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This is an archive article published on December 4, 2023

Music This Week: Ricky Kej and Abby V’s spirited beginning – Aarambh

Ricky Kej's latest album Aarambh weaves diverse soundscapes by incorporating scores of musicians.

ricky kejRicky Kej is back with Aarambh. (Photo: Ricky Kej/Instagram)

Yesterday, one of the most deft musical moments in the world’s cultural history created by the Fab Four in 1965 for their album Help! and perhaps the most covered tracks ever, has found a new musical moment. This time with a sitar. George Harrison would have concurred.

Written primarily by Paul McCartney and officially credited to him and John Lennon, the latest version of the song comes from the eight-track Aarambh — Grammy-winning composer Ricky Kej’s latest offering — with Toronto-based Indian classical vocalist and Instagram star Abby V at the helm.

An alaap in raag Yaman Kalyan on Asad Khan’s sitar opens the piece alongside electronic beats followed by the vocalist diving into Yesterday, which flows along the sitar, a tabla, some soaring strings, and a lot of synth-heavy sound. Interestingly, Abby V sticks to the original melody, not unduly working the song or extending its contours. The restraint is significant here because Kej lets it loose in the orchestration, which comes with a refreshing simplicity and precision in textures.

Rest of the tracks — seven pieces with seven different singers — comprise poised presentations of classical music with modern instrumentation in an attempt to make the space more accessible to a younger audience. Interestingly, Carnatic and Hindustani classical combine forces with innovative electronics. At least most of the tunes, barring a couple, sound largely improvised and not like rehearsed recordings, which is quite charming.

Ghule, based in the poignant Puriya Dhanashree, is a collaboration with Sona Mohapatra. Haunting and with a certain timeless quality, Ghule has got to be one of the most interesting presentations of the raga in the modern context. Mohapatra sounds warm and soothing, while Abby V is virtuosic, especially in the longer alaaps towards the end. Both do not get self-indulgent and that makes the presentation weighty.

A significantly impressive piece is Jaa Kaga, a collaboration with playback singer Benny Dayal. It is based in the Hindustani classical concept of murchhana (graha bhedam in Carnatic classical), where two singers work with the same set of notes but shift the tonic note to arrive at a different raga. The complex presentation, which is like a neat sargam battle, is the clear star of the album. Kaahe sataye with Pratibha Baghel, a piece loosely based on joyous raag Pilu, is another worthy composition on the list, so is Mangal din set in the thoughtful and sombre Bhairav.

While the cover of Yesterday is taut and spirited, what fails to have any impact is another cover — the presentation of Mirabai’s famed bhajan Paayo ji maine, a collaboration with the otherwise impressive KS Chithra. While Abby V and Chithra sing well, the orchestration does not allow the piece to work as a unit. One wishes Kej stuck to the restraint he followed in Yesterday. The male choir, Kej’s attempt at Gregorian chants, is neither revealing nor surprising.

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Minimal issues aside, Kej’s album, like his Grammy-winning Winds of Samsara with The Police drummer Stewart Copeland, weaves diverse soundscapes by incorporating scores of musicians. But it’s Abby V’s vocal prowess that has the album bursting with potential.

Aarambh (Sufiscore Records)
Composer: Ricky Kej
Vocalists: Abby V, Sona Mohapatra, KS Chithra, Jonita Gandhi, Benny Dayal, Pratibha Singh Baghel, Antara Nandy, K Sivaangi
Rating: 3 stars

Suanshu Khurana is an award-winning journalist and music critic currently serving as a Senior Assistant Editor at The Indian Express. She is best known for her nuanced writing on Indian culture, with a specific focus on classical music, cinema, and the arts. Expertise & Focus Areas Khurana specializes in the intersection of culture and society. Her beat involves deep-dive reporting on: Indian Classical Music: She is regarded as a definitive voice in documenting the lineages (Gharanas) and evolution of Hindustani classical music. Cinema & Theatre: Her critiques extend beyond reviews to analyze the socio-political narratives within Indian cinema and theater. Cultural Heritage: She frequently profiles legendary artists and unearths stories about India’s tangible and intangible cultural heritage. Professional Experience At The Indian Express, Khurana is responsible for curating and writing features for the Arts and Culture pages. Her work is characterized by long-form journalism that offers intimate portraits of artists and rigorous analysis of cultural trends. She has been instrumental in bringing the stories of both stalwarts and upcoming artistes to the forefront of mainstream media. Find all stories by Suanshu Khurana here ... Read More

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