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Monday, August 08, 2022

Ram Bapat Memorial Lecture | When we don’t want to hear another’s view, art can get through walls we build: Mallika Sarabhai

Bapat was an intellectual who worked in political science, sociology, literature, theatre, cinema, journalism, grassroots politics and fine arts.

Written by Dipanita Nath | Pune |
Updated: July 18, 2022 7:19:20 am
Mallika Sarabhai, Ram Bapat Memorial Lecture, Professor Ram Bapat, Pune, Maharashtra, Sadanand Menon, Gulammohammed Sheikh, Shiv Visvanathan, K Satchidanandan, TM Krishna, Prachi DeshpandeMallika Sarabhai (File)

“Art to me is one of the most powerful languages we have. In a world where we don’t want to listen, understand or hear another point of view, it is perhaps only art that can get through the walls that we have built and reach a place where we are open, vulnerable and open to change,” said Mallika Sarabhai as she gave the ninth Professor Ram Bapat Memorial Lecture on Saturday over Zoom.

Bapat was an intellectual who worked in political science, sociology, literature, theatre, cinema, journalism, grassroots politics and fine arts. In the past, the lectures, instituted in his honour in 2013, have been given by Sadanand Menon, Gulammohammed Sheikh, Shiv Visvanathan, K Satchidanandan, TM Krishna and Prachi Deshpande. The theme of this year’s talk was ‘Breaking Silos’.

Sarabhai illustrated her talk with clips from powerful performances, beginning with a piece titled Dear Judge Sahib, which questions judicial decisions surrounding the arrest of Pinjra Tod activist Natasha Narwal and her father. Sarabhai drew attention to her mother, the pathbreaking dancer Mrinalini Sarabhai, who took social issues, like dowry deaths and violence against Dalits, to audiences through her performances. “I grew up assuming that all artists use art to talk about what bothered them about society,” said Sarabhai.

The talk provided a glimpse into the making of an artist-activist. When Sarabhai became a dancer, she never thought she could create pieces like her mother did. It was while working in Paris with legendary theatre director Peter Brook on the Mahabharata from 1984 to 1990 that Sarabhai underwent a personal transformation. “It made me go into myself to be able to defend what I believed in. I began to see what Peter’s and my interpretation of Draupadi was doing to women across the world, from aboriginals in Perth to very distinguished Sorbonne students. Those five years were pivotal in making me coalesce my strong feelings for justice and human rights, my still-nascent political beliefs and ideology, my ethical framework and my ability as an artiste, to reach out to people and talk about things that matter,” she said.

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Since then, her work has brought together “the strands of activism, political beliefs, giving voice to the voiceless, and pitching myself where I thought I could make a change and where justice was needed”. One of the performances Sarabhai spoke about was Unsuni, a sociopolitical work based on Harsh Mander’s book Unheard Voices, another piece, created during the lockdown, was on the threats to the environment.

What happens when an artiste tries to contest an election as an Independent? Sarabhai took on LK Advani and lost her deposit, but not before she had met lakhs of people during her month-long campaign and gained a deep insight into electoral malpractice. She ended the lecture with a playful work that gets children to think about gender bias and patriarchy. “Strategies have to change depending on the external situation and who is powerful…” she said.

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First published on: 17-07-2022 at 08:39:43 pm

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