Irrfan Khan’s Angrezi Medium will hit screens on March 13.
Actor Irrfan, 53, has been kept away from theatres for about two years by what he refers to as “unwanted guests” in his body. This Friday marks the return of one of India’s finest actors to the big screen with the release of Angrezi Medium, a heartwarming tale of a father-daughter relationship. On March 16, 2018, Irrfan shared the shocking news of being diagnosed with neuroendocrine tumour, a rare type of cancer. Almost a year later in the first half of 2019, the actor, who has given us classics such as Maqbool (2003), Life of Pi (2012) and The Lunchbox (2013), shot for Angrezi Medium in between his treatment. In a recent recorded message, Irrfan regretted not being able to be part of the promotions of this movie which is made “with so much love”. Yet, the consummate professional that he is, Irrfan responded to our questions via email. Excerpts:
Each of your messages in public, ever since your illness was detected, is infused with gentle humour and optimism. Angrezi Medium is about a father’s desperate attempt to fulfil his daughter’s wish. How closely do you relate to this?
You know what’s worse than one’s fear of death? To live and be dead. I relate to everything which works against the odds. I have faith in miracles and I have faith in obtaining the unattainable with undying spirit. And the father in this film represents that undying spirit.
You have played the role of a father in many movies earlier such as Qissa, Paan Singh Tomar, Hindi Medium. What makes this story special?
Husband, wife, daughter, son, uncle, aunt are names of relationships. But the relationship doesn’t determine all the men who are fathers or all the women who are wives. Each story is different as it plays out as the situations are different and in its own way, each is special or I wouldn’t do them.
You have been spending more time with your sons and family. Have you discovered new things about each other?
I am spending all my time with them whenever I am in India. They have bloomed and are blooming. I have discovered also how my unconventional parenting has finally paid off. I have never been a strict father and just loved them unconditionally and that’s the mantra. I have consciously cultivated no-expectation policy from my children, and that makes us all happy.
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A still from Irrfan Khan’s Angrezi Medium.
When you look back, what does cinema and acting mean to you? Can a Friday release ever be treated merely as yet another movie release?
Once upon a time, a very young Irrfan wanted to have name, fame and money. But slowly it changed to stories (that needed) to be told, moments to be lived, memories to be with you, immaterial of material things. This Friday release is a burden we have been carrying on our shoulders for far too long. The success of a film is never a single factor. Yes, one can’t deny the repercussions. But at the end of the day, after a film is released, can you change a thing? No. Then, we all must learn to live with it and not die of anxiety.
The day before Angrezi Medium’s trailer launch, you mentioned in your message, “you are there and you are also not there with us (main aaj aapke saath hoon bhi aur nahin bhi)”. Has this unexpected challenge given you a different perspective about life, the world we live in and the dreams we pursue?
Of course, it has, it’s the micro mechanism of life you touch now. You have looked at life with a new relaxed eye without hurry and anxiety. At least, that’s what I try. There is this realisation that perhaps you don’t control a thing. The time with a capital ‘T’ has become magnetic and wondrous.
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You are someone who has always been aware of what’s happening around. Have you been taking time out to watch movies, read or keep up with news?
I stopped for a while and took a complete break from structure — be it movies or books. I just floated and watched myself, discovering, coming to terms with myself. Now, I am slowly getting back — watching mostly, reading a little less.
Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism.
Expertise & Accolades
In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for "highlighting facets of cinema beyond glamour and gossip" and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, 'In Search of a Star'. Her article titled 'People Like Us', published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023.
Global Industry Leadership
Alaka’s expertise is sought after by major international and domestic film bodies:
Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes.
National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema.
Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends.
Focus & Vision
Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge "tried-and-tested" templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. ... Read More