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‘I’m earning my living because of Dawood Ibrahim’: Ram Gopal Varma says he wouldn’t have made Satya, Company if the gangster ‘wasn’t there’
Ram Gopal Varma revealed that he never received threatening calls from underworld and claimed that they loved his films Satya and Company.
Ram Gopal Varma on underworld. (Photo: RGV/Instagram)
The 1990s was a dangerous time in the Hindi film industry as the influence of the underworld was at an all time high. Many actors and filmmakers have admitted to receiving threatening calls from the underworld and some, unfortunately, were also shot when they refused to bow down to the gangsters’ demands. However, in a recent interaction, filmmaker Ram Gopal Varma revealed that he never received such calls and even claimed that the gangster loved his films Satya and Company, which were loosely inspired by their lives.
‘I’m earning my living because of Dawood Ibrahim’
In a recent interaction with Filmfare, RGV said that he dedicated his autobiography ‘Guns & Thighs’ to Dawood Ibrahim, but the publishers removed his name. He said, “I dedicated the book to Dawood Ibrahim also, but the publishers removed his name. If Dawood Ibrahim was not there, I would not have made Satya and Company, the two iconic films. How can I not dedicate it to him? I am earning my living because of him.”
When asked if he ever received threatening calls from the underworld like many actors and filmmakers did during the 1990s, he said, “I was the only guy who never got threatening calls, the reason being they loved Satya and Company. They didn’t want to bother me. I kind of became their soul mate.”
Were Satya and Company funded by the underworld?
In an earlier chat with ANI, D Sivanandhan, who was the joint CP Crime Mumbai (1998–2001), and held many operations to end the control of underworld in Mumbai, suggested that some of RGV’s films were funded by the gangsters. He said that films like Satya, Company, Shootout at Wadala and Shootout at Lokhandwala were made to “lift the image of the gangsters.” He said, “They were all funded and financed by them only.” He even went on to claim that films from the 1970s, like Deewaar and Muqaddar Ka Sikandar, “were funded and financed by them.”
Bollywood’s underworld phase
In the 1990s, many actors, producers, directors and other technicians were constantly under the threat of the underworld. Karan Johar has previously revealed that he got threat calls when his debut film Kuch Kuch Hota Hai released in theatres. Varun Dhawan recently revealed that his father, David Dhawan, also got similar calls. T-Series owner Gulshan Kumar was shot to death in broad light by gangsters.
In the same chat with ANI, D Sivanandhan, explained how the underworld controlled Bollywood at the time and how police officials could do little about it due to limited means of protecting industry members. “They (the actors) had no choice (of saying no) and we had no means of protecting them. Let me admit that. We didn’t take action against them,” he said.
DISCLAIMER: This article provides historical and creative context regarding the Mumbai underworld’s influence on cinema and is intended for informational and entertainment purposes only. The views expressed are the author’s own and do not endorse or verify any claims regarding illegal activities or unverified historical associations.