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Row over ‘Jana Gana Mana’: Why Tagore composed it and how it became the national anthem

At an event to mark the 150th anniversary of India’s national song ‘Vande Mataram’, Karnataka BJP MP Vishweshwar Hegde Kageri called ‘Jana Gana Mana’ a 'welcome song for the British officials', drawing protests. Here’s demystifying a myth that has surrounded the song for a century.

TagoreTagore himself commented on the rumours that the song was dedicated to the British monarch. (Wikimedia Commons)

When Karnataka BJP MP and former Speaker of the state Legislative Assembly, Vishweshwar Hegde Kageri, said last week that Nobel laureate Rabindranath Tagore had composed ‘Jana Gana Mana’ as a “welcome song for the British officials”, he ruffled some feathers, prompting West Bengal’s ruling Trinamool Congress to hold protests calling for action.

But Hegde wasn’t the first to make these remarks, which were made at an event to mark the 150th anniversary of India’s national song, ‘Vande Mataram’. Politicians, a few scholars and even a former Supreme Court judge have previously made similar claims, arguing that India’s national anthem was an ode to British rule and emphasised a sense of sycophancy.

More than a decade ago, Kalyan Singh, a BJP leader who was then the Governor of Rajasthan, had even called for the words ‘Jana Gana Mana Adhinayak’ to be replaced with ‘Jana Gana Mana Mangaldayak’, arguing that while the former translated into “Hail the Ruler”, the latter called to mind “one who brought prosperity and joy”.

A song for the Maker

What is undisputed is that India’s national anthem – which is a part of a bigger poem, ‘Bharoto Bhagyo Bidhata’ – was first performed in 1911 during a Delhi Durbar (a grand court) convened in honour of King George V and his wife, Queen Consort Mary, who were visiting India at that time.

Tagore himself commented on the rumours that the song was dedicated to the British monarch. In a letter to his editor and bibliographist Pulin Behari Sen, who had asked him to clear the air, he said that “neither the Fifth nor the Sixth nor any George could be the maker of human destiny through the ages”.

“I had hailed in the song ‘Jana Gana Mana’ that Dispenser of India’s destiny who guides, through all rise and fall, the wayfarers, He who shows the people the way…” the response, written on on November 20, 1937, and preserved in the archives, said.

Indeed, parts of the poem appear to be addressed not to a mortal, but to a divine entity. “Paten obhyudoy bondhur pontha, jug jug dhabito jatri. Ohe chiro-sharothi, taba rathachakre mukhōrito patha dinōratri (Eternal charioteer, thou drivest man’s history / Along the road that is rugged with the rise and fall of nations),” the third stanza of the poem says.

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Laying a myth to rest

The late Prof Sabyasachi Bhattacharya, one of the country’s greatest historians, writes in his 2011 book, ‘Rabindranath Tagore: An Interpretation’, that Tagore had indeed been asked to write a welcome for King George V but declined and wrote this poem instead.

“To see George V as the object of worship in place of ‘Dispenser of India’s destiny… Thou King of all Kings’ was not only absurd but also sacrilegious to Tagore,” writes Bhattacharya.

He goes on to say that the myth regarding this song needs to be refuted and laid to rest. “It is on record that the song was written on December 11, 1911. On December 12, 1911, the Delhi Durbar met to honour King George V. Obviously, a poem written on December 11 could not be intended for an event the following day,” writes Bhattacharya.

‘Jana Gana Mana’ was sung on December 28, 1911, to open the 27th session of the Indian National Congress. The next recorded presentation of the song was in 1912, at the foundation day anniversary of Adi Brahma Samaj.

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“The song was included in their list of psalms, Brahma Sangit,” writes Bhattacharya. “He did not write it for the Congress either. It was a hymn to his maker, the guardian of the country’s destiny,” says the historian.

An anthem is born

It was Netaji Subhas Chandra Bose who first decided to use Tagore’s composition, Jana Gana Mana, at the inauguration of the Free India Centre on a cold November day in 1941 in Berlin.

There, it was decided that the Tricolour of the Indian National Congress would be the flag of the independent nation, and Tagore’s composition, Jana Gana Mana, the anthem. It is said that Netaji was divided between Tagore’s song and Muhammad Iqbal’s ‘Sare Jahan Se Achha, Hindustan Hamara’.

