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Aamirs Raakh to be re-launched during ongoing stalemate
The instant recall factor when one thinks of superstar Aamir Khan today could be the violent lover in Ghajini.
The instant recall factor when one thinks of Aamir Khan today could be the violent lover boy in Ghajini. However,for true fans of Hindi cinema,a more intense acting by the star was showcased in Raakh. The highly acclaimed film is known as much for the actors performance as for its direction and cinematography. But the 1989 release,sadly,failed to impress at the box office.
While Ghajini was clearly over-the-top,the performance of every actor in Raakh with Supriya Pathak and Pankaj Kapoor in key roles was controlled and near-perfect,bringing home a slew of National Awards,including Khans first National Award (the Special Jury Award). The film,which today exists only in archives,is being brought to the theatres,with digitally re-mastered prints,next month.
Raakh releases in theatres on June 12 (the DVD release will follow in August) under the banner of Audacity International (also the distributors),which is a joint venture between the movies director Aditya Bhattacharya,producer Asif Noor and world cinema major Palador Pictures. However,this isnt a one-off project as Audacity intends to buy the rights to similar pieces of good Indian cinema and revive them.
Raakh is undoubtedly one of the most influential voices from India and it shaped my early fascination with films that were non-Bollywood. It was tragic to see cult movies like this languishing and in a state of neglect. Restoring and re-releasing Raakh across the world is not just a passion but our duty towards cinema, says Gautam Shiknis,MD and founder of Palador Pictures,who first suggested the concept to Bhattacharya.
I was discussing another project with Palador when Gautam,who is an ardent admirer of Raakh,brought the topic up, says Bhattacharya. The idea just evolved since it is the movies 20th anniversary this year. I later flew down Asif who is currently based in Dubai.
The movie is likely to release with 200 prints. However,Audacity has yet to decide whether to release the movie in multiplexes as well as in single screens or to comply with the stand taken by the producers guild.
Either way,given the reigning popularity of Khan and the multiplex-producers standoff,the release is perfectly timed. Bhattacharya acknowledges the fact but insists that it is just a coincidence. We had other offers in the past,but we chose to partner with Palador because their intent is to promote good Indian cinema in the long run as opposed to cashing in on Aamirs popularity. But that is not to say that profitability isnt an intent, he says.
While the partners arent yet willing to reveal the names of other films that Audacity International is looking at acquiring,chances are that regional cinema is on the list. The point is to take good Indian cinema,films which have been forgotten,to the rest of the world. Indians seem to know more about European cinema than about our regional movies,which is a sad state of affairs, says Bhattacharya.




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