This is an archive article published on March 14, 2025
‘Aamir Khan shot amid public, no one recognised him’: Nitesh Tiwari recalls actor took 1 year to say yes to Dangal, describes his prep
In an exclusive interview with SCREEN, director-screenwriter Nitesh Tiwari opened up about his experience of shooting Dangal with Aamir Khan, on the actor's 60th birthday.
Aamir Khan’s Dangal (2016) went on to become the highest-grossing Indian movie of all time. Based on the Phogat family, the film not only broke box office records in India, but it also crossed borders by becoming a superhit in China. Dangal continues to live in people’s hearts, backed by remarkable performances, hit songs, and a heartwarming story. On Aamir’s 60th birthday today on March 14, the film’s director Nitesh Tiwari revealed several BTS stories with Aamir and reflected upon his personality, in an exclusive interview with SCREEN.
Aamir Khan’s process
He is such a treat to work with; he is a director’s actor. The best part is that he is willing to go to any lengths to fulfil the director’s vision. That itself says a lot about the kind of passion he has for his craft. The correct word to use for him is passionate. In case of Dangal, Aamir sir was so happy with the script, he didn’t want anything altered.
The music sessions with Amitabh Bhattacharya used to happen at his farmhouse in Panchgani. We had to whisk away Pritam da (composer) there so that he can fully give us his time without being distracted by anything else. That’s where we did most of our music, those were also really fun moments with the team.
I always had Aamir in my mind as Mahavir Phogat. I am so glad and lucky that he came on board. He connected with the role and script instantly. However, he took his sweet time to say yes. He loved the script the moment he heard it, but he was not sure at that stage of his career, he wanted to play the role as he was essaying characters who were much younger, including Dhoom 3. He said that if you are ready to wait for a few years, then we can reconnect again. But then within a year, when PK was going to release, I narrated it to him again and he said, ‘Lets do it, this has not left me’. So, he took a year to say yes finally, I was actually willing to wait longer.
No phone rule on Dangal sets
Aamir sir is somebody who follows rules. If there were certain rules made for everyone on the set, he wasn’t allowed to flout them. There were times when he would try to say jokingly, ‘Dekhiye sir, aapka security mujhe phone andar nahi laane deraha hai (Your security is not allowing me to take phone inside)’. I would just say that no one is allowed to bring in their phones and the same rule applies to you. He used to laugh and say sportingly, ‘Acha, theek hai beta!’
Aamir Khan’s character prep
He can take a joke on himself. We would all crack jokes on his expense when he was really overweight, and he would take them sportingly. When he was putting on weight, it had reached a point where his metabolism and the body parameters had gone for a toss, his cholesterol was also high. There was a time when he wasn’t even able to tie his shoelaces due to the belly fat. He used to say, ‘Dekho sir, kya kardia aapne mereko (See my condition)?’ He is such a sport and took everything with a smile.
There was a time when we were shooting with Aamir sir in the crowd, literally on the road with public. However, he wasn’t mobbed or even recognised because of the weight and look. He would sit in a rickshaw and travel and people would pass him by! Nobody thought that’s how Aamir Khan can also look. We took our own sweet time while shooting, we didn’t have to rush the shoot because of this factor.
Aamir Khan, beyond work
He is very kind-hearted and intelligent, that’s the first thing I noticed about him. His critical and analytical thinking is fantastic. You can see his knowledge base in his work today. He has absolutely no ego and is a very easy-going person. Not to mention, he really values other people’s opinions and feedback. For example, when we went to a theatre to do a sound and quality check, we normally sit in the middle and come back. But, Aamir sir would sit in every corner, be it the front row or the last seat. He said that he wanted to see how it would look and sound from everywhere, as not everyone will sit in the middle. That’s the kind of person he is! You end up learning a lot from him.
Navya Kharbanda is an Entertainment Journalist and Cinematic Commentator at The Indian Express, where she specializes in bridging the gap between classic Bollywood heritage and contemporary Gen-Z perspectives. Her work is characterized by a blend of nostalgia-driven analysis and on-the-ground reporting from major film festivals and industry events.
Experience & Professional Background
Navya is a prominent voice on The Indian Express entertainment desk, known for her ability to secure candid interviews with both legendary veterans and rising stars. Her career highlights include:
The Indian Express: Covers a wide range of topics from high-stakes box office analysis to in-depth celebrity profiles. She is a regular at major events like the International Film Festival of India (IFFI).
SCREEN Interviews: Navya has conducted a series of "exclusive conversations" for SCREEN, featuring industry stalwarts like Anupam Kher, Vishal Bhardwaj, Vidhu Vinod Chopra, and Suhasini Maniratnam.
Archival Reporting: She is noted for her sensitive handling of archival interviews and retrospectives, recently covering the legacy of late superstar Dharmendra and the career reflections of the late Satish Shah.
Expertise & Focus Areas
Navya’s beat is uniquely defined by her "Gen-Z Revisit" series, where she re-evaluates cult classics through a modern lens. Her core areas of expertise include:
Cinematic Retrospectives: Analyzing 80s and 90s landmarks like Satyam Shivam Sundaram, Qayamat Se Qayamat Tak, and Mohabbatein to explore how themes of romance and rebellion resonate with today’s youth.
Industry Insights: Tracking the career resurgences of actors (e.g., Akshaye Khanna) and the evolving dynamics of film production and distribution in the OTT era.
On-Set Dynamics: Reporting on behind-the-scenes stories from major productions, ranging from the technical challenges of Mirzapur: The Film to the work ethics of superstars like Shah Rukh Khan.
South Indian Cinema: Expanding her coverage to include the impact of regional icons and the rise of pan-Indian fantasy epics like Magadheera.
Authoritativeness & Trust
Navya Kharbanda has established her authority by consistently providing "Journalism of Courage" in the entertainment sphere. Whether she is interrogating the sexism in patriarchal classics or reporting on the fair-pay debates at international film festivals, her work prioritizes factual accuracy and critical objectivity. Her ability to synthesize deep industry history with modern audience trends makes her a trusted source for readers seeking both entertainment news and thoughtful cultural commentary. ... Read More