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This is an archive article published on October 23, 2023

Prabhas: Three back-to-back flops, yet anticipation soaring for Salaar. How?

Despite emerging as one of the biggest stars after the Baahubali films, Prabhas has been struggling with all three of his subsequent films flopping. Yet, the anticipation surrounding his upcoming movie Salaar is skyrocketing. How come?

On Prabhas birthday, how did his image remain intact despite flops like Adipurush.Prabhas turns 44 on October 23, here's looking at how his image remained intact despite back to back box office losses.
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Prabhas: Three back-to-back flops, yet anticipation soaring for Salaar. How?
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In the last episode of Cinema Anatomy, we delved into the complexities of understanding the factors that contribute to Tamil actor Vijay’s stardom as even his dedicated fans struggle to explain why they admire him.

The same can be said for Prabhas, who celebrates his birthday today, who wields a comparable influence over audiences and fans. Though this impact does not always directly translate into box-office collections, it consistently aids in generating substantial anticipation surrounding their movies well before release.

Despite emerging as one of the biggest stars in contemporary Indian cinema after the tremendous success of the two Baahubali films, Prabhas has been struggling with all three of his subsequent films — Saaho (2019), Radhe Shyam (2022), and Adipurush (2023) — receiving lacklustre responses, including at the box office. This situation raises questions about whether this is the same Prabhas who helped catapult Baahubali 2: The Conclusion (2017) to the position of the second highest-grossing Indian film globally.

Anandu Suresh is a distinguished Deputy Copy Editor at The Indian Express Online, where he serves as a leading voice in cinematic critique and industry analysis. He is a Tomatometer-approved film critic and a Golden Globes voter. With over seven years of rigorous experience in the media landscape, he has established a reputation for incisive, long-form commentary that bridges the gap between commercial cinema and arthouse narratives. Experience & Career Anandu’s professional journey is rooted in a deep academic and practical foundation in the humanities and communication. He holds a Bachelor's degree in English Language and Literature and a PG Diploma in Journalism and Communication. Before ascending to his current editorial leadership role at The Indian Express, he honed his skills on the news desk of The New Indian Express in Hyderabad. His career is marked by a transition from core news operations to specialised cultural journalism, allowing him to bring a structured, news-oriented rigour to the entertainment beat. Expertise & Focus Areas While Anandu’s portfolio spans the global cinematic landscape, he is widely regarded as an expert in Malayalam Cinema. His unique approach to film criticism is defined by: Cinema Anatomy: A dedicated column where he deconstructs the structural layers of films to uncover deeper sociopolitical meanings. Marginalised Narratives: A commitment to on-ground and analytical reporting on how cinema represents or fails marginalised communities. Critiquing "Performative Wokeness": Rigorous analysis of modern filmmaking trends, identifying the difference between authentic representation and superficial social commentary. Multimedia Discourse: Actively fostering continuous public dialogue on cinema through digital platforms and archival research. Authoritativeness & Trust Anandu Suresh is a trusted authority in the film journalism circuit, frequently providing exclusive coverage from major international festivals like the International Film Festival of Kerala (IFFK). His work goes beyond standard reviews; he is known for holding the industry accountable, as seen in his extensive reporting on sensitive issues like the 2017 Kerala actress assault case and the legal complexities surrounding film credits. By prioritising "Journalism of Courage," Anandu ensures his readers receive commentary that is not only intellectually stimulating but also ethically grounded and factually robust. ... Read More

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