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‘Jaideep Ahlawat came to chill, asked if he can do a cameo’: Kohrra 2’s casting director on traversing Punjab in search of actors

Nikita Grover, the casting director of Kohrra 2, said it was a challenging process to cast actors from Punjab, as the region has such variety of great performers that the local industry itself has largely not explored.

Kohrra 2Jaideep Ahlawat did a cameo in Kohrra 2.

Long-form storytelling is often said to belong equally to the writer and the actor. Yet seldom does a work arrive that truly fulfils this covenant. If one were to summon some examples, the mind turns to Delhi Crime by Richie Mehta, or Scam 1992: The Harshad Mehta Story by Hansal Mehta. But these works very much belonged to a streaming moment that now feels distant, an era when risk was instinctive, allegiance lay solely with the integrity of the narrative. In recent memory, however, one work has come to define that same spirit with renewed force, which is, Kohrra 2 by Sudip Sharma. Released just last week, it has already seized the cultural conversation. Indeed, here, the boundary between actor and character very much dissolves. One watches an actor and senses that no other could have borne the role with such conviction, because what is brought to the screen is not simply a matter of technique but lived understanding. Even those who occupy the frame briefly leave an imprint on the mind.

Nikita Grover, the casting director for Kohrra 2, her first independent foray into casting, breaks down her process in an exclusive conversation with SCREEN. She explains that many of the decisions emerge directly from the writing, which, in this case, was assured. “So with Sudip sir, you do multiple readings of the script, and that too across departments, where the aim is to understand what’s the tone of the show, where do these characters belong, how are they speaking, etc. So like only with the characters of Preet (Pooja Bhamrah) and Sam (Rannvijay Singh) were the only ones where we thought we shouldn’t look for actors in Punjab, as they had a city vibe ingrained in them. And for the others, we were clear that they should be rooted in Punjab.”

Reflecting on her decision to traverse the length and breadth of Punjab, auditioning more than 700 to 800 actors, she says, “When I did Season 1 also, I was clear that when an actor moves from Punjab to Mumbai to look for work, a lot of things change. So the plan was to have all these actors rooted in the local terrain of the landscape.” Although this was her third time in the region (first a brief stint during Season 1 of Paatal Lok, and then immersing herself fully in the first season of Kohrra) and despite being Punjabi herself, she admits the process was far from simple.

Kohrra 2 Nikita Grover discusses casting Pradhuman Singh Mall as Jagdish, Mona Singh’s husband, in the show.

“I went in with the perception, ‘Oh I know some really good actors, it will work,’ but no, it wasn’t easy at all. Because Punjab has so many good actors which the local film industry is not exploring itself. We had struggled a lot to find all these actors, as in the initial months we were exploring Chandigarh but then realised we needed to go all in. So we went to places like Hoshiarpur, Moga, Bathinda, where casting doesn’t even happen. And we tapped each theatre group in every city, so that we don’t miss out on any good talent.” She offers the example of Parminder Pal Kaur, who plays Harsmirat Atwal in Kohrra. A 73-year-old actor with a lifetime devoted to theatre and only minimal screen exposure, the series becomes her most substantial on-screen presence to date. “This is the biggest role she has done and she is so good,” Grover adds.

Also Read | In Sudip Sharma’s superb Kohrra 2, the inheritance of mist shadows over tomorrow

“Usually in a show what happens is that for small parts or one-liners you do casting, but here even for the bigger ones we auditioned, because we wanted to break that phenomenon. I feel that there are some remarkable actors existing in these small towns who too should get the chance. So I was sure I wanted to pick up my main actors from small places, like the actor who played Karamjot was from Ludhiana.” At the same time, she was attentive to balance, placing new discoveries alongside established names. “I went to the character of Raju Sirda to Rana Ranbir, who is a big name in the Punjabi film industry, known for her comic parts, or even the decision to go with Rannvijay Singh.”

Kohrra 2 Nikita Grover believes in immersing herself in the landscape to better understand and capture it through her work.

