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Vikrant Rona review: Kiccha Sudeep’s pan-India film is low on entertainment, high on confusion
Vikrant Rona movie review: The convoluted plot and stilted dialogues of this Kiccha Sudeep-starrer mar the experience.
Vikrant Rona review: Here's what we think of the Sudeep-lead starrer.
A little girl and her mother are driving through a dense forest when, suddenly, out of the darkness, comes a scary noise, and a shadow flitting across the path. Anyone sensible would stay in the car, roll up the windows, and sit tight. But this is a film where you know something dreadful is about to happen, and the character doesn’t. So, of course, the mum promptly gets out of the car, sees something a few steps ahead, turns back, and, of course, everything turns to black.
Cut to a village, and a house which has a grouchy man who communicates by shouting, a woman who cries her eyes out whenever she comes on, and a car full of relatives who have turned up for the marriage of their daughter, insisting that it be conducted in a building which has been locked up for years. Cut to dead bodies in a neighbouring well, and hanging from trees, and masked figures dancing around jungle fires. And a mystery man who appears from nowhere and claims to be a cop, and who keeps talking to a little girl always clutching a doll.