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The day two of 71st Sawai Gandharva Bhimsen Mahotsav Finale was performed by George Brooks on Saxophone and pandit Krishna Mohan Bhatt on the Sitar on Thursday.Express Photo By Pavan Khengre
Written by Meenakshi Jawale
The 71st Sawai Gandharva Bhimsen Mahotsav flowed into its second day with the rich, classical purity of Hrishikesh Badve and Indrayuddh Majumder, but it was also the profound human story of resilience and friendship shared between George Brooks, an American Saxophone player, and Indian Sitar player Pt. Krishnamohan Bhatt that touched a chord with all.
The afternoon began with vocalist Hrishikesh Badve, who brought warmth to the stage with Raag Gawati and the Bandish ‘Khabar Sabki Rakhte Ho…’ Sarod player Indrayuddh Majumder followed, showcasing the strict Jod patterns of the Senia-Maihar Gharana style.
As the evening approached, the fusion set began, focusing on the remarkable bond between Brooks and Pt. Bhatt. “Krishna and I go back over 40 years, maybe 45 years,” Brooks shared, adding that the Sitar player was key in helping him discover the world of Indian classical music.
Their friendship was quickly put to the test when they worked on their album, Lasting Impression. Brooks recounted the amusing moment Ustad Zakir Hussain offered his services: “He said, ‘Do you guys need a drummer?’”. Brooks’s first worry was, “Can I afford you?” but the Ustad insisted they focus on the music first, cementing a musical journey that has lasted decades.
The most moving part of the evening was when Brooks talked about Pt. Bhatt’s incredible courage. Brooks revealed that about a year and a half ago, Pt. Bhatt was in a serious car accident, suffering multiple fractures to his spine and leg.
“It’s kind of a miracle that he’s on stage with us tonight,” Brooks said emotionally, leading to powerful applause that showed admiration for Pt. Bhatt’s determination to return to his art. The energy and sincerity of the festival deeply impressed attendees, including Maya Press who travels specifically for the music. “That’s the beauty of Sawai,” she noted, “They respect the tradition completely, but they also show how Indian music can speak to the world”.
Pt. Bhatt honoured his roots by speaking about his family’s rich five-generation tradition in Rajasthan. He played a small, lovely piece of Maand, a special kind of music from Rajasthan, performing a song about a wedding called Nakhrāļī Byāvaṇā.
The music was wonderful, leading smoothly into a tribute piece for Pt. Bhimsen Joshi—a perfect way to honour the festival’s great spirit. As Brooks had said, just hearing the Sitar “tunes up… already creates an incredible world and realm of sound”.