This is an archive article published on September 28, 2023

Kannur Squad movie review: Mammootty’s police procedural is solid, yet lacks freshness

Roby Varghese Raj's Kannur Squad, starring Mammootty in the lead role, is undoubtedly a solid police procedural that unfolds at a measured tempo, avoiding excessive dramatisation. However, its notable resemblances to earlier films within the same genre prevent it from being truly fresh.

Rating: 3 out of 5
Kannur Squad, kannur squad movie review, kannur squad review, kannur squad rating, kannur squad film, kannur squad movie, kannur squad release date, kannur squad trailer, kannur squad mammootty, mammootty, mammootty film, mammootty new film, mammootty police movies, roby varghese rajKannur Squad movie review: Roby Varghese Raj's Kannur Squad, starring Mammootty in the lead role, is now running in theatres. (Image: Mammootty Kampany/Facebook)
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Kannur Squad movie review: Mammootty’s police procedural is solid, yet lacks freshness
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There is something inherently charming about police procedurals. Their pace, gradual development, unexpected challenges, moments of hopelessness, characters’ resilience, incremental progress towards goals, stepping up when needed, the gratification resulting from relentless effort, and the realisation that it’s merely a chapter in the characters’ lives, leave us wanting more. This sets them apart from typical cop masala movies where a hypermasculine hero often defies realism. Kannur Squad, which marks the directorial debut of cinematographer Roby Varghese Raj, is the latest police procedural in town and it’s just as solid as any other film within this genre. However, its freshness can’t be guaranteed.

Starring Mammootty, Azees Nedumangad, Rony David and Shabareesh Varma in key roles, the movie narrates the tale of a quartet of police officers collectively known as the Kannur Squad. Inspired by a real-life police unit bearing the same name, originally formed by former Kannur SP S Sreejith to expedite case resolutions, the film features only four cops and two specific cases they tackled during the period spanning from 2007 to 2017.

The movie kicks off by introducing the four cops: Assistant Sub Inspector George (Mammootty), constables Jayakumar (Rony) and Shafi (Shabareesh), and their driver Jose (Azees) as they embark on a mission to apprehend some criminals hiding in a forest area near the Kannur-Virajpet border. While Roby provides Mammootty with an impressive intro, he ensures it aligns with the plot and avoids excessive fan service.

This sequence serves to introduce the main characters to audiences while also emphasising that they are not superhuman police officers. However, a common problem seen in several recent Malayalam films, including RDX, surfaces here too, where makers excessively use quick cuts in action scenes, seemingly to increase excitement. Unfortunately, as in other movies, this approach backfires here as well, making it feel overly staged and manufactured.

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After successfully resolving this case, the squad stumbles upon another one and tackles that too, enhancing their already impressive track record. However, as the team operates on an as-needed basis, its members return to their respective police stations once their duties are fulfilled. Years later, they reunite when a wealthy and politically influential man is murdered at home by five unidentified assailants, with his family members brutally attacked in the process. The remainder of the film revolves around the Kannur Squad’s investigation into this case.

Although the movie maintains a solid pace in its first half, the transitions between scenes lack smoothness, causing a somewhat disjointed viewing experience due to the absence of a natural flow. Simultaneously, the dramatic elements, especially those depicting the characters’ emotions and family relationships, fail to strike a chord due to their superficial and conventional portrayal. The film leans on the same typical drama elements found in many other cop movies here too, and hence lacks freshness.

While the crime scenes are depicted as bloody and brutal, the makers have carefully avoided overwhelming the audience with sheer remorse. They’ve struck the right balance, emphasising the severity of the crimes enough to fuel the determination of the police officers. The first half of Kannur Squad concludes on a powerful note, leaving the viewers craving more, especially as the upcoming part unfolds outside of Kerala, presenting additional challenges for the team.

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In the latter half of the film, the police encounter more challenges, ranging from language barriers to uncertainty about where to investigate. While the movie effectively sheds light on these obstacles, ensuring a seamless progression of their investigation without relying on luck, the emotional aspects don’t quite resonate here too. The tension between two squad members, stemming from a previous issue, occasionally surfaces but lacks a lasting impact. Additionally, these elements might remind viewers of Khalid Rahman’s Unda (2019), another procedural featuring Mammootty.

