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Pennu Case movie review: Nikhila Vimal film makes for a passive watch

Pennu Case movie review and rating: One of the major strengths of the Nikhila Vimal-starrer is that it focuses on only the smaller things: tiny delightful moments, small jokes, modest drama, and so on.

Rating: 2 out of 5
Pennu Case movie review and rating: One of the major strengths of the Nikhila Vimal-starrer is that it focuses on only the smaller things: tiny delightful moments, small jokes, modest drama, and so on.Pennu Case movie review and rating: While thinking about Pennu Case again could make some curious about Nikhila Vimal's character, Rohini, she may well be the only one who manages to elicit that reaction from us. (Credit: Facebook/@Nikhilaonline)

Pennu Case movie review and rating: What’s the biggest draw of Febin Sidharth’s directorial debut Pennu Case? It isn’t fundamentally misogynistic. That’s the bare minimum, of course. But while Malayalam cinema, even if at times, comes up with abominations like Aabhyanthara Kuttavaali that outrightly and proudly loathe women, Pennu Case proves that it is possible to create a movie revolving around a morally ambiguous female character without spewing hate towards women in general. This isn’t to bluntly say that Febin’s film is devoid of problematic depictions, but to assert that movies like Aabhyanthara Kuttavaali aren’t innocent.

Subash (Aju Varghese) is excited beyond measure as his wedding day has finally arrived, a day most had predicted would never come. While preparations are in full swing, a group of men barges into the venue in Kannur district, leading to an altercation that disrupts the ceremony. The Kudiyanmala police immediately swing into action and, upon inquiry, learn that the men were there for the bride, Bindu (Nikhila Vimal), whom they claim duped all of them one by one through marriage fraud. CI Manoj (Hakim Shahjahan) begins an investigation and learns that her ‘actual name’ is Rohini.

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During interrogation, she opens up about her past and reveals that she committed her first scam in Mysuru, colluding with a gang led by local don David (Shivajith), to find money for her ailing mother’s treatment. However, she explains, she was soon entrapped by David, who began threatening her and forcing her to commit more frauds, thus making her part of a larger chain. With all the evidence solely against her, Rohini is now in deep trouble. Feeling sorry for her, Manoj and his fellow officers decide to help her and expose the racket, which apparently also involves local political bigshot Jeevan (Kiran Peethambaran), with whom Manoj has a personal beef.

One of the major strengths of Pennu Case is that it focuses on only the smaller things: tiny delightful moments, small jokes, modest drama, and so on. It never tries to bite off more than it can chew. While that approach has helped it to some extent, it has also proven to be a bane, as the movie never manages to grow on the audience beyond a certain point. For most of the film, viewers only feel like watching it passively, as it never attempts to explore its moments beyond a superficial level. From the very beginning, things are quite plain and in your face, kept slightly interesting solely by the few funny exchanges between various characters. However, since even the jokes aren’t chuckle-worthy and the moments aren’t too intriguing, the burden of continuing to watch the film falls squarely on the audience, with not many elements to keep them engaged. Had at least the lines been a bit more interesting, Pennu Case’s woes might have been mitigated to some extent, particularly since the movie is dialogue-heavy.

Watch Pennu Case trailer here:

(Spoilers ahead) At the same time, what complicates things for Febin and his co-writers is that they have a major suspense to reveal in the climax. So, their attempts are also to ensure as much secrecy as possible, executed through misdirections using an unreliable narrator. However, the buildup to this reveal isn’t strong enough, and at least some viewers might see through it early on. As a result, if they feel the climactic reveal isn’t impressive — having seen it coming beforehand — they might find the entire movie disappointing, since Febin and his team’s conscious downplaying of certain aspects only saps the movie’s overall energy as it has prevented them from extracting more from the narrative.

While thinking about Pennu Case again could make some curious about Rohini, she may well be the only one who manages to elicit that reaction, as almost all others, including Manoj, are reduced to the dialogues they have to deliver. The movie also features a slew of supposedly supporting characters, like Manoj’s fiancé Vijisha (Anarkali Nazar) and Thomas (Irshad Ali), one of the victims of Rohini’s matrimonial fraud, who appear and disappear out of the blue, contributing little to the overall narrative. At the same time, although the film sidesteps misogynistic portrayals to a great extent, it does feature a few problematic depictions, the most notable being the portrayals of the female police officers — one perpetually preoccupied with vegetable cultivation on the station premises, mostly unperturbed about her official work, and another obsessed with television soap operas.

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Although Nikhila Vimal’s expressions during Rohini’s stressful and emotional moments are more or less the same as the monotonous ones she is frequently trolled online for, it doesn’t become too much here, particularly since the character has more to do in the film. However, had Febin and his co-writers focused more on fleshing out Rohini’s character instead of the misdirections, she could have turned out better. While Hakim Shahjahan and Aju Varghese are serviceable in their roles, Ramesh Pisharody as Vijayakumar, another one of Rohini’s victims, offers more laughs than all others combined.

Pennu Case movie cast: Nikhila Vimal, Hakim Shahjahan, Aju Varghese, Ramesh Pisharody
Pennu Case movie director: Febin Sidharth
Pennu Case movie rating: 2 stars

Anandu Suresh is a distinguished Deputy Copy Editor at The Indian Express Online, where he serves as a leading voice in cinematic critique and industry analysis. With over six years of rigorous experience in the media landscape, he has established a reputation for incisive, long-form commentary that bridges the gap between commercial cinema and art-house narratives. Experience & Career Anandu’s professional journey is rooted in a deep academic and practical foundation in the humanities and communication. He holds a Bachelor's degree in English Language and Literature and a PG Diploma in Journalism and Communication. Before ascending to his current editorial leadership role at The Indian Express, he honed his skills on the news desk of The New Indian Express in Hyderabad. His career is marked by a transition from core news operations to specialized cultural journalism, allowing him to bring a structured, news-oriented rigor to the entertainment beat. Expertise & Focus Areas While Anandu’s portfolio spans the global cinematic landscape, he is widely regarded as an expert in Malayalam Cinema. His unique approach to film criticism is defined by: Cinema Anatomy: A dedicated column where he deconstructs the structural layers of films to uncover deeper sociopolitical meanings. Marginalized Narratives: A commitment on-ground and analytical reporting on how cinema represents or fails marginalized communities. Critiquing "Performative Wokeness": Rigorous analysis of modern filmmaking trends, identifying the difference between authentic representation and superficial social commentary. Multimedia Discourse: Actively fostering continuous public dialogue on cinema through digital platforms and archival research. Authoritativeness & Trust Anandu Suresh is a trusted authority in the film journalism circuit, frequently providing exclusive coverage from major international festivals like the International Film Festival of Kerala (IFFK). His work goes beyond standard reviews; he is known for holding the industry accountable, as seen in his extensive reporting on sensitive issues like the 2017 Kerala actress assault case and the legal complexities surrounding film credits. By prioritizing "Journalism of Courage," Anandu ensures his readers receive commentary that is not only intellectually stimulating but also ethically grounded and factually robust. ... Read More

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