March 21, 2019 12:06:30 am
I didn’t step out of my house the first weekend that Made in Heaven came out. I watched the show along with the rest of the world. I binge watched it twice. I have been inundated with calls, messages, and some have come out from the woodwork, old friends and co-workers and yes, fans too. It’s all very surreal and new,” says actor Arjun Mathur, whose portrayal of Karan Mehra in Amazon Prime’s recent web show Made In Heaven (MIH) has received a lot of acclaim, from both fans and critics.
Karan Mehra is urbane, upper middle-class, who wants to make it big in life as a wedding planner. In the series, he embarks on this journey of self-discovery and becomes a reluctant poster-child for gay rights. “When I first read the script, it had a feminine voice and a strong stance on the LGBTQ community and their rights. At that time honestly, I didn’t realise the complexity and the development curve of Karan’s character. He hasn’t accepted himself and has built all these walls around himself. He finally realises that if he wants to live with integrity, he would need to break down those walls and stand up for what he believes in,” says Mathur. “He (Karan) is not too comfortable with his ‘activism’. Ironically, his company only gets the big political wedding because he is gay. Again not because the politicos are inspired by his activism, but because he goes against the ruling party’s sentiment.”
For Mathur, who has been around in the film industry for about two decades, Karan Mehra is his third outing as a gay character. The previous two were Mira Nair’s short film Migration (2008) and Onir’s I Am (2010). Is he not worried about being stereotyped? “I had this fear, and I overcame it. When MIH came to me, the casting director, Nandini Shrikent, told me in my second audition for Karan’s role ‘that Mathur, this character might or might not be gay’. I am sure the team knew that he was gay, I think they were just trying to gauge if I was open to it. In my subsequent meeting with Zoya (Akhtar) and Nitya (Mehra), I didn’t know whether I wanted to do this, as I didn’t want to be repetitive as an artist. Zoya said, ‘just read it’. I finished it and I was like there is no else but me who’s playing this part,” says Mathur, 38.
Karan is a welcome change in the otherwise caricatured portrayal of gay characters in mainstream avenues of storytelling, where they have been used for comic relief or are ridiculed, given their sexuality. Case in point, Dostana (2008), Kal Ho Naa Ho (2003), Student of the Year (2012) and Partner (2007). Mathur hopes that MIH helps in changing the narrative around the LGBTQ community. “That’s why we do what we do. In all forms of art, it’s our duty to hold a mirror to society, without judgement of course. Art can help steer important conversations in the right direction,” says Mathur.
Mathur, who holds a British passport — he was born in London — was brought up in Delhi and Mumbai. When he was all of 10, he knew that he wanted to be an actor, but he waited till he was 18 to apprise his hotelier father of his Bombay dreams. “Initially my father thought I was crazy,” says the actor, who attended the British School in Chanakyapuri. Shooting for MIH in Delhi was something special for the actor, given his roots. The city also provided a layer of continuity to the show’s narrative. “Karan’s barsaati in the show is 10 steps away from my house in Nizamuddin East. I would go home for lunch. But I am glad that the show gave such emphasis on minute details like the barsaati, and the feel of the city. Because when you have four directors for the series, how else will you maintain a sense of continuity? That’s where costumes, detailing, location and the actors step in,” says Mathur, who started out as an assistant director for films such as Bunty aur Babli (2005), Kyun! Ho Gaya Naa (2005), Mangal Pandey: The Rising (2005) and Rang De Basanti (2006).
It’s this sense of minute detailing that made MIH more apt for the digital platform, says Mathur. With nine episodes almost an hour long each, MIH is the latest series to binge watch. “We could have tried to tell the same story in a film, but we would have missed out on the detailing, and for sure would have faced censorship issues. The web series format is great for writers. But we need to take a minute, step back and look at this trend in the digital space of using unnecessary violence, strong language and sex, just to catch eyeballs.”
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