October 13, 2012 3:19:28 am
DIRECTOR: Sachin Kundalkar
CAST: Rani Mukerji,Prithviraj,Anita Date,Nirmiti Sawant,Satish Alekar,Subodh Bhave,Amey Wagh
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More than anything else,Aiyyaa is a film that could have been. A truly subversive,exhilarating ride with a sexually-aware,sensually-charged woman at its centre. A woman who is willing to follow her nose,and her heart,to where it takes her: in this instance,past an overflowing kachre ka dabba to a sweet-smelling hottie. But Sachin Kundalkar,whose Marathi Gandha did this infinitely better,doesnt manage the reprise,and what we get is a flat,heavy-footed clomp through screechy lines and overstated,dragged-out situations.
Meenakshi Deshpande (Mukerji) is a mostly demure Marathi mulgi,resigned to the fact that her jeevan saathi will be a man chosen by her parents. A suitable man like Madhav Rajadhyaksha (Bhave) who thinks that Deepti Naval and Farooq Shaikhs homely romances are the best. But Meenakshi has other ideas: her sensitive nose works overtime whenever she sniffs out the taciturn presence of Surya (Prithiviraj),a dark,handsome Tamilian who paints during the day,goes off to mysterious pursuits during the night,and lives with his amma in between. Overcome as she is with olfactory lust,Meenakshi has also to deal with a buck-toothed Lady Gaga type colleague (Date),a dog-loving brother (Wagh) a really loud mother (Sawant),a furiously ciggie-smoking father (Alekar),and a white-bewigged grandma in a motorised wheelchair. This could have been a hilarious gang,but ends up being continually and monumentally irritating.
Mukerji tries hard to keep above it all,and she manages to break through once in a while,especially in the jaw-droppingly sexed-up songs and dances with Prithiviraj,who is quite content being male eye-candy and bringing up the rear: a reverse flip which should have been far more delicious than it is. I also perked up at a couple of the mad antics of the kinky Date,but again,this is not a film which generates the sort of mad hysteria that makes you laugh.
After a while,it becomes just another film we cant wait to get out of,despite the trying-to-get-back-in-the-reckoning,still-watchable Rani and the sizzling Prithvi. Taking a cue from one of its songs,I have to say that,after watching it,I barely saved myself from being in critical conditionum.
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