This is an archive article published on April 21, 2021
Three SIBM Pune students win competition challenging victim shaming
There are three winners from Pune — Arpit Mishra and Prashansa Gupta are the others — in a competition that features multiple art forms such as paintings, posters, animations, videos, poems, digital art and even a rap song in Tamil to drive home the point about the need to stop victim shaming and blaming.
When she’s sipping cocktails with her girlfriends, When she is trying out cute outfits at the mall, When she’s waiting alone for dad to pick her up from school, Leave her alone.
With these lines, Prerna Ramesh began the poem Alone, one of the winning entries of a nationwide initiative for gender justice, titled Art for Freedom.
“The poem stems from the age-old practice of over-sexualising women. That uncomfortable, unnerving male gaze that, unfortunately, each woman has experienced; is the problem. Objectifying women has become so normalised that we no longer seem to even acknowledge that it is the root cause. Why do women instinctively sit next to a woman in a crowded bus and not a man? Why do we prefer to take a longer route home when the shortcut has some sketchy men occasionally? This kind of instinct has been habituated now, and that’s sad,” says Prerna, a lawyer turned HR professional who is studying at SIBM Pune. This was the first time Prerna, a food blogger has penned a poem.
There are three winners from Pune — Arpit Mishra and Prashansa Gupta are the others — in a competition that features multiple art forms such as paintings, posters, animations, videos, poems, digital art and even a rap song in Tamil to drive home the point about the need to stop victim shaming and blaming. These works are on display on the Grand Virtual Art for Freedom Gallery.
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The other top entries are a 20-year-old pursuing her law degree from the Faculty of Law, Delhi University, who voices her real-life experience and capturers a powerful sentiment through her poem, Bachpan; Vardha Anand, a Class X student from Delhi, who depicts the journey of a rape survivor and her right to justice through a painting; and Santosh Kumar RB, an artist who presents a compelling narrative on justice for women through a set of three paintings.
Mishra, who was judged as second winner, has created a powerful video message that blends satire with a nuanced script to call out patriarchy. He presents it with the conviction that carries the hints of his experience with street theatre. “I started writing street plays during my graduation. We used to look for social issues that people weren’t talking about and then created plays on them to increase awareness. I remember writing a play in 2014 on a similar issue of rape and eve teasing and my research for it appalled me; not just the sheer number of cases but what came after it,” he says. A first-year marketing student from SIBM Pune, he read up on incidents and “it shook me how ignorant we were as a society that we actually blamed the victim for it”. “After that, every time I have seen a story on the internet or a news channel, be it Nirbhaya, Unnao, Kathua or stories that didn’t reach the masses, some part of that story has remained with me. These stories are what made me write this piece, so, though it took me around a week to write the actual poem, the creative process behind it has been there for years,” he says.
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The fourth winner is Prashansa Gupta, a first-year MBA student from SIBM Pune, who has created a film highlighting women issues. She takes on the idea of a woman as a protector of a family’s or society’s honour to the extent that a woman’s rape is seen as a loss of face for the family. “I have grown up in a society where rape is called “Izzat Lut Jana”, where protecting a girl from getting raped is called – Uski “Laaj” bacha lena. Where, if a girl is not a virgin, it is a shame for her and her family. I often hear people making remarks like – “Us football match mein us team ka rape hi hogaya”. This made me realise how deep-rooted this belief is — that by raping someone you take away their honour and exert your power.,” she says. The work brings out the skewered power dynamics of society where “rapes happen due to political rivalries, land disputes, during communal riots and wars”. “This observation evoked in me a sense of anger, on one hand the women around me were being told ways to avoid unwanted male attention to protect themselves and on the other hand it was clearly visible to me that rape is all about power relations and the concept of honour. This inspired me to write the piece,” she says.
Dipanita Nath is a Senior Assistant Editor at The Indian Express, based in Pune. She is a versatile journalist with a deep interest in the intersection of culture, sustainability, and urban life.
Professional Background
Experience: Before joining The Indian Express, she worked with other major news organizations including Hindustan Times, The Times of India, and Mint.
Core Specializations: She is widely recognized for her coverage of the climate crisis, theatre and performing arts, heritage conservation, and the startup ecosystem (often through her "Pune Inc" series).
Storytelling Focus: Her work often unearths "hidden stories" of Pune—focusing on historical institutes, local traditions, and the personal journeys of social innovators.
Recent Notable Articles (December 2025)
Her recent reporting highlights Pune’s cultural pulse and the environmental challenges facing the city during the winter season:
1. Climate & Environment
"Pune shivers on coldest morning of the season; minimum temperature plunges to 6.9°C" (Dec 20, 2025): Reporting on the record-breaking cold wave in Pune and the IMD's forecast for the week.
"How a heritage tree-mapping event at Ganeshkhind Garden highlights rising interest in Pune’s green legacy" (Dec 20, 2025): Covering a citizen-led initiative where Gen Z and millennials gathered to document and protect ancient trees at a Biodiversity Heritage Site.
"Right to breathe: Landmark NGT order directs PMC to frame norms for pollution from construction sites" (Dec 8, 2025): Reporting on a significant legal victory for residents fighting dust and air pollution in urban neighborhoods like Baner.
2. "Hidden Stories" & Heritage
"Inside Pune library that’s nourished minds of entrepreneurs for 17 years" (Dec 21, 2025): A feature on the Venture Center Library, detailing how a collection of 3,500 specialized books helps tech startups navigate the product life cycle.
"Before he died, Ram Sutar gave Pune a lasting gift" (Dec 18, 2025): A tribute to the legendary sculptor Ram Sutar (creator of the Statue of Unity), focusing on his local works like the Chhatrapati Shivaji statue at Pune airport.
"The Pune institute where MA Jinnah was once chief guest" (Dec 6, 2025): An archival exploration of the College of Agriculture, established in 1907, and its historical role in India's freedom struggle.
3. Arts, Theatre & "Pune Inc"
"Satyajit Ray, Ritwik Ghatak were not rivals but close friends, says veteran filmmaker" (Dec 17, 2025): A deep-dive interview ahead of the Pune International Film Festival (PIFF) exploring the camaraderie between legends of Indian cinema.
"Meet the Pune entrepreneur helping women build and scale businesses" (Dec 16, 2025): Part of her "Pune Inc" series, profiling Nikita Vora’s efforts to empower female-led startups.
"How women drone pilots in rural Maharashtra are cultivating a green habit" (Dec 12, 2025): Exploring how technology is being used by women in agriculture to reduce chemical use and labor.
Signature Style
Dipanita Nath is known for intellectual curiosity and a narrative-driven approach. Whether she is writing about a 110-year-old eatery or the intricacies of the climate crisis, she focuses on the human element and the historical context. Her columns are often a blend of reportage and cultural commentary, making them a staple for readers interested in the "soul" of Pune.
X (Twitter): @dipanitanath ... Read More
