This is an archive article published on September 11, 2013
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In the Name of the Father

The Souza family parts with over 100 works of the maverick artist,to be auctioned today

Written by: Vandana Kalra
4 min readSep 11, 2013 04:17 AM IST First published on: Sep 11, 2013 at 04:17 AM IST

It was years before FN Souza travelled to London to accomplish his dreams. The Progressive Artists Group was yet to be established. Then known as the young Newton from Goa,he headed to Mumbai to fulfil his artistic pursuits. Being suspended from the JJ School of Art for his support of the Quit India Movement did not deter his plans. Instead,he was in his studio translating the Goan landscapes on his gouache. While it’s rather difficult to find the renowned artist’s work from that period,his family has now parted with one — a 1945 gouache with thick brushstrokes. “The gouache of Marmagoa Harbour painted when he was just 20 years old,during his brief stint at JJ School,represents one of the fine natural harbours in Goa,Souza’s birthplace and shows Souza’s skill at that young age.” says Abha Housego,Vice President,Saffronart and Head of the Souza Sale.

For Housego,the untitled work is “Lot No 81”. It will come under the hammer along with more than 100 works by Souza in an auction dedicated to the artist that will take place in Mumbai today. It will simultaneously taken place online. Titled “Francis Newton Souza: Works from the Collection of Keren Souza Kohn”,this was being planned for a while,after Souza’s eldest daughter Kohn touched base with Saffronart. A practicing artist herself,she recalls assisting her father on The Game (1987) exhibited at the Hayward Gallery,London,in 1989. “Working with him was a lot of fun and a big honour,one which I didn’t fully appreciate until recently. The fun was Francis and Francis was fun,so giggly that it was infectious. We would cry laughing. Such a sense of humour,always seeing the amusing and the ridiculous which protected him from man’s darkness. But at the same time a live wire of a very rare seriousness. So serious,he felt he had Satan the devil on his back jeering at him,and that he was fending off reptiles in order to paint,” she says.

Vandana Kalra is an art critic and Deputy Associate Editor with Th... Read More

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