Sharib Hashmi says wife Nasreen’s cancer relapsed for sixth time: ‘She misses her old face’
In an exclusive chat with SCREEN, Sharib Hashmi reflects on his wife's cancer relapsing for the sixth time, speaks about the extraordinary resilience that has defined her journey, and shares how, despite her own battle, she continues to be the family's greatest source of strength.
The measure of an actor often lies in their capacity to unsettle expectation. Surprise is, perhaps, the purest expression of performance. It is what transforms a character from simply written to vividly remembered. Such moments seldom depend on prolonged screen time or elaborate character arcs. More often, they reside in the briefest of appearances, where an actor, with remarkable economy, reveals the depth of their craft and leaves a life-long imprint. Sharib Hashmi has built a career on precisely that ability. Whether in a brief appearance in Danny Boyle’s Slumdog Millionaire or a supporting role in Yash Chopra’s Jab Tak Hai Jaan, he has consistently found a way to stand out.
But the road to recognition was anything but easy. More than 700 auditions, mounting debts, shelved projects, films that never saw a release, Hashmi endured years of setbacks before finding his footing. Through every disappointment and uncertainty, it was his wife who remained his strongest pillar of support. Yet, as the actor revealed during an exclusive conversation with SCREEN, just when success finally came knocking, life dealt the family another devastating blow in the form of a life-threatening illness.
‘My wife is a warrior’
Hashmi credits Raj and DK’s The Family Man with changing the course of his career. The series not only became a watershed moment for India’s streaming landscape, but also brought him the widest recognition of his career. But its success unfolded alongside one of the traumatic chapters of his personal life. His wife, Nasreen, was diagnosed with oral cancer around the time he began shooting for the series in 2018. “We never imagined something like this would happen to us. And the irony is that she was diagnosed with oral cancer despite never having consumed tobacco or anything like that. When she was diagnosed, I had just started shooting for The Family Man. I was in desperate need of money, so I requested the producers to pay me my entire advance upfront. They were kind enough to do that.”
While The Family Man transformed his professional life, Hashmi says the family was simultaneously fighting a far more important battle. “The series released, and suddenly my career took off. But at the same time, we were battling cancer. Somewhere, there was a sense of peace because things on the work front had finally started falling into place, but our lives had changed completely. She has undergone five surgeries, and her face has changed entirely. Sometimes she tells me, ‘I miss my old face.’ Now the cancer has relapsed for the sixth time. It has spread near her lungs, into her bones, around her kidney. But she’s incredibly brave and responding very positively to the treatment.”
In 2018, Sharib’s wife, Nasreen, was diagnosed with oral cancer. (Photo: Instagram/Sharib Hashmi)
Speaking about his wife, Hashmi says she has been the family’s greatest source of strength, not just through her illness, but long before it. “This journey has taught us so much. She’s a warrior; I’m nothing compared to her. She’s the one who has held all of us together. She supported me when I was struggling, and even today she’s the one who keeps us going. There was a time when she sold her jewellery and we even had to sell our flat. Not once did she question my decisions or ask why we were doing all this. She stood by me through everything. And now, even after everything she’s going through, she’s still the strongest among us. She keeps telling us, ‘Everything will be alright. Don’t worry.'”
Listening to Hashmi, one is reminded of something he had said earlier in the conversation, that participation matters more than anything. For years, he and his wife kept showing up, believing in a dream that often gave them little in return. And when success finally arrived, it came hand in hand with a devastating diagnosis. But neither of them stopped participating. Perhaps that, more than anything else, is what their story is about. Perhaps that, more than anything else, is what life is about.
Anas Arif is a prolific Entertainment Journalist and Cinematic Analyst at The Indian Express, where he specializes in the intersection of Indian pop culture, auteur-driven cinema, and industrial ethics. His writing is defined by a deep-seated commitment to documenting the evolving landscape of Indian entertainment through the lens of critical theory and narrative authorship.
Experience & Career
As a core member of The Indian Express entertainment vertical, Anas has cultivated a unique beat that prioritizes the "craft behind the celebrity." He has interviewed a vast spectrum of industry veterans, from blockbuster directors like Vijay Krishna Acharya, Sujoy Ghosh, Maneesh Sharma to experimental filmmakers and screenwriters like Anurag Kashyap, Vikramaditya Motwane, Varun Grover, Rajat Kapoor amongst several others. His career is characterized by a "Journalism of Courage" approach, where he frequently tackles the ethical implications of mainstream cinema and the socio-political subtext within popular media. He is also the host of the YouTube series Cult Comebacks, where he talks to filmmakers about movies that may not have succeeded initially but have, over time, gained a cult following. The show aims to explore films as works of art, rather than merely commercial ventures designed to earn box office revenue.
Expertise & Focus Areas
Anas's expertise lies in his ability to deconstruct cinematic works beyond surface-level reviews. His focus areas include:
Auteur Studies: Detailed retrospectives and analyses of filmmakers such as Imtiaz Ali, Anurag Kashyap, and Neeraj Ghaywan, often exploring their central philosophies and creative evolutions.
Cinematic Deconstruction: Examining technical and narrative choices, such as the use of aspect ratios in independent films (Sabar Bonda) or the structural rhythm of iconic soundtracks (Dilwale Dulhania Le Jayenge).
Industrial & Social Ethics: Fearless critique of commercial blockbusters, particularly regarding the promotion of bigoted visions or the marginalization of communities in mainstream scripts.
Exclusive Long-form Interviews: Conducting high-level dialogues with actors and creators to uncover archival anecdotes and future-looking industry insights.
Authoritativeness & Trust
Anas Arif has established himself as a trusted voice by consistently moving away from standard PR-driven journalism. Whether he is interrogating the "mythology of Shah Rukh Khan" in modern sequels or providing a space for independent filmmakers to discuss the "arithmetic of karma," his work is rooted in objectivity and extensive research. Readers look to Anas for an educated viewpoint that treats entertainment not just as a commodity, but as a critical reflection of the country's collective conscience. ... Read More