Paan Singh Tomar
Director: Tigmanshu Dhulia
Cast: Irrfan,Vipin Sharma,Mahie Gill,Rajendra Gupta
How does a national award-winning athlete,feted in India and abroad,turn into a dreaded dacoit? This is the question a trembling local scribe asks of the Most Wanted Paan Singh Tomar,who has willingly submitted himself to this inquisition from his hideout. Aap daaku kaise bane? Baaghi, says Paan Singh reprovingly,daaku nahin. That difference is beautifully,movingly on display in Paan Singh Tomar,which shows us how a patriotic fauji,upholder of law and order all his life,was forced into crossing over to the other side.
That the newly-recruited jawan had a prodigious appetite for food his unit discovers soon enough. But that he has an equal talent for running and staying the course and winning is a gift his astounded superiors make the most of: Paan Singh gets turfed out into the sports side of the army where he is trained for the most difficult race,the steeplechase. He shines on the track,makes his coach sir (Gupta) and his long-time mentor (Sharma) proud. Who knows where Paan Singh would have reached if pressing matters back in his village hadnt drawn him into a never-ending quagmire?
Tigmanshu Dhulia has had a brush with the ravines of the Chambal back when he was in Shekhar Kapurs team for Bandit Queen. Bhind-Morena-Gwalior,home of the dacoits,was where Paan Singh came from,and his pride in his mama (uncle) who never got caught by the cops is a line that embodies the indomitable spirit of this film: history tells us that Paan Singh was captured and killed,but his free-spiritedness was no ones prisoner.
Biopics have never been Bollywoods strong suit. I went into Paan Singh Tomar with trepidation,given that Dhulia has only disappointed with his last few outings,losing himself in the sheer me-too ordinariness of Shagird and the faux badlands of Saheb Biwi aur Gangster. But this film redeems him,and shows him to be the same man who made the superb Haasil. Paan Singh Tomar is a completely gripping,near-flawless film,with such few dodgy parts as to be negligible. One of which is Mahie Gill who plays Irrfans unlettered wife,starting shakily but settling into it,giving us glimpses of the girl who was so good in Dev.D. The first half has Paan Singh,the army jawan,turning into a champion world-beater; post-interval,we see how things change for him,and how he is sent hurtling into the dusty ravines,turning,twisting,never being still,just to keep alive.
And what makes this film unforgettable is Irrfan who is,in one word,magnificent. He brings to life both the wordless strivings and joys of an athlete,and the despair of an outlaw,who has nowhere to go,but down. Of a man always,always on the run.