cars is a driving force behind the restitution of art looted by the Nazis during World War II. One of the major works at the Musée d’Orsay was Gustav Klimt’s Rosiers Sous Les Arbres (Rose Bushes Under The Trees). It had belonged to Nora Stiasny, a Jew, until the Nazis took it from her in Vienna, in 1938. Des Cars pushed for the work to be returned to Stiasny’s family and the culture ministry of France agreed. “A major museum must look history in the face, including looking back at the very history of our institutions,” Des Cars told AFP.
Rose Bushes Under The Trees (Photo Source: commons.wikimedia.org)
Reflecting the present
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The Louvre is the world’s most visited museum, which fits with the ideas of its new president. Des Cars is known to encourage programmes that engage with contemporary concerns and draw the youth into museums. At Musee d’Orsay, for instance, an exhibition, titled “Black Models: From Gericault to Matisse” was held in 2019 to look closely at racial and social issues.
For Louvre, Des Cars is thinking about changing the work hours to stay open late in order to bring in more young people. She has told The Guardian, “The Louvre can be fully contemporary, it can open up to the world of today while telling us about the past, giving relevance to the present through the brilliance of the past. We need time, we need perspective, we are coming out of a destabilising crisis, we are living in exciting but complicated times … We are all a little bit at a loss for direction. I think the Louvre has a lot to say to young people, too, who will be at the centre of my concerns as president of the Louvre.”
That other famous woman
The Louvre is home to the Mona Lisa, a classic that cultural organisations and art lovers across the world would love to exhibit. Four years ago, Françoise Nyssen, the former minister of culture, had suggested that it might be possible for the Louvre to lend out the Leonardo da Vinci painting. “No, it is a very fragile work. It’s also one of the joys of the world’s great museums to go and see certain works knowing they will not have been moved,” Des Cars has said.
Dipanita Nath is a Senior Assistant Editor at The Indian Express, based in Pune. She is a versatile journalist with a deep interest in the intersection of culture, sustainability, and urban life.
Professional Background
Experience: Before joining The Indian Express, she worked with other major news organizations including Hindustan Times, The Times of India, and Mint.
Core Specializations: She is widely recognized for her coverage of the climate crisis, theatre and performing arts, heritage conservation, and the startup ecosystem (often through her "Pune Inc" series).
Storytelling Focus: Her work often unearths "hidden stories" of Pune—focusing on historical institutes, local traditions, and the personal journeys of social innovators.
Recent Notable Articles (December 2025)
Her recent reporting highlights Pune’s cultural pulse and the environmental challenges facing the city during the winter season:
1. Climate & Environment
"Pune shivers on coldest morning of the season; minimum temperature plunges to 6.9°C" (Dec 20, 2025): Reporting on the record-breaking cold wave in Pune and the IMD's forecast for the week.
"How a heritage tree-mapping event at Ganeshkhind Garden highlights rising interest in Pune’s green legacy" (Dec 20, 2025): Covering a citizen-led initiative where Gen Z and millennials gathered to document and protect ancient trees at a Biodiversity Heritage Site.
"Right to breathe: Landmark NGT order directs PMC to frame norms for pollution from construction sites" (Dec 8, 2025): Reporting on a significant legal victory for residents fighting dust and air pollution in urban neighborhoods like Baner.
2. "Hidden Stories" & Heritage
"Inside Pune library that’s nourished minds of entrepreneurs for 17 years" (Dec 21, 2025): A feature on the Venture Center Library, detailing how a collection of 3,500 specialized books helps tech startups navigate the product life cycle.
"Before he died, Ram Sutar gave Pune a lasting gift" (Dec 18, 2025): A tribute to the legendary sculptor Ram Sutar (creator of the Statue of Unity), focusing on his local works like the Chhatrapati Shivaji statue at Pune airport.
"The Pune institute where MA Jinnah was once chief guest" (Dec 6, 2025): An archival exploration of the College of Agriculture, established in 1907, and its historical role in India's freedom struggle.
3. Arts, Theatre & "Pune Inc"
"Satyajit Ray, Ritwik Ghatak were not rivals but close friends, says veteran filmmaker" (Dec 17, 2025): A deep-dive interview ahead of the Pune International Film Festival (PIFF) exploring the camaraderie between legends of Indian cinema.
"Meet the Pune entrepreneur helping women build and scale businesses" (Dec 16, 2025): Part of her "Pune Inc" series, profiling Nikita Vora’s efforts to empower female-led startups.
"How women drone pilots in rural Maharashtra are cultivating a green habit" (Dec 12, 2025): Exploring how technology is being used by women in agriculture to reduce chemical use and labor.
Signature Style
Dipanita Nath is known for intellectual curiosity and a narrative-driven approach. Whether she is writing about a 110-year-old eatery or the intricacies of the climate crisis, she focuses on the human element and the historical context. Her columns are often a blend of reportage and cultural commentary, making them a staple for readers interested in the "soul" of Pune.
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