Compared to the first part of Emily in Paris Season 4, its second part seems more exciting as it introduces new characters, locations and a love interest to the storyline. Even as all these elements lead to drama in the idyllic Parisian life of Emily, the show headlined by Lily Collins does not let go of some of its set patterns when it comes to exploring romantic conflicts or resolving a crisis. Critics are likely to find it tedious while for the show’s loyalists it is part of the feel-good experience that the show promises.
In the episode ‘Last Christmas’, which is the first episode of this season’s second part, Emily is ready to fly to Chicago when the flight is cancelled due to snowfall. Soon, she finds herself in Megève in the French Alps, the home of Camille’s family’s ski chalet, where Gabriel (Lucas Bravo) is celebrating Christmas with Camille’s family. Stranded on top of a mountain in her skiing gear, Emily meets a handsome stranger — Italian businessman Marcello (Eugenio Franceschini) –.who helps her with downhill skiing. In subsequent episodes, Emily not only takes him around Paris but visits him in Rome for a weekend of fun and romance as things get messy with Gabriel.
What is impressive about this Netflix original, created by Darren Star, are the fascinating characters who are part of Emily’s world in Paris. While her boss Sylvie (Philippine Leroy-Beaulieu) handles some personal and professional matters in her own inimitable way, her friend-cum-roommate Mindy (Ashley Park) tries to navigate financial problems as she struggles to further her career as a singer. Along with Collins, Leroy-Beaulieu and Park boost the show’s glamour quotient as they appear in stylish outfits and redefine luxe. That has remained the show’s USP. This season too has several showstopper moments.
The end of Season 4 of Emily in Paris seems like the beginning of a new chapter in its protagonist’s life. Or, is it yet another attempt to keep the viewers hooked to the story of this go-getter, who is “lucky at work and unlucky in love”? We have so far learnt that when it comes to the matters of heart, Emily often finds herself at a crossroads. There is a strong possibility that this pattern may repeat in her life all over again as the show sets the stage of another season.
Emily in Paris S4 Part 2 Creator: Darren Star Emily in Paris S4 Part 2 review: Cast: Lily Collins, Philippine Leroy-Beaulieu, Ashley Park, Lucas Bravo, Camille Razat, Samuel Arnold, Bruno Gouery Emily in Paris S4 Part 2 review: Rating: Three stars Streaming on Netflix
Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism.
Expertise & Accolades
In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for "highlighting facets of cinema beyond glamour and gossip" and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, 'In Search of a Star'. Her article titled 'People Like Us', published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023.
Global Industry Leadership
Alaka’s expertise is sought after by major international and domestic film bodies:
Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes.
National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema.
Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends.
Focus & Vision
Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge "tried-and-tested" templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. ... Read More
