This is an archive article published on March 16, 2025

Delnaaz Irani reveals she was going to miss Shah Rukh Khan’s death scene in Kal Ho Naa Ho, Nikhil Advani stopped her: ‘Every time I saw SRK, I had cold feet’

On the latest episode of SCREEN’s Dear Me, Delnaaz reminisced about playing Sweetu in Kal Ho Naa Ho and shared fond memories of working with Shah Rukh Khan and the late producer Yash Johar.

Delnaaz Irani on Kal Ho Naa HoDelnaaz Irani on working with Shah Rukh Khan in Kal Ho Naa Ho. (Photos: Delnaaz Irani/Instagram)

Actor Delnaaz Irani has seamlessly navigated multiple mediums over the past three decades. However, her 2003 film Kal Ho Naa Ho holds a special place in her heart. On the latest episode of SCREEN’s Dear Me, Delnaaz reminisced about playing Sweetu in the film and shared fond memories of working with Shah Rukh Khan and the late producer Yash Johar.

Talking about Kal Ho Naa Ho, Delnaaz shared, “When Kal Ho Naa Ho came to me, I knew it was a big film. I was very excited, but it was another project that I was doing. It did not take away from the idea of getting back to TV. When I got the film, I was shocked. I wanted to know who was in the film. At first, I was not told anything. Slowly, after I gave the second audition and went to sign the film, I learned about all the names. And I knew I was a part of an iconic cult film.”

Also Read: Delnaaz Irani says Suhana Khan called her Sweetu when they first met, gave her a ‘big tight hug’: ‘There was so much love’

Delnaaz Irani also fondly recalled producer Yash Johar’s kindness and generosity, describing him as not just a good producer but also a great human being. “Working with Yash Johar was like a dream; he was such a nice man. He was a good producer but also a great human being. I still remember that there was no need, but on the very first day when we landed in New York, Yashji checked on all of us and made sure we were comfortable. Even on the last day, we shot in NYC for 36 days, and we were shooting in the New Jersey railway station. It was a very complicated scene because SRK was also entering in that scene. I had my flight to India that night, and all the assistant directors were teasing me that I would miss the flight. I had sent my luggage ahead with Shomaji. Yashji took the guarantee to drop us off at the airport, and he did that. He was a darling. Yashji was already waiting at the airport, finishing the formalities for us.”

Delnaaz further revealed feeling awestruck around Shah Rukh Khan, describing his magnanimous presence both on and off-screen. The actor said, “Every time I saw SRK, I had cold feet. I just couldn’t speak. There was something about him that was magnanimous. The way he appears on screen in any film, like a hero, the same thing happened every time to me during the shoot. Of course, we spoke, but more than that, it was just observing the superstar that he is, the way he was with people, and his performance was just like look and learn.”

Sharing how she was going to miss the shooting of SRK’s iconic death scene in Kal Ho Naa Ho, Delnaaz credited Nikhil Advani for stopping her. She shared, “I am so thankful to Nikhil Advani. Like a stupid girl, I was going to skip the scene that day because I had dates for Yes Boss. He said that scene was the essence of all the hard work; there were no lines, but just expressions. That whole scene was such that everybody was crying without glycerin. Thank God Nikhil told me it was an important scene to sum up the character.”

“Sweetu was not a caricature who came and went; she was a part of the film. So that one last scene with SRK was very important. When I played Sweetu, the role was so well written that it gave respect to a friend’s role in the industry. Sweetu made a mark, and even after 21 years, she is relevant. The character gives so much weightage to a friend’s role; she wasn’t just there for comic relief,” Delnaaz added.

Nawaz Javed Kochra is a seasoned entertainment journalist at The Indian Express Online, bringing nearly a decade of expertise to the forefront of cultural reporting. With a focus on the television and Over-The-Top (OTT) landscapes, he has established himself as a prominent voice in the industry, known for his high-profile celebrity interviews and insightful coverage of the Indian entertainment sector. Experience & Career Nawaz holds a Master of Arts in Communication and Journalism from Mumbai University, providing him with a rigorous academic and ethical foundation. In his 11-year career, he has navigated through several of India's leading media houses, building a portfolio that spans digital, print, and broadcast media: The Indian Express: Currently leads coverage of TV and OTT content, producing both written analysis and popular video interview segments. Former Roles: He began his career at the iconic Stardust Magazine and later held key positions at Zoom TV, Zee Multimedia, MissMalini, Bollywood Bubble, and Raindrop Media. Expertise & Focus Areas Nawaz’s beat is characterized by a blend of exclusive access and trend analysis. His core areas of expertise include: Reality Television: Specialized coverage of major franchises like Bigg Boss, providing behind-the-scenes insights and winner profiles. OTT Ecosystem: Tracking the shift from traditional cable to digital streaming platforms, with a focus on web series and digital premieres. Celebrity Profiles & Interviews: Nawaz is celebrated for his ability to foster candid conversations with industry stalwarts, from music composers like Amaal Mallik to other TV legends. Investigative Entertainment News: Reporting on sensitive industry developments, including legal disputes and personal stories of resilience within the acting community. Authoritativeness & Trust With a reputation built on years of networking and credible reporting, Nawaz Kochra is a "known face" in the Mumbai media circuit. His work at The Indian Express adheres to the publication's "Journalism of Courage" standard, ensuring that even entertainment reporting is approached with accuracy, sensitivity, and transparency. His educational background and extensive tenure across diverse media platforms provide him with the authoritative perspective required to analyze the rapid evolution of Indian show business. ... Read More

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