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Dharmendra dies at 89: The He-Man who was Everyman’s Hero

From a village in Punjab to becoming one of Hindi cinema’s biggest stars, Dharmendra’s journey spanned several genres. A versatile performer, he effortlessly blended comedy, romance and action.

Dharmendra Death News: Bollywood's 'He-Man' has passed away at the age of 89. (Express archive photo)Dharmendra Death News: Bollywood's 'He-Man' has passed away at the age of 89. (Express archive photo)

He came as a nobody from a village in Punjab and, over six decades later, left as everybody’s beloved Dharam paaji.

Dharmendra, who acted in over 300 films, was among few actors in the ’60s and ’70s whose stardom remained unaffected by the rise of Rajesh Khanna and Amitabh Bachchan. The actor had often said that he may have received only a few awards in his career but the love of his fans made up for it.

His story is the stuff dreams, and films, are made of. Born to a school teacher in a village in Ludhiana district, Punjab, in 1935, his film ambitions took off after he won a talent contest by a film magazine. He made his debut in Hindi films in 1960 with Dil Bhi Tera Hum Bhi Tere but his breakthrough moment came only with Shola Aur Shabnam (1961). Then came Anpadh (1962) and Bandini (1963).

The 1970s saw him in his most popular roles like Jeevan Mrityu, Guddi, Yaadon Ki Baraat, Black Mail, Pratigya, Chupke Chupke, Dream Girl, Dharam Veer, Seeta aur Geeta among others. This decade also earned him the moniker of Bollywood’s ‘He-Man’, with action roles in Mera Gaon Mera Desh, The Burning Train and, of course, Sholay. His macho roles, however, were deceptive of his inherent humility and a great sense of humour. The latter was captured best in Hrishikesh Mukherjee’s Chupke Chupke (1975). In a 1998 interview, the director, who also worked with Dharmendra in Anupama (1966) and Satyakam (1969), called him his favourite actor. “…I didn’t just mean his acting talent. I meant the human being also,” Mukherjee had said.

The 1970s was a defining decade for Dharmendra personally as well. He met Hema Malini and their first film together, Tum Haseen Mai Jawan (1970), was an instant hit; the onscreen chemistry eventually translating off it. Dharmendra, at the time, was married to Prakash Kaur and was a father to four children. Despite opposition from Hema’s family, the two got married, entering a unique living arrangement — Dharmendra continued to live with Prakash while Hema lived close by. Dharmendra and Hema have two daughters — Esha and Ahana.

The actor ventured into production with Vijayta Films in 1983 and launched his son Sunny Deol with Betaab (1983). That was followed by Ghayal, Barsaat and Socha Na Tha. Most recently, the production house launched Sunny’s son, Karan, with Pal Pal Dil Ke Paas.

Dharmendra also dabbled in politics. He contested from Bikaner in Rajasthan during the 2004 Lok Sabha elections and served the constituency till 2009. He did not return to politics even though Hema continues to be an MP and his son Sunny has also been an active politician in the past.

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Acting was his one true love, something he continued, quite literally, till his last breath. He is, perhaps, the only actor in Bollywood who has been cast as the leading man consistently for over 35 years, the last one being Yamla Pagla Deewana: Phir Se (2018) and has also delivered the maximum number of hits. He was honoured with the Padma Bhushan in 2012. His second innings, where he did supporting roles, was equally impressive — from Life in a… Metro and Johnny Gaddar to most recently Rocky Aur Rani Kii Prem Kahaani. His final film Ikkis will hit the theatres on December 25.

Alaka Sahani is a prominent film critic and journalist based in Mumbai. With a career spanning over two decades, she has established herself as one of India’s most authoritative voices in cinematic journalism, known for an analytical approach and insights that transcend the standard cycle of celebrity journalism. Expertise & Accolades In 2014, Alaka was honoured with the National Film Award for Best Film Critic. Her Swarna Kamal (Golden Lotus) citation specifically lauded her for "highlighting facets of cinema beyond glamour and gossip" and for her ability to delve into the contemporary relevance of iconic filmmakers. Her commitment to journalistic integrity was further recognised in 2019 with a Special Mention at the Red Ink Awards for her investigative feature, 'In Search of a Star'. Her article titled 'People Like Us', published in The Indian Express on March 27, 2022, was shortlisted for Red Ink Award, 2023. Global Industry Leadership Alaka’s expertise is sought after by major international and domestic film bodies: Golden Globes: In 2025, she joined the international voting body for the 83rd Annual Golden Globes. National Film Awards: She served on the prestigious jury for the 68th National Film Awards, helping select the finest contributions to Indian cinema. Global Perspective: Her work consistently bridges the gap between commercial Bollywood A-listers and emerging independent talents, offering nuanced insights into both Indian regional cinema and international film trends. Focus & Vision Beyond the screen, Alaka is a dedicated observer of Mumbai’s vibrant theatre scene and the historical evolution of the moving image. Through her long-form articles and deep-dive interviews, she continues to challenge "tried-and-tested" templates, providing readers with a deep understanding of the artistic and systemic workings of the Indian and global film industry. ... Read More

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