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This is an archive article published on July 6, 2025

Trapped by Rocky Randhawa image, Ranveer Singh awaits his Animal moment

From being called an attention-seeker to battling unfair comparisons, Ranveer Singh has constantly fought to prove he's a 'serious actor'. With his sudden disappearance from the public eye, is a powerful comeback on the horizon or is it just a break from the spotlight?

Ranveer SinghRanveer Singh in a still from Rocky Aur Rani Kii Prem Kahaani.

In 2019, Ranveer Singh’s Murad stood up and and screamed, “Apna Time Aayega”. He had already delivered blockbusters like Dil Dhadakne Do, Bajirao Mastani, and Padmaavat and then came Gully Boy, a film that further cemented his place among the finest actors of his generation. At the time, it seemed like Ranveer’s time had truly arrived. But just when things were soaring, the Covid-19 pandemic hit — and with it, a sharp pause hit his career momentum.

The Missed Moment of 83

In 2021, Ranveer Singh returned with 83 — a passion project that saw him transform into cricketing legend Kapil Dev. Ranveer delivered a career-defining performance, but unfortunately, the film was released amid pandemic restrictions and failed to make the kind of cultural or commercial impact it deserved. Despite his brilliance, the performance went largely under-recognised by audiences. If things were different, 83 could have been Ranveer’s Chak De India moment.

Post Gully Boy, Ranveer tried repeatedly to regain his footing — with films like Jayeshbhai Jordaar and Cirkus — both of which were box office flops. It wasn’t until Rocky Aur Rani Kii Prem Kahaani (2023) that audiences once again embraced him. But even then, it was Alia Bhatt who took away most of the praise. Despite Ranveer delivering a fun and emotional performance as Rocky Randhawa, viewers saw the character as an extension of his real-life persona — flamboyant, flashy, and over-the-top. The effort he put into the role largely went unnoticed under the weight of his public image.

Vibha Maru is a distinguished journalist and the current Chief Sub-Editor at The Indian Express Online. With over seven years of rigorous experience in digital media, she leads high-impact coverage of the Indian film industry, international web series, and the evolving landscape of global entertainment. Experience & Career Vibha’s professional trajectory is defined by her tenure at some of India’s most prestigious news organizations. Before joining the editorial leadership at The Indian Express, she served as a Movies Writer for India Today Digital and worked as a Digital Content Producer at The Times of India. An alumnus of the prestigious Indian Institute of Mass Communication (IIMC), she holds a PG Diploma in English Journalism, which forms the foundation of her analytical and ethics-driven reporting style. Expertise & Focus Areas Vibha specializes in deconstructing complex cinematic narratives and identifying emerging cultural shifts. Her coverage includes: Hindi Cinema & Industry Trends: Critical analysis of Bollywood’s creative evolution and the professional trajectories of its leading figures. Global Streaming & Web Series: Incisive reviews and reports on international content and its resonance with Indian audiences. Cultural Commentary: Exploring the intersection of cinema and society, from gender dynamics to the impact of legacy storytelling. Investigative Entertainment Reporting: Breaking exclusive stories and conducting in-depth interviews with industry stakeholders. Authoritativeness & Trust Vibha Maru embodies the "Journalism of Courage" ethos of The Indian Express. Her authority is rooted in her formal training from IIMC and nearly a decade of verifiable field experience. She is known for moving beyond superficial celebrity coverage to provide evidence-based critiques and nuanced historical context. Whether she is investigating plagiarism in high-budget trailers or analyzing the socio-political subtext of iconic films, her work is marked by an objective, authoritative voice that readers trust for its depth and accuracy. ... Read More

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