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Mohanlal-Priyadarshan’s Rs 44 lakh movie collected Rs 4 crore and ran for record 366 days, despite its tragic ending

Ranked among the finest of both Mohanlal and Priyadarshan, this 1988 movie is also regarded as one of the finest comedy-dramas Malayalam cinema has ever produced, despite its tragic ending.

Ranked among the finest of both Mohanlal and Priyadarshan, this 1988 movie is also regarded as one of the finest comedy-dramas Malayalam cinema has ever produced, despite its tragic ending.This Priyadarshan-Mohanlal film ran for over a year in a theatre, making it the longest-running Malayalam movie at the time. (Screenshot: YouTube/choicenetwork)

While riding high as a successful and bankable director known for creating out-and-out comedy dramas like Poochakkoru Mookkuthi, Odaruthammava Aalariyam, Boeing Boeing, Aram + Aram = Kinnaram, and Mazha Peyyunnu Maddalam Kottunnu, among others, Priyadarshan took a sharp deviation in 1986 and attempted a major experiment with the Mohanlal-starrer Thalavattam, loosely based on director Milos Forman’s multiple Academy Award-winning One Flew Over the Cuckoo’s Nest (1975), featuring Jack Nicholson and Louise Fletcher. He crafted Thalavattam by amplifying the narrative tone of the Hollywood film to the highest level.

After offering the audience plenty to laugh at in the initial portions and even immersing them in a romantic subplot, he subjected the movie to a tonal reversal, eventually delivering an emotional whiplash to the viewers. Thus, what began as a comedy and unfolded into a delightful romantic drama, filled with happiness and hope, ultimately ended as a heartbreaking tragedy, mirroring the style Charlie Chaplin used in The Circus (1928), thus leaving a scar on the hearts of viewers. Although risky, Priyadarshan’s new style worked big time, and Thalavattam became a superhit. While he did not attempt a similar movie again immediately and only utilised traces of the formula in his subsequent works like Vellanakalude Nadu and Mukunthetta Sumitra Vilikkunnu (1988), the director did not forget the emotional impact such a story can have on the masses.

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Hence, he improved the style further and crafted an even better — but this time original — movie, capable of making the audience experience most of the widely accepted basic emotions — happiness, sadness, surprise, anger, and fear — in tandem. Priyadarshan struck gold once again, and the film not only impressed audiences but became the highest-grossing Malayalam film at the time. It is still ranked among the finest of both the director and its lead actor, Mohanlal. The movie is none other than Chithram (1988), one of the finest comedy-dramas Malayalam cinema has ever produced, despite its tragic ending.

Chithram's success was most notable since it did not adhere to the conventional commercial formula. Chithram ran for a record 366 days in a theatre. (Credit: IMDb)

Chithram budget and box office collection

Mounted on a budget of just Rs 44 lakh, according to Onmanorama, Chithram, which released during the Christmas season of 1988, ended up collecting a whopping Rs 4 crore, scripting history at the box office. It also ran for a record 366 days in a theatre, making it the longest-running Malayalam film at the time, before it was dethroned by director duo Siddique-Lal’s Godfather (1991). Chithram’s success was most notable since it did not adhere to the conventional commercial formula.

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Although the movie had a fight scene and choreographed songs, it was basically a story of a young woman (Ranjini) who, with the help of her uncle (Nedumudi Venu), hires a man (Mohanlal) to present him in front of her father (Poornam Viswanathan) as her husband, so that the latter isn’t heartbroken with the knowledge that his daughter’s boyfriend broke her heart and left her. Initially revolving around the many hilarious and happy moments that unfold between these characters, Chithram slowly shifts gears once Mohanlal and Ranjini’s characters fall for each other.

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But tragedy and sadness had been awaiting them as Mohanlal agreed to act as her husband only for money, which he needed for his toddler son’s treatment, and he had no other way to make it, as he is shockingly an escaped convict, who was awarded capital punishment for the murder of his mute wife (Lissy). With the entry of the investigating officer (Soman) to take Mohanlal back to prison, Chithram veers into tragic territory and ends with Mohanlal returning to jail, while Ranjini decides to raise the his son as her own.

Mounted on a budget of just Rs 44 lakh, Chithram was released during the Christmas season of 1988. Actors Mohanlal and Ranjini. (Credit: thecompleteactor.com)

Despite almost four decades since its release, Chithram remains close to the hearts of Malayalees, who continue to rewatch it from time to time. Although it did not have massy dialogues, hero elevation moments, multiple stunt sequences, or an extremely lovey-dovey relationship at its centre, Chithram managed to etch itself into the hearts of viewers, thanks in large part to the unparalleled work of Priyadarshan and Mohanlal. The credit for the movie’s success also belongs to music composers Kannur Rajan (songs) and Johnson (background score), and playback singer MG Sreekumar, whose works immortalised Chithram.

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