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Can a film break India & Israel bond, asks Kaouther Ben Hania, The Voice of Hind Rajab director

The Oscar-nominated docudrama awaits CBFC’s revising committee's decision; Kaouther Ben Hania calls out India’s censorship

The Voice of Hind Rajab India release, Kaouther Ben Hania, CBFC India censorship, India-Israel relations film ban, Hind Rajab documentary, Manoj Nandwana distributor, Shashi Tharoor film censorship, 98th Academy Awards Tunisia entry, Palestinian Red Crescent recording, Bollywood and Tunisia filmmaker.A still from docudrama The Voice of Hind Rajab (2025)

Tunisian filmmaker Kaouther Ben Hania has questioned the decision of the Central Board of Film Certification (CBFC), India’s film certification body under the Ministry of Information and Broadcasting, to stall the theatrical release of her Oscar-nominated docudrama The Voice of Hind Rajab (2025).

In a post on Facebook, Ben Hania wrote: “I grew up loving India. Bollywood was part of my childhood. At some point, I even imagined I had Indian roots just to feel special. Is the honeymoon between the ‘world’s largest democracy’ and the ‘only democracy in the Middle East’ so fragile that a film could break it?”

The Voice of Hind Rajab, which was nominated for Best International Feature Film at the 98th Academy Awards as the Tunisian entry, is about a six-year-old Palestinian girl who was killed by Israeli forces in 2024 during the Gaza war. The film was earlier scheduled to be released in India on March 6. Its distributor Manoj Nandwana, who runs Mumbai-based company Jai Viratra Entertainment, said the film was denied certification on concerns that it would impact “India’s relationship with Israel”.

The film has been submitted to CBFC’s revising committee. “There is no strict guideline regarding when the committee should respond. So, I am checking their website regularly for a possible update,” said Nandwana.

Responding to questions about certification, I&B Ministry’s spokesperson said they won’t comment at this stage when the film is with the revising committee. The Indian Express reached out to Prasoon Joshi, the CBFC chairperson, for his comment on this issue and is awaiting his response.

The much-acclaimed docudrama premiered in the main competition of the 82nd Venice International Film Festival in September 2025 to a moving response, receiving nearly a 23-minute standing ovation. Following this, Nandwana secured the film’s distribution rights for India as well as other South Asian countries. He applied for its certification on January 26 and it was screened for the CBFC members on February 27. “Though the members did not suggest any cuts, they were reluctant to issue its certification,” he says.

Reacting to the certification hurdles, Congress leader Shashi Tharoor posted on X: “That’s pretty disgraceful. In a democracy, screening a film is a reflection of our society’s freedom of expression and has nothing to do with government to government relations. This practice of banning films or books because of the offence they might cause to foreign countries must stop immediately. It’s unworthy of a mature democracy.”

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In The Voice of Hind Rajab, Ben Hania reconstructed the events of January 29, 2024, when Palestinian Red Crescent volunteers received an emergency call. Six-year-old girl Hind Rajab, who was trapped in a car under fire in Gaza, pleaded for rescue. While trying to keep her on the line, they did everything they could to get an ambulance to her. Recalling what prompted her to make the docudrama, the writer-director told The Indian Express in an unpublished interview: “The first thing I received was the voice of Hind Rajab. There was a recording shared on social media. I thought that this incident should be the tipping point of the genocide, and everything should stop after it. Like, I can’t comprehend why the world is not upside down, because of what happened to Hind Rajab, her family and two paramedics (they were killed while trying to rescue her). The world wasn’t upside down. So, I needed to do something, because not doing something for me was complicity.”

Ben Hania, who experienced a strong feeling of “indignation and helplessness”, contacted the Red Crescent to listen to the entire recording of their interaction with Hind Rajab. “The main idea was to find the perfect form to honour her voice, not to replace her voice with that of an actress even though I used actors to portray the Red Crescent staff. The main idea was to honour her voice and how to amplify it,” she said. Ben Hania’s documentary Four Daughters (2023), too, was nominated for the Academy Award for Best Documentary.

When asked about the criticism by a certain section regarding using Hind Rajab’s real voice, Bena Hania said, “It’s not comfortable for a section of the audience to hear the real voice because it reminds them that this is the reality. People go to the cinema to escape. They are angry at the movie because it’s reminding them that this is real. They should be angry against the Israeli army, against the occupation. In this case, cinema is not an escape. They want me to protect the audience, I want to protect the victims in Gaza.”

Nandwana had earlier tried to screen The Voice of Hind Rajab at several Indian festivals, including the International Film Festival of India (IFFI), Goa and International Film Festival of Kerala (IFFK). However, the film could not be screened as it did not get clearance from the I&B Ministry. Only the Kolkata International Film Festival (KIFF) 2025 screened the film as they did not seek the ministry’s approval.

Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism. Expertise & Accolades In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for "highlighting facets of cinema beyond glamour and gossip" and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, 'In Search of a Star'. Her article titled 'People Like Us', published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023. Global Industry Leadership Alaka’s expertise is sought after by major international and domestic film bodies: Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes. National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema. Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends. Focus & Vision Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge "tried-and-tested" templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. ... Read More

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