This is an archive article published on July 9, 2024
Sanjeev Kumar: The actor who predicted his death, obsessed over older roles
Sanjeev Kumar believed he wouldn't live to see old age. Hence, the actor chose to play elderly characters in films like Sholay, Trishul, and Devata, among others.
There is a popular saying: ‘A flame that burns twice as bright, lasts half as long!’ And many of Sanjeev Kumar’s near and dear ones believe this is the best way to define the life of the star, who was affectionately called Haribhai. The actor, who was born on July 9, 1938, breathed his last on November 6, 1985 at the age of 47. By this time, the actor had featured in about 165 films, out of which 155 were in Hindi and 10 in other languages.
In the book Sanjeev Kumar: The Actor We All Loved, Paresh Rawal recalled a conversation with Jamnadas, the manager of Sanjeev Kumar, who said, “Paresh, agar Amitabh Bachchan ka baap banna hai to Sanjeev Kumar hi ban sakta hai! Aur kaun banega? (Who but Sanjeev Kumar can match Amitabh Bachchan on the screen?)” And hence, Sanjeev was seen playing an elderly role in many of his films including the cult classic Sholay (1975), Trishul (1978), Mausam (1975), Sawaal (1982), and Devata (1978). Sanjeev was 37 when he played Thakur in Sholay, and 40 when he played RK Gupta, the father of Amitabh Bachchan’s Vijay Kumar and Shashi Kapoor’s Shekhar Kumar, in Trishul.
While, many would think why did the actor take up such older roles at a young age when other A-listers would refuse to get typecast in such roles, Tabassum–the late actress who shares her birthday with Sanjeev Kumar and has worked with him in the film Alibaba Aur 40 Chor, among others–revealed in one of her earlier YouTube videos that Sanjeev was obsessed with older roles.
Sanjeev Kumar as Raj Kumar Gupta in Amitabh Bachchan starrer Trishul.
She recalled in Tabassum Talkies, “I asked him once, why are you so obsessed with older roles? He revealed to me, ‘Tabassum, a palm reader once predicted that I wouldn’t live long and I won’t see older age. This is why I play older roles in films to live that life which I am not fated to otherwise.'”
Sanjeev Kumar’s journey of playing older roles began back when he was in theater.
AK Hangal recalled in an interview with Lehren Retro, “When I was working in theatre, Sanjeev Kumar had approached me for work. Then I gave him a role of an old man in a drama. He was a very mature man.”
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Sachin Pilgaonkar, who has shared the screen with Sanjeev Kumar, told Bollywood Aaj Aur Kal, “Haribhai was a Gujarati man. He had worked immensely on Gujarati stage with Sohrab Modi ji. He then joined IPTA. The first role he bagged in the Hindi theatre was of an old man. He played the husband to theatre icon Shaukat Azmi (mother of Shabana Azmi). Maybe it was since then only that people assumed that despite the guy being in his 20s, he is capable of playing older roles better.”
Sanjeev Kumar passed away at the age of 47.
Though the Trishul star was obsessed with roles of elderly men and the industry trusted him with such roles opposite stars like Big B, Sanjeev Kumar is regarded as an actor who was best at everything he did. His films Angoor, Koshish, Khilona and Pati Patni Aur Woh stand as a testament to his versatility.
According to Paresh Rawal, the audience used to sigh with relief when Sanjeev entered the frame, ‘Nothing can go wrong now!’ In the book, Sanjeev Kumar: The Actor We All Loved, Paresh Rawal claims, “He was director’s fail-safe artiste, an avatar all in his own league to perform and enthrall.”
Sanjeev Kumar, who was compared to Hollywood actor Philip Seymour Hoffman, was trusted by many filmmakers to essay the most challenging lead roles as well as character roles with equal gumption.
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As an actor, Sanjeev in a very short time added many firsts to his credit. He was the first actor to introduce prosthetic make-up in Hindi cinema with his 1981 film Chehre Pe Chehra. He was also the first actor to play nine different roles in the 1974 movie Naya Din Nai Raat. In fact, it was the actor’s film Aandhi (1975), which was one of the first movies to be banned in independent India.
Sanjeev Kumar, who lived life on his own terms, and remained single until his last breath, died on November 6, 1985, at the age of 47 after suffering from a massive heart attack.
Jyothi Jha is an incisive Copy Editor and multi-platform journalist at The Indian Express, where she specializes in high-stakes entertainment reporting and cinematic analysis. With over six years of diverse experience across India’s leading media houses, she brings a rigorous, ethics-first approach to digital storytelling and editorial curation.
Experience & Career
Jyothi’s career is characterized by its breadth and depth across the media landscape. Before joining the editorial team at The Indian Express, she honed her expertise covering the entertainment beat for premier national broadcasters, including NDTV, Republic Media, and TV9. Her professional journey is not limited to digital text; she has a proven track record as an on-air anchor and has successfully managed production teams within the high-pressure segments of Politics and Daily News. This 360-degree view of newsroom operations allows her to navigate the complexities of modern journalism with veteran precision.
Expertise & Focus Areas
Guided by the Orwellian principle that "Journalism is printing what someone else does not want you to do," Jyothi focuses on transparent, accountability-driven reporting. Her core areas of expertise include:
Cinematic Deconstruction: Analyzing the social subtext of mainstream Bollywood and South Indian cinema (e.g., Kantara, Masaan, Dabangg).
Toxic Masculinity & Gender Studies: A vocal critic of regressive tropes in Indian cinema, she often highlights the industry's treatment of women and social progress.
Box Office & Industry Economics: Providing data-backed predictions and analysis of film performance and superstar fee structures.
Exclusive Multimedia Coverage: Conducting deep-dive interviews and long-form features that bridge the gap between archival history and modern pop culture.
Authoritativeness & Trust
Jyothi Jha has established herself as a trusted voice by prioritizing substance over PR-driven narratives. Her background in hard news and political production provides her with a unique lens through which she views the entertainment industry—not merely as gossip, but as a reflection of societal values. Readers rely on her for "Journalism of Courage," knowing her critiques are rooted in a deep respect for the craft and a refusal to settle for superficiality. Her ability to pivot between daily news and specialized entertainment analysis makes her a versatile and authoritative pillar of The Indian Express newsroom.
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