This is an archive article published on April 1, 2025
EXCLUSIVE | Gulshan Grover aka Kabira reveals he lost Mahesh Bhatt’s award-winning film Zakhm for Hera Pheri climax: ‘They needed sun to be…’
In an exclusive interview with SCREEN, veteran actor Gulshan Grover revealed that he lost a role in Mahesh Bhatt's Zakhm to Saurabh Shukla because of a clash with Hera Pheri's shoot schedule.
Veteran actor Gulshan Grover played the role of the iconic villain, Kabira, in Priyadarshan’s 2000 film Hera Pheri. In an exclusive interview with SCREEN to mark the film’s 25th anniversary, he reveals how a clash in the shooting schedule resulted him in losing a role in Mahesh Bhatt’s National Award-winning film Zakhm to Saurabh Shukla.
Recalling how he lost the role in Zakhm, starring Ajay Devgn, the actor tells us, “Hera Pheri made me lose a film Zakhm with my favourite director, Mahesh Bhatt sahab. I had given Hera Pheri from 7 am-12 pm, after which I would join Mahesh sahab at 1 pm to play the role of a sardar, which eventually was played by Saurabh Shukla. If I had played the Zakhm role, it would have been a bigger role. When I reached the set, they said we won’t start before 12 pm, I had to leave by then, it couldn’t happen. They needed the sun to be on top of the standard mill, the beam of sun should come on the set, they wanted to use it for certain things. Yahan toh pressure of work ki beam thi, mujhe unki beam samajh nahi aarahi thi. They said you can’t leave at 12 daily, because the sun doesn’t come in that position before that.”
Then, it was filmmaker Mahesh Bhatt who advised him to choose Hera Pheri. “There were discussions going on between producers, production managers, and Mahesh Bhatt sahab. I went to him and told my dilemma. He is like my godfather, I go to him with my personal problems as well. I told him that they would not let me come, what do we do? He said that go do that film, finish it, because there is a crew already waiting there. Unfortunately, I had to leave the film, but I didn’t want to. He tried to change the schedule or dates but he couldn’t. So, I had to leave Zakhm to shoot the climax scene of Hera Pheri for ten days,” he recalls.
Reminiscing about director Priyadarshan’s dedication towards detailing of every scene, Gulshan shares an anecdote and says, “I remember my scene of making that famous call to Laxmi Prasad was going to be shot in Film City. They asked me to reach by 9 am. I was on my way and my makeup man called and said that director Priyadarshan ji is in my room and wants to speak to me. I got worried and said, ‘Why would he be in my room and want to speak to me?’ He said take your time, I am not starting anytime soon.”
He continues, “He wanted a neon light’s reflection in that set. They put it up but it’s not proper, it will take a few hours. It was so precise that he wanted one of the sources of light to be neon outside the apartment so that the reflection comes inside. It was a brilliant idea because our hideout was an apartment that was empty because someone had gone on a holiday. It was very detailed work by Priyadarshan.”
Talking about his camaraderie with the ensemble star cast, including Akshay Kumar, Paresh Rawal, and Suneil Shetty, Gulshan expresses, “They are all my close friends, it was fantastic. We were sharing rooms throughout. We had a great time together, we have done so many films together. Suneil is more of a prankster than Akshay. Their target were other people, they have never messed with me. A cult classic, a film that many enjoyed. It gave an opportunity to many actors who were able to shine in this film. It is the best example of an ensemble cast.”
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Hera Pheri’s sequel Phir Hera Pheri didn’t do wonders at the box office. Unlike the first part, it was directed by Neeraj Vora instead of Priyadarshan. However, fans have high expectations from Hera Pheri 3, which will bring back the original team again. “The sequel sadly did not get remade by the original maker, but the happy news is that the third part is now being made by the original filmmakers and has the original cast, and not the cast that was being contemplated. I haven’t even seen Phir Hera Pheri, I wouldn’t know what happened there. Hera Pheri 3 is being made, and yes, Kabira is in the film. I didn’t ask Priyadarshan about the other cast members, happy that I am there,” he concludes, while giving an update about the third instalment.
Navya Kharbanda is an Entertainment Journalist and Cinematic Commentator at The Indian Express, where she specializes in bridging the gap between classic Bollywood heritage and contemporary Gen-Z perspectives. Her work is characterized by a blend of nostalgia-driven analysis and on-the-ground reporting from major film festivals and industry events.
Experience & Professional Background
Navya is a prominent voice on The Indian Express entertainment desk, known for her ability to secure candid interviews with both legendary veterans and rising stars. Her career highlights include:
The Indian Express: Covers a wide range of topics from high-stakes box office analysis to in-depth celebrity profiles. She is a regular at major events like the International Film Festival of India (IFFI).
SCREEN Interviews: Navya has conducted a series of "exclusive conversations" for SCREEN, featuring industry stalwarts like Anupam Kher, Vishal Bhardwaj, Vidhu Vinod Chopra, and Suhasini Maniratnam.
Archival Reporting: She is noted for her sensitive handling of archival interviews and retrospectives, recently covering the legacy of late superstar Dharmendra and the career reflections of the late Satish Shah.
Expertise & Focus Areas
Navya’s beat is uniquely defined by her "Gen-Z Revisit" series, where she re-evaluates cult classics through a modern lens. Her core areas of expertise include:
Cinematic Retrospectives: Analyzing 80s and 90s landmarks like Satyam Shivam Sundaram, Qayamat Se Qayamat Tak, and Mohabbatein to explore how themes of romance and rebellion resonate with today’s youth.
Industry Insights: Tracking the career resurgences of actors (e.g., Akshaye Khanna) and the evolving dynamics of film production and distribution in the OTT era.
On-Set Dynamics: Reporting on behind-the-scenes stories from major productions, ranging from the technical challenges of Mirzapur: The Film to the work ethics of superstars like Shah Rukh Khan.
South Indian Cinema: Expanding her coverage to include the impact of regional icons and the rise of pan-Indian fantasy epics like Magadheera.
Authoritativeness & Trust
Navya Kharbanda has established her authority by consistently providing "Journalism of Courage" in the entertainment sphere. Whether she is interrogating the sexism in patriarchal classics or reporting on the fair-pay debates at international film festivals, her work prioritizes factual accuracy and critical objectivity. Her ability to synthesize deep industry history with modern audience trends makes her a trusted source for readers seeking both entertainment news and thoughtful cultural commentary. ... Read More