This is an archive article published on June 6, 2014
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Music review: Ek Villain

The minimal acoustic heavy arrangement, with nice touches of harmonium, help.

Written by: Sankhayan Ghosh
2 min readMumbaiJun 6, 2014 03:14 AM IST First published on: Jun 6, 2014 at 03:08 AM IST

 Sufi Sounds 

Think Mohit Suri’s films and chances are you will start humming a mushy Sufi rock number. If Zeher and Kalyug heralded the arrival of the genre into mainstream Bollywood, the sound continued through films such as Woh Lamhe, Awarapan and Murder 2. The director certainly has a knack for melodies and Ek Villain, close on the heels of his last film, the phenomenally popular Aashiqui 2, comes with expectations. While Suri does make his album tread in familiar territory, he also takes commendable efforts to bring in new things such as Shraddha Kapoor’s pleasantly surprising reprise version of Galliyan, the already popular composition by Ankit Tiwary. Kapoor lends the right amount of huskiness and vulnerability to the song. The original, sung by Tiwary himself, starts on a cliched note and the auto-corrected fine tuning is a mild irritant in the beginning. But the haunting melody grows over a number of listens. Mithoon churns out the album’s most unusual song — and my favourite — Banjara. It has a subliminal, calming quality, a more understated and refreshing departure from the composer’s earlier haunting, heavy and somewhat similar sounding tunes. The minimal acoustic heavy arrangement, with nice touches of harmonium, help.

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