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This is an archive article published on January 16, 2018

Interview with Vijay Crishna: ‘Voyages of Zheng He were aimed to showcase China’s might’

"I get interested in strange things. I read a lot, and along the way, I read about this. About 10 years ago, the 600th anniversary of Zheng He’s voyage was being celebrated in the region and I happened to be visiting Singapore," said Vijay Crishna.

Vijay Crishna will deliver the 20th Vasant J Sheth Memorial Lecture on ‘The Lone Mariner and His Ghost Fleet’ at the Visitor’s Centre, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, at 7 pm Tuesday. (Express Photo: Nirmal Harindran)

 Vijay Crishna, Executive Director of the Godrej family-run businesses, is a man of many unusual interests, one of which is the history of the legendary 15th century Chinese naval commander, Zheng He. Crishna will deliver the 20th Vasant J Sheth Memorial Lecture on Tuesday, tracing the remarkable story of the seven naval expeditions that Zheng He commanded, expanding Chinese maritime and commercial influence all the way to Africa and almost a century before the Portuguese arrived in India. Excerpts from an interview to Indian Express.

Your lecture is titled ‘The Lone Mariner and his Ghost Fleet’. Why do you call it a ‘ghost fleet’?

Zheng He conducted seven voyages for his Ming emperor, Yongle. He reached South East Asia, India and went as far as Africa. The idea of the emperor was to show China’s might and bring rulers back to China. He allowed them to trade with China. Zheng He died on his last voyage and immediately after that the voyages were brought to a stop by the Confucian advisors at court. Yongle was already dead by then. The advisors argued that too much money had already been wasted on these ridiculous journeys and they not only put a stop to the voyages, but also destroyed all official records of voyages undertaken by Zheng He. So in effect, the fleet that had made these journeys became a ghost fleet and Zheng He himself vanished from public records. Within a century of this, shipping itself was stopped and the Chinese retreated into themselves. Now, centuries later, they’re becoming a marine power again.

What drew you to this subject?

I get interested in strange things. I read a lot, and along the way, I read about this. About 10 years ago, the 600th anniversary of Zheng He’s voyage was being celebrated in the region and I happened to be visiting Singapore. I brought back some writings on it and it was fascinating. Then I found some more books on the subject and was drawn in.

Is Zheng He still remembered along the route of his journeys?

Zheng He is remembered with great love and affection at all the sites along the journey he made, from Malacca, right upto Africa. He is remembered by the local Muslim community and also the Buddhist community with great love and affection because that’s how he treated people… He conducted himself with great responsibility because he was making these journeys on behalf of his emperor.

In what way is Zheng He’s own story remarkable?

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He came from a family of Mongol settlers in Yunnan, who had come from Bukhara. When the Ming armies invaded Yunnan, they neutered all the boys, most of whom then died. Zheng He was lucky; he survived this. By a stroke of luck, he was sent to be the page of the prince who would eventually become the emperor. This prince took a liking to Zheng He, and trusted him and treated him well. He took him to Beijing…and trained him. And later, when he became emperor, he got the idea for sending out these voyages and he made Zheng He the commander of the fleet. There must have been a huge amount of trust for him to do this. And Zheng He was a success. He had a fleet of over 300 ships in two years.

Would you say that if the great voyages had continued after Zheng He’s death, the world as we know it today would have been very different?

The Chinese could have made use of the huge standing they had at the time, and instead, they just flung it away. Within a century, well before the Europeans started arriving, they had disbanded their fleet. They just retreated into themselves and everything came to a naught. And then the Europeans came. Personally, I think everything would have been very different, if they hadn’t stopped these voyages. They had a great technological edge, and then it all vanished. This is the point at which Europeans gained an edge.

 

Pooja Pillai is a Senior Assistant Editor at The Indian Express, working with the National Editorial and Opinion section. Her work frequently explores the intersection of society, culture and technology. Editorial Focus & Expertise Pooja’s writing spans several key domains, often blending analytical commentary with cultural critique. Art & Culture: She writes extensively on cinema, books, and the evolving landscape of arts and entertainment. Technology & Society: Her work examines the human impact of the gig economy, the rise of AI in creative fields, and the cultural shifts driven by digital platforms. Food & Lifestyle: She often uses food as a lens to explore history and politics, covering everything from the origins of pantry essentials to the impact of nutrition policy. Politics: She closely tracks political developments in South and West India and provides commentary on international political transitions, including the shifting landscape of American politics. Multimedia & Podcasting Pooja is a prominent voice in the Indian Express’s digital ecosystem. She is the host of 'DeshKaal with Yogendra Yadav', weekly video podcast where she facilitates deep-dive conversations on Indian democracy, social movements, and current political affairs. Notable Recent Works Cinema & Identity: “SRK@60: Why Shah Rukh Khan is Bollywood's last, and only, superstar” – an analysis of stardom and the changing face of Indian identity Global Politics: Commentary on the Trump administration’s misguided “war on woke culture” via typography and analysis of the visual semiotics of Volodymyr Zelenskyy’s attire during successive visits to the White House. Art & AI: “An unequal music: AI is lowering barriers at the cost of music itself” – a critique of how technology is redefining artistic value. Professional Presence Pooja is active on X (formerly Twitter) and Instagram, where she shares her latest columns and editorial insights. Her full archive and latest updates can be found on her Indian Express Author Profile. ... Read More

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