This is an archive article published on May 9, 2025

Aditya Chopra never stepped on the sets of Badmaash Company, said ‘Isko kaha se likhne ka shaukh chadh gaya’: Parmeet Sethi

Parmeet Sethi recalled how Aditya Chopra never bothered to interfere in the making of Badmaash Company, leaving him all worried.

Parmeet SethiParmeet Sethi talks about making vlogs. (Photo: Parmeet Sethi/Instagram)

Actor Parmeet Sethi was at the peak of his career when he decided to step away from the spotlight and pursue screenwriting. He penned a love story titled The Prince of Lahore set against the backdrop of India-Pakistan relations and the first person who came to mind was his Dilwale Dulhaniya Le Jayenge director Aditya Chopra. However, Aditya was not very keen to meet Parmeet, thinking ‘Isko kaha se writing ka shaukh aagaya.’ In an exclusive conversation with SCREEN, Parmeet recalled how he approached Aditya with the script for The Prince of Lahore, which eventually led to the making of Badmaash Company, starring Shahid Kapoor and Anushka Sharma in the lead roles.

Parmeet recalled meeting Aditya after writing his first script, The Prince of Lahore. He said, “Adi and I didn’t meet a lot after DDLJ, but we had developed a bond. And after all those years when I approached him with a script, he was all like, ‘Arey yaar, Parmeet ko likhne ka shaukh kaha se aagaya, ab isse bhi milna padega. (When did Parmeet start writing, now will have to meet him.)’ He met me only to not come out as a badtameez. But when he finally met me and heard the storyline of my first film, he suddenly showed interest in my film. Creatively, we were both on the same page.”

Unfortunately, Prince of Lahore couldn’t see the light of day due to the 26/11 attacks, which made it impossible for an Indian crew to travel to Lahore for the shoot. Parmeet Sethi then wrote another script in just six days, Badmaash Company, which Aditya Chopra loved and and immediately gave Parmeet the green light, insisting that he direct the film himself.

Watch full interview here:

“I told Adtiya that I have never assisted anybody. He told me, ‘Mujhe maloom hai tu karlega (I know you can do it).'” Parmeet began the shoot of the film with Shahid Kapoor, Anushka Sharma and Vir Das. While they shot for quite some time and even faced difficulties due to constant rain, Aditya never cared to visit them on set.

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Parmeet Sethi said, “Aditya Chopra never visited my set. On the first day of shoot, Yash Chopra had come to my set for muhurat rituals. Post that none of them cared to be on my set. Aditya never even interfered in the editing room. He blindly trusted me and apparently, it was the first time when Aditya didn’t bother to be part of any film’s editing. This sort of worried me. I went to Adi and said, ‘Adi yaar, kam se kam dekh toh le mai kya shoot kar raha hu (Adi, at least look at what I have shot).’ And he would say, ‘Don’t worry, I know you are doing a good job.’ He said, ‘I did ask the editor about your shoots and he called it kadak. I didn’t bother to interfere post that.'”

He added, “Aditya was completely behind the scenes. However, he gave me everything I ever wanted to shoot the film. He passed the budget, gave me an open offer to shoot wherever I wanted, New York, Bangkok. I haven’t ever seen a producer like him. He only had an involvement in the music as I had no experience.”

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Badmaash Company went on to become one of the most successful films of 2010.

Jyothi Jha is an incisive Copy Editor and multi-platform journalist at The Indian Express, where she specializes in high-stakes entertainment reporting and cinematic analysis. With over six years of diverse experience across India’s leading media houses, she brings a rigorous, ethics-first approach to digital storytelling and editorial curation. Experience & Career Jyothi’s career is characterized by its breadth and depth across the media landscape. Before joining the editorial team at The Indian Express, she honed her expertise covering the entertainment beat for premier national broadcasters, including NDTV, Republic Media, and TV9. Her professional journey is not limited to digital text; she has a proven track record as an on-air anchor and has successfully managed production teams within the high-pressure segments of Politics and Daily News. This 360-degree view of newsroom operations allows her to navigate the complexities of modern journalism with veteran precision. Expertise & Focus Areas Guided by the Orwellian principle that "Journalism is printing what someone else does not want you to do," Jyothi focuses on transparent, accountability-driven reporting. Her core areas of expertise include: Cinematic Deconstruction: Analyzing the social subtext of mainstream Bollywood and South Indian cinema (e.g., Kantara, Masaan, Dabangg). Toxic Masculinity & Gender Studies: A vocal critic of regressive tropes in Indian cinema, she often highlights the industry's treatment of women and social progress. Box Office & Industry Economics: Providing data-backed predictions and analysis of film performance and superstar fee structures. Exclusive Multimedia Coverage: Conducting deep-dive interviews and long-form features that bridge the gap between archival history and modern pop culture. Authoritativeness & Trust Jyothi Jha has established herself as a trusted voice by prioritizing substance over PR-driven narratives. Her background in hard news and political production provides her with a unique lens through which she views the entertainment industry—not merely as gossip, but as a reflection of societal values. Readers rely on her for "Journalism of Courage," knowing her critiques are rooted in a deep respect for the craft and a refusal to settle for superficiality. Her ability to pivot between daily news and specialized entertainment analysis makes her a versatile and authoritative pillar of The Indian Express newsroom.   ... Read More

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