She also speaks about the much-discussed, almost nonchalant cameo by Jaideep Ahlawat. With disarming candour, she admits she was initially upset and a bit conflicted, having already cast another actor for the part Ahlawat eventually played. “I had cast an actor for that part, but Jaideep just came to chill on set and met all of us, and out of nowhere he asked, ‘Kuch hai kya mere liye? Main kuch karoon?’ (Is there something for me? Should I do something?) So that’s how it happened. And he added those massa (warts) on his face while performing. But my poor actor…” If Ahlawat’s cameo is being widely discussed, so too is the performance of Pradhuman Singh Mall as Jagdish, Mona Singh’s husband in the show.

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Kohrra 2 Davinder Gill portrays Constable Aujla in Kohrra 2

Mall was last widely recognised for playing Osama Bin Laden in Tere Bin Laden. “Since the time I started casting, I have been thinking about him. I always wanted to cast him. But I got to know he had left acting and was moving towards writing, so when I went to him with this, I was like, ‘Please sir, do it for me.’ And I’m very happy that it happened.” Another casting choice she takes particular pride in is Satyakam Anand, best known for Gangs of Wasseypur, who plays Rakesh Kumar in the series. “It was a piece of casting we couldn’t have gone wrong with at all. We were looking for actors who were into physical and body theatre, and eventually started searching for those who do mime. Then we got to know about Satyakam, who has been doing mine for a very long time, and after auditioning him, we were sure about him.”

Another character who has entered the internet’s affection is Constable Aujla (Davinder Singh), whose understated humour offers relief within the show’s austere landscape. “He got locked right at the end, because it’s such a layered comic part, and if you go a little up, it would have fallen apart. And we had auditioned Davinder Singh in Season 1 for some other part, but it didn’t happen. So now we thought of him. He looks very funny, and he has that smile, which went in his favour.”

Anas Arif is a prolific Entertainment Journalist and Cinematic Analyst at The Indian Express, where he specializes in the intersection of Indian pop culture, auteur-driven cinema, and industrial ethics. His writing is defined by a deep-seated commitment to documenting the evolving landscape of Indian entertainment through the lens of critical theory and narrative authorship. Experience & Career As a core member of The Indian Express entertainment vertical, Anas has cultivated a unique beat that prioritizes the "craft behind the celebrity." He has interviewed a vast spectrum of industry veterans, from blockbuster directors like Vijay Krishna Acharya, Sujoy Ghosh, Maneesh Sharma to experimental filmmakers and screenwriters like Anurag Kashyap, Vikramaditya Motwane, Varun Grover, Rajat Kapoor amongst several others. His career is characterized by a "Journalism of Courage" approach, where he frequently tackles the ethical implications of mainstream cinema and the socio-political subtext within popular media. He is also the host of the YouTube series Cult Comebacks, where he talks to filmmakers about movies that may not have succeeded initially but have, over time, gained a cult following. The show aims to explore films as works of art, rather than merely commercial ventures designed to earn box office revenue. Expertise & Focus Areas Anas's expertise lies in his ability to deconstruct cinematic works beyond surface-level reviews. His focus areas include: Auteur Studies: Detailed retrospectives and analyses of filmmakers such as Imtiaz Ali, Anurag Kashyap, and Neeraj Ghaywan, often exploring their central philosophies and creative evolutions. Cinematic Deconstruction: Examining technical and narrative choices, such as the use of aspect ratios in independent films (Sabar Bonda) or the structural rhythm of iconic soundtracks (Dilwale Dulhania Le Jayenge). Industrial & Social Ethics: Fearless critique of commercial blockbusters, particularly regarding the promotion of bigoted visions or the marginalization of communities in mainstream scripts. Exclusive Long-form Interviews: Conducting high-level dialogues with actors and creators to uncover archival anecdotes and future-looking industry insights. Authoritativeness & Trust Anas Arif has established himself as a trusted voice by consistently moving away from standard PR-driven journalism. Whether he is interrogating the "mythology of Shah Rukh Khan" in modern sequels or providing a space for independent filmmakers to discuss the "arithmetic of karma," his work is rooted in objectivity and extensive research. Readers look to Anas for an educated viewpoint that treats entertainment not just as a commodity, but as a critical reflection of the country's collective conscience. ... Read More

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