This is an archive article published on May 5, 2023
Afwaah movie review: Nawazuddin Siddiqui film exposes rumour-fuelled political warfare
Afwaah movie review: Nawazuddin Siddiqui-Bhumi Pednekar film turns the spotlight on a world where power-hungry men walk around with fragile egos. They find followers through intimidation and gaslighting.
Afwaah movie review: Nawazuddin Siddiqui film exposes rumour-fuelled political warfare
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In recent years, we have witnessed the dangerous consequences of unverified news, WhatsApp forwards and rumours going viral. There have been enough instances of such rumours triggering mob frenzy and lynching. Afwaah is a gripping and realistic account of this contemporary socio-political scenario where facts are manipulated for personal and political gain. The film, a ringing condemnation of prevalent politics of hate, social polarization and the deep-rooted patriarchy, does not take much time to build the momentum.
Soon after Rahab Ahmad (Nawazuddin Siddiqui) — a US-returned professional trying to do his bit for the homeland — switches the radio channel to avoid a political talk and listens to jazz as he drives to a high-profile literature festival where his wife’s book is being released, a political clash breaks out a neighbouring area. During the political march of Vicky Singh (Sumeet Vyas), which is meant to be a show of strength before the elections, a communal clash erupts. The visuals of the clash that suggest Singh’s involvement in it airs on loop on television. In no time, we see a man pleading for his life and Singh’s loyal aide Chandan’s (Sharib Hashmi) role in the killing of a Muslim butcher go viral. This upsets his fiance Nivi (Bhumi Pednekar), daughter of a former political stalwart.
From then on, Afwaah plays out like a taut political thriller. The whole situation spirals out of control when the paths of Rahab and Nivi cross. Nivi is running away from home and her impending wedding. Rahab comes to her aid when Singh’s henchmen try to take her back home. A new-age political advisor, armed with the expertise to make memes and viral videos, tries to salvage Singh’s reputation and assuage his ego. The smug meme-maker manipulates the visuals to suggest that Nivi and Rahab are lovers. The video, featuring ‘#lovejihad’, is first of the several manipulative and provocative videos that are unleashed into the vast world of internet consumers so that Singh can stay ahead in the game. This affects multiple lives, stirs mob fury and leads to violence.
While Nivi steadfastly remains the narrative’s moral compass, Kabir’s poetry-quoting Rahab is her biggest ally. Rahab, however, needs to figure out his identity even as he reacquaints himself with the new realities of his country. Siddiqui, who had earlier delivered a compelling performance in Mishra’s Serious Men (2020), is convincing as a man with his vulnerabilities, confusions and beliefs. It is no surprise that Pednekar brings Nivi alive and makes the audience empathise with her desperate attempts to break free from a patriarchal world filled with lies and violence. Their performances are supported by an impressive ensemble cast. Vyas and Hashmi stand out. In a cameo as a young recruit in the police department who is exploited by her senior, TJ Bhanu shines. Later, her character not only picks up survival tactics but also learns how to turn the tables.
The writers — Mishra, Nisarg Mehta and Shiva Bajpai — show their deep understanding of the contemporary world. They bring nuance to the storytelling and keep the characters layered. The movie doesn’t make any direct reference to real incidents. However, there are several powerful scenes that are chilling reminders of true cases where vigilante violence was triggered by unverified news and rumours. The movie alludes to cases of lynching over suspected carrying of beef, pitting one community against another and spreading hateful messges. The first scene after the interval where students are shown taking shelter in a library, is a grim reminder of the December 15, 2019 incident of police attacking students in the Jamia Millia Islamia library.
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Occasionally, the film begins to spell itself out, even sermonise, what the makers think is necessary to communicate to the audience. Afwaah is a reflection of the moral corruption that the society has undergone. It makes us sit up and realise ‘the rise of noise’ as well as the eroding space for argument and logical thinking as bigotry makes the public gullible.
Afwaah turns the spotlight on a world where power-hungry men walk around with fragile egos. They find followers through intimidation and gaslighting. Yet, a woman seeking independence is considered preposterous. In the end, the women in Afwaah find ways to exercise their agency.
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Afwaah movie director: Sudhir Mishra Afwaah movie cast: Nawazuddin Siddiqui, Bhumi Pednekar, Sumeet Vyas and Sharib Hashmi Afwaah movie rating: 3.5 stars
Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism.
Expertise & Accolades
In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for "highlighting facets of cinema beyond glamour and gossip" and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, 'In Search of a Star'. Her article titled 'People Like Us', published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023.
Global Industry Leadership
Alaka’s expertise is sought after by major international and domestic film bodies:
Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes.
National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema.
Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends.
Focus & Vision
Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge "tried-and-tested" templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. ... Read More