This is an archive article published on December 20, 2024
IFFK 2024: Brazil’s Malu named Best Film; Payal Kapadia honoured with Spirit of Cinema award
IFFK 2024: While the Suvarna Chakoram for Best Film went to director Pedro Freire's Brazilian drama Malu, Iranian filmmaker Farshad Hashemi was awarded the Rajata Chakoram for Best Director for his drama Me, Maryam, the children and 26 others.
5 min readThiruvananthapuramUpdated: Dec 20, 2024 11:08 PM IST
(Clockwise) Spirit of Cinema award recipient Payal Kapadia and stills from the movies Me, Maryam, the children and 26 others, Feminist Fathima and Malu.
The 29th International Film Festival of Kerala (IFFK), 2024, concluded in Thiruvananthapuram on Friday with an impressive finale. On the occasion, All We Imagine As Light (AWIAL) director Payal Kapadia, the first Indian to receive the Cannes Grand Prix award — the second-most prestigious prize at the festival after the Palme d’Or — was honoured with the Spirit of Cinema award. The closing ceremony, held at the Nishagandhi Auditorium, was inaugurated by Kerala Chief Minister Pinarayi Vijayan, while Minister for Cultural Affairs Saji Cherian presided over the event.
The ceremony also saw the presentation of awards instituted by the organisers. While the Suvarna Chakoram for Best Film went to director Pedro Freire’s Brazilian drama Malu, Iranian filmmaker Farshad Hashemi was awarded the Rajata Chakoram for Best Director for his drama Me, Maryam, the children and 26 others. The Rajata Chakoram for Best Debut Director was presented to Cristóbal León and Joaquín Cociña for their Chilean movie The Hyperboreans. Anagha Ravi (Appuram) and Chinamaya Siddi (Rhythm of Dammam) earned Special Jury Mentions for their performances, while director Hala Elkoussy’s East of Noon received a Special Jury Mention for technical excellence. Fasil Muhammed was recognised in the Best Screenplay category for his work in Feminist Fathima (Feminichi Fathima).
The Fasil Muhammed directorial, in the meantime, swept multiple honours, including those constituted by the Network for the Promotion of Asian Film Centre (NETPAC) and International Federation of Film Critics (FIPRESCI), along with the Audience Poll award. The NETPAC awards were given to Feminist Fathima for Best Malayalam Film and Me, Maryam, the Children and 26 Others for Best Asian Film, with director Midhun Murali’s Kiss Wagon earning a Special Jury Mention. The FIPRESCI awards recognised Feminist Fathima as the Best International Film and director Sivaranjini J’s Victoria as the Best Malayalam Film. The KR Mohanan Award for Best Debut Director from India, established by the Federation of Film Societies of India (FFSI), was awarded to Indu Lakshmi for Appuram, while Feminist Fathima received the FFSI Special Mention.
Speaking on the occasion, CM Pinarayi Vijayan noted that the 29th edition of IFFK had earned widespread recognition for its focus on women-centric politics. “Of the 177 films screened, 40 were directed by women. I am proud that this festival has also become a symbol of our unity,” he said. Highlighting that the festival paid tribute to PK Rosy, the first actress in Malayalam cinema, with its signature film, the Chief Minister emphasised that the IFFK stands in solidarity with the rights of the oppressed and the marginalised.
While addressing the gathering, Payal Kapadia, whom Kerala State Chalachithra Academy (KSCA) chairman Premkumar introduced as “the iron lady of Pune FTII (Film and Television Institute of India),” remarked: “I made a movie in Malayalam, which was a crazy idea; but I got a lot of help from people here.”
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“The Spirit of Cinema Award will be a great inspiration to create more socially relevant films. I am immensely proud of the support this film has received in Kerala and I accept this recognition with immense happiness. The actresses in my film have already won numerous awards. Now, I feel happy to share this joy with them,” Payal added.
She also extended her congratulations to Feminist Fathima for its multiple award wins.
In his address, Minister for Revenue and Housing K Rajan highlighted that movie-watching is both a cultural and political act. He also praised the festival organisers for initiating a blood donation campaign named Cine Blood.
Notable attendees at the closing ceremony included KSCA Chairman Premkumar, Director of Cultural Affairs Divya S Iyer, Armenian filmmakers Serge Avedikian and Nora Armani, IFFK festival curator Golda Sellam, French cinematographer and chairperson of the international jury for the competition section at IFFK 2024 Agnès Godard, K Madhupal from the Kerala State Cultural Activists Welfare Fund Board, KSCA General Council member Sohan Seenulal and KSFDC Managing Director Priyadarshan.
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This year’s IFFK showcased 177 films from 68 countries across 15 theatres in the capital city. The festival opened on December 13 with the Portuguese political biographical drama I’m Still Here (2024) and unfolded over eight days under the theme of “intersectionality,” reflected in its logo and branding. The inaugural ceremony, with Bollywood icon Shabana Azmi as the chief guest, saw renowned Hong Kong (SAR PRC) filmmaker Ann Hui receiving the Lifetime Achievement Award.
Anandu Suresh is a distinguished Deputy Copy Editor at The Indian Express Online, where he serves as a leading voice in cinematic critique and industry analysis. With over six years of rigorous experience in the media landscape, he has established a reputation for incisive, long-form commentary that bridges the gap between commercial cinema and art-house narratives.
Experience & Career
Anandu’s professional journey is rooted in a deep academic and practical foundation in the humanities and communication. He holds a Bachelor's degree in English Language and Literature and a PG Diploma in Journalism and Communication. Before ascending to his current editorial leadership role at The Indian Express, he honed his skills on the news desk of The New Indian Express in Hyderabad. His career is marked by a transition from core news operations to specialized cultural journalism, allowing him to bring a structured, news-oriented rigor to the entertainment beat.
Expertise & Focus Areas
While Anandu’s portfolio spans the global cinematic landscape, he is widely regarded as an expert in Malayalam Cinema. His unique approach to film criticism is defined by:
Cinema Anatomy: A dedicated column where he deconstructs the structural layers of films to uncover deeper sociopolitical meanings.
Marginalized Narratives: A commitment on-ground and analytical reporting on how cinema represents or fails marginalized communities.
Critiquing "Performative Wokeness": Rigorous analysis of modern filmmaking trends, identifying the difference between authentic representation and superficial social commentary.
Multimedia Discourse: Actively fostering continuous public dialogue on cinema through digital platforms and archival research.
Authoritativeness & Trust
Anandu Suresh is a trusted authority in the film journalism circuit, frequently providing exclusive coverage from major international festivals like the International Film Festival of Kerala (IFFK). His work goes beyond standard reviews; he is known for holding the industry accountable, as seen in his extensive reporting on sensitive issues like the 2017 Kerala actress assault case and the legal complexities surrounding film credits. By prioritizing "Journalism of Courage," Anandu ensures his readers receive commentary that is not only intellectually stimulating but also ethically grounded and factually robust. ... Read More