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Rajpal Yadav says he lost Rs 22 cr in cheque bounce case, chose jail over paying Rs 5 cr: ‘I will never settle’

In a recent podcast, Bhoot Bangla actor Rajpal Yadav said he will keep fighting the cheque bounce case all his life, won't consider a settlement.

Rajpal Yadav on facing lossesRajpal Yadav on facing losses due to Cheque bounce case (Photo: Rajpal Yadav / Instagram)

Actor Rajpal Yadav has opened up on the 2012 cheque bounce case in a new interview, thanking the industry for their support and also explaining that he didn’t go to jail as he refused to pay the money allegedly owed by him. The actor surrendered at Tihar Jail in connection with the matter in February and was granted interim bail until March 18. The court later said Rajpal would not be sent back to jail as he had deposited a substantial amount.

Rajpal Yadav on his cheque bounce case

In a chat with Shubhankar Mishra on his YouTube channel, Rajpal Yadav spoke about the support he got from the industry. He said, “There was no one from the film industry who didn’t stand by me. There are two types of help, one is where others get to know about it, and the other is done secretly, the way Sonu Sood took a stand for me… There was never a time that I was out of work. I have done 250 films in 25 years, and if the industry or producers didn’t support me, could I do this alone?”

Also Read: Rajpal Yadav says he wasn’t given any special treatment in jail: ‘I have learnt to live in all kind of conditions’

Rajpal was asked that even though he had work and money, why didn’t he repay Rs 5 crores? The actor explained, “This is exactly the point of my case, it’s not about not being able to pay Rs 5 crores. It’s too early to speak on why I went to jail or if I have the money or not. Had it just been a matter of Rs 5 crores, it would have been resolved in 2012 itself, but because of this Rs 5 crores, I have incurred losses of Rs 17 crores. That time, the matter was not in court, when the person jeopardized my film’s worth of Rs 17 crores. After this person saw 70 percent of the film, he invested another Rs 5 crores.”

He explained the issue in detail, “Rs 5-7 crores were to be spent on the film’s release, and the total production budget of the film was Rs 22 crores. Even if you are an enemy, you would not stop the project from releasing, especially when 10 others have also invested money in this. We have been talking about the intention behind giving these Rs 5 crores in 2012; my intention was good. What was my fault?”

The actor also recalled the scale of his film Ataa Pataa Lapataa which flopped on release, setting in motion the entire chain of events, “A film that was supposed to release on over 1000 screens, Amitabh Bachchan inaugurated its music album, but it was not even allowed to sustain for three days. He sank Rs 22 crores by just doing a press conference; his intention was bad, which cost me Rs 22 crores.”

“Since the last 10 years, I have been saying the same thing. The film had 200 artists, including Dara Singhji, but he made it an issue as if I owed him Rs 50 crores and absconded with it. When he had post-dated cheques already, then why did he bring a stay order on the film’s release? Soon after the High Court rejected their stay order, this party went and did an accusatory press conference. Because of this, the film could not be released in 200 screens either. I will keep fighting with him all my life over this intention; I won’t go in for a settlement,” Rajpal said.

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Rajpal Yadav on Ataa Pataa Lapataa when it all started…

Earlier in an interview, SCREEN, Rajpal Yadav had explained what actually happened. He had shared, “It all started in 2005. I had a friend called Mithilesh Kumar who used to keep visiting me in Mumbai. I was busy with cinema. In 2008, there was a recession in India. I had 10-12 films on the floor, and all of them got delayed. There was a six-month-long strike; everyone was out of work, and money was stuck in the market, so our group decided to make something with theater artists. We decided to make a film called Ataa Pataa Lapataa.”

He added, “Mithilesh had been telling me for 4-5 years that he wanted to invest, and he offered it 25 times. In 2010, when I went to my village, Mithilesh mediated between Madhav Gopalji and me. I asked him to come to Mumbai and see everything; he came down and saw 70 percent of the film that was made. That evening, he offered to invest Rs 5 crore. Then he suggested doing a package with me, where, in return for Rs 5 crore, he wanted Rs 8 crores repaid after the film was released. I agreed, and an agreement was made in July; two more agreements were made at a gap of six months.”

Rajpal Yadav had also shared that he doesn’t intend to sell the film, but rather release 50-100 clips of it on social media. “To date, we have not sold the film’s satellite rights. I also don’t know if I will sell it to an OTT platform. But now that people know about it, I am getting 2-minute-long clips cut. The shooting went on for 76 days, and you will see how much money went into it. We didn’t bring 2500 people through CGI; they were real artists who shot at Film City. I just want everyone to see if the money was spent on the film or not. A total of 20-22 crore went into producing the film. I had mortgaged my land and taken a loan from the bank. But Rs 5 crore put Rs 20-22 crore at stake.”

Rajpal Yadav was released from Tihar Jail on 17 February after depositing Rs 1.5 crore in connection with the Rs 9 crore cheque-bounce case. He had surrendered on 5 February after the Delhi High Court rejected his plea seeking additional time to repay the amount. However, the court later suspended his sentence until 18 March, granting him temporary relief.

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On the work front, Rajpal Yadav was last seen in Priyadarshan’s Bhoot Bangla. He will be next seen in Welcome To The Jungle.

Nawaz Javed Kochra is a seasoned entertainment journalist at The Indian Express Online, bringing nearly a decade of expertise to the forefront of cultural reporting. With a focus on the television and Over-The-Top (OTT) landscapes, he has established himself as a prominent voice in the industry, known for his high-profile celebrity interviews and insightful coverage of the Indian entertainment sector. Experience & Career Nawaz holds a Master of Arts in Communication and Journalism from Mumbai University, providing him with a rigorous academic and ethical foundation. In his 11-year career, he has navigated through several of India's leading media houses, building a portfolio that spans digital, print, and broadcast media: The Indian Express: Currently leads coverage of TV and OTT content, producing both written analysis and popular video interview segments. Former Roles: He began his career at the iconic Stardust Magazine and later held key positions at Zoom TV, Zee Multimedia, MissMalini, Bollywood Bubble, and Raindrop Media. Expertise & Focus Areas Nawaz’s beat is characterized by a blend of exclusive access and trend analysis. His core areas of expertise include: Reality Television: Specialized coverage of major franchises like Bigg Boss, providing behind-the-scenes insights and winner profiles. OTT Ecosystem: Tracking the shift from traditional cable to digital streaming platforms, with a focus on web series and digital premieres. Celebrity Profiles & Interviews: Nawaz is celebrated for his ability to foster candid conversations with industry stalwarts, from music composers like Amaal Mallik to other TV legends. Investigative Entertainment News: Reporting on sensitive industry developments, including legal disputes and personal stories of resilience within the acting community. Authoritativeness & Trust With a reputation built on years of networking and credible reporting, Nawaz Kochra is a "known face" in the Mumbai media circuit. His work at The Indian Express adheres to the publication's "Journalism of Courage" standard, ensuring that even entertainment reporting is approached with accuracy, sensitivity, and transparency. His educational background and extensive tenure across diverse media platforms provide him with the authoritative perspective required to analyze the rapid evolution of Indian show business. ... Read More

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