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This is an archive article published on January 16, 2023

A twist in the plot: Gangster turns actor, features in movie on his life

Directed by Shaji Kailas and featuring actor Prithviraj Sukumaran as 'Kotta Madhu', a character inspired by Sabu, Kaapa is based on the gang wars in Kerala’s capital city in the 1990s and the first decade of this millennium.

Actor Prithviraj Sukumaran (left) plays ‘Kotta Madhu’, a character inspired by Gundukadu Sabu (right), in KaapaActor Prithviraj Sukumaran (left) plays ‘Kotta Madhu’, a character inspired by Gundukadu Sabu (right), in Kaapa
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A twist in the plot: Gangster turns actor, features in movie on his life
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HE IS the genial boy-next-door, the son of a police officer who hangs out with college mates and dreams of landing a government job. Until, one day, his life turns upside down. His brother is killed, he seeks revenge, and turns into a dreaded gangster.

It’s a tried and tested plot for many a movie. Only, this one is for real — it’s the story of Shabu Praudeen alias Gundukadu Sabu, a gangster who sent shivers down the spines of many in the Thiruvananthapuram of the early 2000s. But this story comes with a happy twist: in Kaapa, a Malayalam action thriller released last month, said to be a loose adaptation of the gangster’s life, Sabu, now an actor, doesn’t play himself; instead, he is ‘District Collector Rajmohan’.

Sabu with director Shaji Kailas on the sets of Kaapa. (Facebook)

Directed by Shaji Kailas and featuring actor Prithviraj Sukumaran as ‘Kotta Madhu’, a character inspired by Sabu, Kaapa is based on the gang wars in Kerala’s capital city in the 1990s and the first decade of this millennium. The film’s title is derived from KAAPA, the Kerala Anti-Social Activities Prevention Act of 2007, under which Sabu was booked at least twice.

Speaking to The Indian Express, Sabu calls Kaapa a “cinematised version of his life”.

A poster of Kaapa featuring actor Prithviraj Sukumaran. (Facebook)

The youngest son of late police constable Prabhakaran and retired health service employee Vijayakumari, Sabu grew up in Thiruvananthapuram’s ‘Gundukadu’ or Barton Hill Colony, one of the poorer neighbourhoods of the capital. Not many of the youngsters here went to college, so when Sabu did, his family hoped he would escape the hopelessness of Gundukadu and land a government job some day. However, it was acting that Sabu was passionate about — he spent his undergraduate days at the city’s University College as an active member of its cultural groups.

An incident from the early 2000s was to change his life forever — Sabu’s brother, gangster Gundukadu Shaji, was hacked to death, allegedly by associates of another ganglord, Vayaran Selvan, at Manacaud in the capital city.

“Shaji, my brother, was murdered in broad daylight. Unfortunately, he frequently got into problems and I would chide him for his ways. Yet, I was always there for him, no matter what. His rivals probably knew I wasn’t someone who would take things lying down, which is why they wanted to finish off me as well,” says Sabu, recalling some of the attempts on his life.

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Sabu in the movie Holy Wound.

He continues to live in Gundukadu Colony with his mother, wife and daughter.

Police sources said that so far, Sabu has been booked in over 30 cases. While Sabu says he left behind his life as a gangster over five years ago, at least four cases against him are still pending in court.

On his past, Sabu says, “I became part of the underworld only because my brother was killed and I had to stay alive. But after a point, it all seemed senseless. I had nothing left to prove… So I gradually started separating myself from that life.”

It was around this time that he turned to his first love: movies.

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Sabu with Malayalam actor Miya George on the sets of Price of Police (Facebook)

Sabu is currently closely associated with Sahasrara Cinemas Private Limited, and has acted in films produced by the firm, including Holy Wound, Kaanthi and Orilathanalil — all directed by the award-winning Asok R Nath.

“Sahasrara Cinemas introduced me to Sabu when I was looking for actors to cast in Kaanthi. At first, I considered it an opportunity to help a man with a tainted past make a new beginning. But Sabu proved to me that he was much more than his past. He played his character with utmost honesty and dedication. I was impressed. That’s why I cast him in my remaining films as well. Sabu is a director’s actor,” says Nath.

Sabu has also acted in mainstream films such as Price of Police, Jailer and Apposthalanmarude Pravarthikal, which are yet to hit the screen. He was earlier on the creative team of Rajeev Ravi’s mystery crime film Njan Steve Lopez and has acted in the director’s period action-drama Thuramukham.

Sabu with cinematographer-turned-director Rajeev Ravi. (Facebook)

On his role in Kaapa, which is based on writer G R Indugopan’s book Shangumukhi, Sabu says, “Indugopan was my junior at University College. When he wrote Shangumukhi, he took a lot of elements from my life. But when Shaji Kailas came on board to make Kaapa, they made a lot of changes to that story and made it as cinematically appealing as possible.”

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Speaking to The Indian Express, Indugopan said, “I worked in Thiruvananthapuram as a journalist for almost 15 years and so in Shangumukhi and later Kaapa, I incorporated the stories of the city’s dark side and that of people like Sabu. I adapted a lot of elements from Sabu’s life while writing the script, especially for the hero.”

Sabu as Pradeep in Apposthalanmarude Pravarthikal (Facebook)

Sabu, who has already tried his hands at acting, besides being executive producer and assistant director, now dreams of becoming an independent film director. “I want to make a good commercial film that audiences will enjoy. I don’t want to cut corners. It should have quality and entertain people at the same time,” he says.

He is also living another dream. “I can’t tell you how happy I am now. The world of crime had taken away the small joys of life. I would have to constantly look over my shoulder. I had forgotten the small joys of life — how beautiful the sunset at the beach looks, or how great it is to eat from a food cart.”

Anandu Suresh is a distinguished Deputy Copy Editor at The Indian Express Online, where he serves as a leading voice in cinematic critique and industry analysis. With over six years of rigorous experience in the media landscape, he has established a reputation for incisive, long-form commentary that bridges the gap between commercial cinema and art-house narratives. Experience & Career Anandu’s professional journey is rooted in a deep academic and practical foundation in the humanities and communication. He holds a Bachelor's degree in English Language and Literature and a PG Diploma in Journalism and Communication. Before ascending to his current editorial leadership role at The Indian Express, he honed his skills on the news desk of The New Indian Express in Hyderabad. His career is marked by a transition from core news operations to specialized cultural journalism, allowing him to bring a structured, news-oriented rigor to the entertainment beat. Expertise & Focus Areas While Anandu’s portfolio spans the global cinematic landscape, he is widely regarded as an expert in Malayalam Cinema. His unique approach to film criticism is defined by: Cinema Anatomy: A dedicated column where he deconstructs the structural layers of films to uncover deeper sociopolitical meanings. Marginalized Narratives: A commitment on-ground and analytical reporting on how cinema represents or fails marginalized communities. Critiquing "Performative Wokeness": Rigorous analysis of modern filmmaking trends, identifying the difference between authentic representation and superficial social commentary. Multimedia Discourse: Actively fostering continuous public dialogue on cinema through digital platforms and archival research. Authoritativeness & Trust Anandu Suresh is a trusted authority in the film journalism circuit, frequently providing exclusive coverage from major international festivals like the International Film Festival of Kerala (IFFK). His work goes beyond standard reviews; he is known for holding the industry accountable, as seen in his extensive reporting on sensitive issues like the 2017 Kerala actress assault case and the legal complexities surrounding film credits. By prioritizing "Journalism of Courage," Anandu ensures his readers receive commentary that is not only intellectually stimulating but also ethically grounded and factually robust. ... Read More

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