Jana Gana Mana, which defined India as a union of all provinces, languages and religions, was thought to be more suitable to become the National Hymn of our country and was unanimously adopted,” N.G. Ganpuley, a close associate of Netaji, who was present then, writes in ‘Ganpuley’s Memoirs: Author of Netaji in Germany’.

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The national anthem was sung for the first time with a full orchestra accompaniment on the occasion of the inauguration of the Indo-German Cultural Society in Hamburg in 1942, he goes on to say. “Gramophone records of this were also made and are still available.”

The journey of Tagore’s song would culminate in the Constituent Assembly on January 24, 1950. The first President of India, Dr Rajendra Prasad, announced: “The composition consisting of the words and music known as Jana Gana Mana is the National Anthem of India, subject to such alterations in the words as the Government may authorise as occasion arises; and the song ‘Vande Mataram’, which has played a historic part in the struggle for Indian freedom, shall be honoured equally with ‘Jana Gana Mana’ and shall have equal status with it.”

Dipanita Nath is a Senior Assistant Editor at The Indian Express, based in Pune. She is a versatile journalist with a deep interest in the intersection of culture, sustainability, and urban life. Professional Background Experience: Before joining The Indian Express, she worked with other major news organizations including Hindustan Times, The Times of India, and Mint. Core Specializations: She is widely recognized for her coverage of the climate crisis, theatre and performing arts, heritage conservation, and the startup ecosystem (often through her "Pune Inc" series). Storytelling Focus: Her work often unearths "hidden stories" of Pune—focusing on historical institutes, local traditions, and the personal journeys of social innovators. Recent Notable Articles (December 2025) Her recent reporting highlights Pune’s cultural pulse and the environmental challenges facing the city during the winter season: 1. Climate & Environment "Pune shivers on coldest morning of the season; minimum temperature plunges to 6.9°C" (Dec 20, 2025): Reporting on the record-breaking cold wave in Pune and the IMD's forecast for the week. "How a heritage tree-mapping event at Ganeshkhind Garden highlights rising interest in Pune’s green legacy" (Dec 20, 2025): Covering a citizen-led initiative where Gen Z and millennials gathered to document and protect ancient trees at a Biodiversity Heritage Site. "Right to breathe: Landmark NGT order directs PMC to frame norms for pollution from construction sites" (Dec 8, 2025): Reporting on a significant legal victory for residents fighting dust and air pollution in urban neighborhoods like Baner. 2. "Hidden Stories" & Heritage "Inside Pune library that’s nourished minds of entrepreneurs for 17 years" (Dec 21, 2025): A feature on the Venture Center Library, detailing how a collection of 3,500 specialized books helps tech startups navigate the product life cycle. "Before he died, Ram Sutar gave Pune a lasting gift" (Dec 18, 2025): A tribute to the legendary sculptor Ram Sutar (creator of the Statue of Unity), focusing on his local works like the Chhatrapati Shivaji statue at Pune airport. "The Pune institute where MA Jinnah was once chief guest" (Dec 6, 2025): An archival exploration of the College of Agriculture, established in 1907, and its historical role in India's freedom struggle. 3. Arts, Theatre & "Pune Inc" "Satyajit Ray, Ritwik Ghatak were not rivals but close friends, says veteran filmmaker" (Dec 17, 2025): A deep-dive interview ahead of the Pune International Film Festival (PIFF) exploring the camaraderie between legends of Indian cinema. "Meet the Pune entrepreneur helping women build and scale businesses" (Dec 16, 2025): Part of her "Pune Inc" series, profiling Nikita Vora’s efforts to empower female-led startups. "How women drone pilots in rural Maharashtra are cultivating a green habit" (Dec 12, 2025): Exploring how technology is being used by women in agriculture to reduce chemical use and labor. Signature Style Dipanita Nath is known for intellectual curiosity and a narrative-driven approach. Whether she is writing about a 110-year-old eatery or the intricacies of the climate crisis, she focuses on the human element and the historical context. Her columns are often a blend of reportage and cultural commentary, making them a staple for readers interested in the "soul" of Pune. X (Twitter): @dipanitanath ... Read More

 

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