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As Thamma releases, ranking all movies in Maddock Horror Comedy Universe: From Stree to Bhediya and Munjya

Dinesh Vijan combined horror and humour in Stree — and built Bollywood’s first connected spooky universe. And now, the franchise welcomes its newest entry — Thamma.

Ranking horror universe as Thamma releases today.Ranking horror universe as Thamma releases today.

When Dinesh Vijan’s Stree hit theatres in 2018, no one expected it to redefine the horror-comedy genre in Bollywood. Produced under Maddock Films, the movie marked the beginning of what would later be called Maddock Horror Comedy Universe — an interconnected world of supernatural stories blending fear, folklore, and fun. Over the years, Maddock Films has expanded this universe with titles like Roohi (2021), Bhediya (2022), Munjya (2024), and the recently released Stree 2 (2024). And now, the franchise welcomes its newest entry — Thamma, a vampire-based horror comedy set to release on October 21, promising to add a bloodier twist to Maddock’s spooky lineup.

As Thamma releases, here’s how I would rank the films in Dinesh Vijan’s horror comedy universe so far — from the hauntingly hilarious to the forgettably flat.

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Stree (2018) — The benchmark of Bollywood horror-comedy

It all began with Stree, and truth be told, Maddock’s horror comedy universe hasn’t quite topped it since. A perfect blend of satire, spook, and small-town realism, Stree remains the gold standard for horror comedies in India. Rajkummar Rao’s simplicity, Shraddha Kapoor’s mystery, and Pankaj Tripathi’s impeccable comic timing made it a cultural phenomenon. Its sharp writing, social subtext, and humour turned it into more than just a film — it became a moment in pop culture.

Rating: 4.5/5

Stree 2 (2024) — A worthy successor

After years of anticipation, Stree 2 brought back the eerie charm of the original. While it doesn’t quite recapture the freshness of the first film, it succeeds in building emotional depth and narrative continuity. Rajkummar Rao, Abhishek Banerjee, and Pankaj Tripathi once again hold the fort with their chemistry and humour, while the writing keeps the spirit of the universe intact. However, the second half—especially the climax—feels a bit stretched and somewhat forced, as if trying too hard to tie every loose end and emphasise that all films in Dinesh Vijan’s horror comedy universe are interconnected, particularly with Varun Dhawan’s sudden arrival.

Rating: 3.5/5

Roohi (2021) — Funny in parts, fumbles overall

Roohi was Maddock’s first attempt at expanding the universe after Stree. The film had potential — a ghost who kidnaps brides — but the execution wavered. The first half, powered by Rajkummar Rao and Varun Sharma’s comic timing, is genuinely entertaining, but the second half loses steam. Janhvi Kapoor delivers a sincere performance, but inconsistent writing keeps the film from soaring.

Rating: 3/5

Bhediya (2022) — A howl that could’ve been louder

Bhediya - IMDb Varun Dhawan as werewolf in Bhediya. (Photo: IMDb)

Bhediya was bold — India’s first werewolf story rooted in Arunachal folklore. The visuals and VFX were stellar, and Abhishek Banerjee once again stole the show with his effortless humour. However, pacing issues and tonal imbalance prevented it from becoming truly great. Still, it deserves credit for its ambition and originality within the horror-comedy framework.

Rating: 2.5/5

Munjya (2024) — The weakest link

Munjya - IMDb Abhay Verma and Sharvari Wagh in Munjya. (Photo: IMDb)

Munjya tried to expand Maddock’s supernatural world using Marathi folklore, but the result was underwhelming. The CGI-heavy ghost and uneven humour made it one of the weakest links in the chain. Despite Abhishek Banerjee’s entertaining cameo that tied it back to the Stree universe, Munjya felt more like a filler film than a vital chapter in the saga.

Rating: 2/5

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Looking ahead: Will Thamma revive Maddock’s magic?

Now, with Thamma — a vampire-based story releasing tomorrow, October 21 — Dinesh Vijan’s horror comedy universe is venturing into darker, bloodier territory. Early buzz hints at a mix of gothic aesthetics, quirky humour, and a fresh mythological twist on vampires.

Whether Thamma can resurrect the sharp storytelling and humour that made Stree iconic remains to be seen. But one thing’s certain: Dinesh Vijan’s horror comedy universe continues to be Bollywood’s boldest attempt at building a connected supernatural world — equal parts fear, folklore, and fun. Something that Dulquer Salmaan has now attempted with his Lokah universe.

Jyothi Jha is an incisive Copy Editor and multi-platform journalist at The Indian Express, where she specializes in high-stakes entertainment reporting and cinematic analysis. With over six years of diverse experience across India’s leading media houses, she brings a rigorous, ethics-first approach to digital storytelling and editorial curation. Experience & Career Jyothi’s career is characterized by its breadth and depth across the media landscape. Before joining the editorial team at The Indian Express, she honed her expertise covering the entertainment beat for premier national broadcasters, including NDTV, Republic Media, and TV9. Her professional journey is not limited to digital text; she has a proven track record as an on-air anchor and has successfully managed production teams within the high-pressure segments of Politics and Daily News. This 360-degree view of newsroom operations allows her to navigate the complexities of modern journalism with veteran precision. Expertise & Focus Areas Guided by the Orwellian principle that "Journalism is printing what someone else does not want you to do," Jyothi focuses on transparent, accountability-driven reporting. Her core areas of expertise include: Cinematic Deconstruction: Analyzing the social subtext of mainstream Bollywood and South Indian cinema (e.g., Kantara, Masaan, Dabangg). Toxic Masculinity & Gender Studies: A vocal critic of regressive tropes in Indian cinema, she often highlights the industry's treatment of women and social progress. Box Office & Industry Economics: Providing data-backed predictions and analysis of film performance and superstar fee structures. Exclusive Multimedia Coverage: Conducting deep-dive interviews and long-form features that bridge the gap between archival history and modern pop culture. Authoritativeness & Trust Jyothi Jha has established herself as a trusted voice by prioritizing substance over PR-driven narratives. Her background in hard news and political production provides her with a unique lens through which she views the entertainment industry—not merely as gossip, but as a reflection of societal values. Readers rely on her for "Journalism of Courage," knowing her critiques are rooted in a deep respect for the craft and a refusal to settle for superficiality. Her ability to pivot between daily news and specialized entertainment analysis makes her a versatile and authoritative pillar of The Indian Express newsroom.   ... Read More

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