Familiar moments, which made director Ramesh Sippy’s Sholay iconic, returned with sharpened clarity in the recently released trailer of Sholay — The Final Cut. The 4K restored version will find itself in cinemas on December 12.
But one dialogue in the trailer has become a point of debate after it seemed it was replaced from what was released in 1975. In one particular scene Basanti (Hema Malini) tells Veeru (Dharmendra), “Bade nishaanchi lagte ho (You are quite a sharpshooter)”. Jai (Amitabh Bachchan), who is listening to this conversation quips, “Haan, James Bond ke pote hain yeh”. In the new trailer of Sholay– The Final Cut, Jai’s dialogue is “Haan, Tatya Tope ke pote hain yeh (Yeah, he is Tatya Tope’s grandson).”
While those on social media wondered about the change, a couple of news reports also spoke of a fuming Javed Akhtar, who told a film journalist that “no one can tamper with this.”
Shivendra Singh Dungarpur, founder of Film Heritage Foundation, which has restored Sholay – The Final Cut in collaboration with Sippy Films, in a conversation with The Indian Express said that the new release comprises the dialogue from the 1975 film – one with James Bond. The swap, where James Bond was replaced by Tantya Tope in the new trailer “was an error on the producer’s part, who by mistake used the line from the scene that was shot first.”
“Javed saab, originally, had written ‘Tantya Tope ke pote’ and the scene was shot with it. But after the Censor Board at the time had an issue with it, Salim-Javed changed it to ‘James Bond ki aulaad.’ In the restored version of the film that we are releasing, it is James Bond – the correct version so to say. But it is only in the trailer that the producer (Sippy Films) made a mistake. I was not involved with the making of the trailer,” said Dungarpur, who added that director Ramesh Sippy and Javed Akhtar were involved in the restoration process of the film and that re-release has all the dialogues that were released besides three additional scenes that were not there earlier and RD Burman’s original music.
Suanshu Khurana is an award-winning journalist and music critic currently serving as a Senior Assistant Editor at The Indian Express. She is best known for her nuanced writing on Indian culture, with a specific focus on classical music, cinema, and the arts.
Expertise & Focus Areas Khurana specializes in the intersection of culture and society. Her beat involves deep-dive reporting on:
Indian Classical Music: She is regarded as a definitive voice in documenting the lineages (Gharanas) and evolution of Hindustani classical music.
Cinema & Theatre: Her critiques extend beyond reviews to analyze the socio-political narratives within Indian cinema and theater.
Cultural Heritage: She frequently profiles legendary artists and unearths stories about India’s tangible and intangible cultural heritage.
Professional Experience At The Indian Express, Khurana is responsible for curating and writing features for the Arts and Culture pages. Her work is characterized by long-form journalism that offers intimate portraits of artists and rigorous analysis of cultural trends. She has been instrumental in bringing the stories of both stalwarts and upcoming artistes to the forefront of mainstream media.
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