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This is an archive article published on January 13, 2024

Lift: Kevin Hart, Gugu Mbatha-Raw’s caper fails to take off

The latest addition of Netflix's catalogue of heist thrillers is riddled with predictable twists and cardboard-like characters

Kevin Hart, LiftKevin Hart in a still from his latest release Lift.

The premise of Lift, which is the latest movie to be added to Netflix’s catalogue of heist thrillers, sounds fascinating as a massive consignment of gold is to be stolen mid-air. The thriller shot in some of the most beautiful locations of the world, including Venice, Switzerland and Ireland, looks slick. The movie, which presumably wants to be an edge-of-the-seat thriller, is powered by a diverse cast. Yet, the movie helm by F. Gary Gray, who has directed movies like The Italian Job (2003) and The Fate of the Furious (2017), falls short of being gripping as it goes for style over substance.

Written by Daniel Kunka, Lift follows the adventures of a professional thief Cyrus Whitaker (Kevin Hart) and his expert crew as they attempt the ultimate heist: stealing USD 500 million in gold from a vault on a plane — 40000 feet in the air as it flies over the Alps. The thriller has a team of hackers who can make the most complicated heists look like child’s play. That’s established with a lengthy opening sequence when an enigmatic artist is whisked away by the gang and an intense chase on Venice canals ensues. Soon after, Interpol agent Abby Gladwell (Gugu Mbatha-Raw), who is hot on Whitaker’s trail, approaches him with the proposal to steal the gold at her senior official’s behest.

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In the movie, Hart is presented as this heist mastermind, who comes up with complicated plans that are near impossible to execute. He takes high risks but is hesitant to endanger his teammates’ safety. However, what his suave character needed is a bit more rizz to shine and match the charm that heist bosses typically exude in such dramas. That becomes quite apparent when he is dealing with Abby, especially when he is supposedly giving her moony looks.


As an Interpol agent with a beating heart and conscience, Mbatha-Raw is convincing. She is someone who deeply cares about people, values and ‘saving people’ (this is something that’s used as an excuse for multiple actions in the movie). Though her change of heart in the end is not very convincing, going with the mood of the movie that can be overlooked.

The actors, who form the motley crew of thieves assisting Whitaker, are fascinating since the makers seem to have hand-picked them keeping ‘diversity’ in mind. However, their characters lack depth and dimensions.

Though touted as a thriller, Lift has only a few nail-biting moments while the twists are predictable. The ending of Lift hints at upcoming instalments and a possible franchise. If that’s the case, the creators should shift their focus to making the heists more believable and the narrative more engaging.

 

Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism. Expertise & Accolades In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for "highlighting facets of cinema beyond glamour and gossip" and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, 'In Search of a Star'. Her article titled 'People Like Us', published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023. Global Industry Leadership Alaka’s expertise is sought after by major international and domestic film bodies: Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes. National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema. Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends. Focus & Vision Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge "tried-and-tested" templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. ... Read More

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