Although Kannur Squad struggles to build tension, it compensates with well-executed normal moments. While certain narrative elements bear a resemblance to Rajeev Ravi’s Kuttavum Shikshayum (2022), the makers have tried to distinguish their work by incorporating some commercial elements like slow-motion sequences, powerful background music, and an intense action scene, which have had a positive impact.

However, it needs to be mentioned here that despite all of these, the film’s similarities to earlier procedural movies remain striking throughout and it manages to avoid being a complete replica only by a hair’s breadth, thanks to its making and the performances. The villains are also like familiar old wines in well-worn bottles.

Though Mammootty delivers a subtle and nuanced performance, a quality he has consistently displayed in his recent films, it lacks freshness, especially since this marks his second consecutive role as a police officer after his appearance in B Unnikrishnan’s Christopher earlier this year. While his rendition of George is quite different from his Kuttan in Puzhu (2022), another cop role, certain traits from Christopher are noticeable in Kannur Squad. Mammootty’s action sequences are also lacklustre, failing to deliver any impactful movements or moments.

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Azees Nedumangad, on the other hand, excels in his portrayal of driver Jose. His adept handling of subtle moments and the way he embodies the character will leave a lasting impression on viewers, showcasing his potential for even more remarkable performances. His background in comedy proves advantageous when delivering certain desperate dialogues and yet, he seldom compromises the gravity of the narrative at any juncture with this.

While Rony David’s usual stiffness in his performance is evident here as well (and no, it’s not just because of the character’s demeanour), Shabareesh Varma’s Shafi doesn’t go beyond being a mere presence throughout.

On the technical side, Muhammed Rahil’s cinematography is impressive, and Praveen Prabhakar’s editing shines, except when it comes to the fight sequences, where the issue also lies in how they were choreographed. Unfortunately, Sushin Shyam’s music doesn’t make a significant contribution to the film.

In short, Kannur Squad is undoubtedly a solid police procedural that unfolds at a measured tempo, avoiding excessive dramatisation. However, its notable resemblances to earlier films within the same genre prevent it from being truly fresh.

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Kannur Squad movie cast: Mammootty, Azees Nedumangad, Rony David, Shabareesh Varma
Kannur Squad movie director: Roby Varghese Raj
Kannur Squad movie rating: 3 stars

Anandu Suresh is a distinguished Deputy Copy Editor at The Indian Express Online, where he serves as a leading voice in cinematic critique and industry analysis. He is a Tomatometer-approved film critic and a Golden Globes voter. With over seven years of rigorous experience in the media landscape, he has established a reputation for incisive, long-form commentary that bridges the gap between commercial cinema and arthouse narratives. Experience & Career Anandu’s professional journey is rooted in a deep academic and practical foundation in the humanities and communication. He holds a Bachelor's degree in English Language and Literature and a PG Diploma in Journalism and Communication. Before ascending to his current editorial leadership role at The Indian Express, he honed his skills on the news desk of The New Indian Express in Hyderabad. His career is marked by a transition from core news operations to specialised cultural journalism, allowing him to bring a structured, news-oriented rigour to the entertainment beat. Expertise & Focus Areas While Anandu’s portfolio spans the global cinematic landscape, he is widely regarded as an expert in Malayalam Cinema. His unique approach to film criticism is defined by: Cinema Anatomy: A dedicated column where he deconstructs the structural layers of films to uncover deeper sociopolitical meanings. Marginalised Narratives: A commitment to on-ground and analytical reporting on how cinema represents or fails marginalised communities. Critiquing "Performative Wokeness": Rigorous analysis of modern filmmaking trends, identifying the difference between authentic representation and superficial social commentary. Multimedia Discourse: Actively fostering continuous public dialogue on cinema through digital platforms and archival research. Authoritativeness & Trust Anandu Suresh is a trusted authority in the film journalism circuit, frequently providing exclusive coverage from major international festivals like the International Film Festival of Kerala (IFFK). His work goes beyond standard reviews; he is known for holding the industry accountable, as seen in his extensive reporting on sensitive issues like the 2017 Kerala actress assault case and the legal complexities surrounding film credits. By prioritising "Journalism of Courage," Anandu ensures his readers receive commentary that is not only intellectually stimulating but also ethically grounded and factually robust. ... Read More

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